Maximum card Yarra River and Melbourne Skyline

 

YT AU 234

Stamp: Australia – Commemorative, XVIth Olympiad Melbourne 1956 – 2 shillings, multicolour, depicting a stylized panoramic view of Melbourne with the Olympic motif (Issue: 31.10.1956).

Postmark: Melbourne, Circular Date Stamp – 16.01.1958

Postcard: Colour postcard showing the Yarra River with the Melbourne skyline in the background, including prominent historic buildings and riverside parkland; printed caption reads “THE YARRA RIVER AND MELBOURNE SKYLINE” at the lower margin (Edition Nucolorvue Productions).

Concordance:

– Thematic: The stamp presents an artistic view of Melbourne created for the 1956 Olympic issue, while the postcard depicts an actual landscape of the city along the Yarra River. Both elements centre on Melbourne’s urban scenery, producing strong thematic coherence.

– Geographic: The stamp is Australian, the cancellation is from Melbourne, and the postcard image represents a location in Melbourne. This ensures full geographic concordance.

– Temporal: The postmark dated 16.01.1958 falls well within the valid postal lifetime of the 1956 Olympic issue, ensuring proper temporal coherence for maximaphilic purposes.

Maximum card Collins Street, Melbourne

Yt:AU 233

 Stamp: Australia – Commemorative, XVIth Olympiad Melbourne 1956 – 1 shilling, multicolour, depicting a stylized urban view of Melbourne (Issue: 1956).

Postmark: Melbourne, Circular Date Stamp – 1958

Postcard: Colour postcard depicting a detailed streetscape of Collins Street, Melbourne, with electric tram, commercial buildings, and urban traffic; printed caption “COLLINS STREET, MELBOURNE” at the lower margin (Edition Nucolorvue Productions).

Concordance:

– Thematic: The stamp presents an artistic representation connected to Melbourne’s 1956 Olympic context, while the postcard shows a real cityscape of Melbourne. The shared focus on Melbourne’s urban environment creates strong thematic coherence.

– Geographic: Full geographic concordance is achieved: the stamp is Australian, the postmark is from Melbourne, and the postcard depicts a scene located in Melbourne.

– Temporal: The 1958 cancellation date falls within a fully acceptable period after the 1956 commemorative issue, matching the timeframe in which Olympic stamps from this issue remained in normal postal circulation. This provides solid temporal coherence for maximaphilic purposes.

Henry Carton de Wiart Maxicard

 

Stamp: Turkey, Commemorative – Portrait of Henry Carton de Wiart – 30 kuruş, brown‑red and white (Issue: 02.09.1951).

Postmark: Ankara, Circular Date Stamp – 30.11.1951

Postcard: Monochrome photographic portrait of a seated figure in profile, dressed in formal attire; printed caption at the bottom reads “Comte HENRY CARTON de WIART (1869–1951)” (Publisher not identified).

Concordance:

– Thematic: The stamp depicts Henry Carton de Wiart, the same personality identified in the printed caption on the postcard, achieving full thematic alignment between stamp and card.

– Geographic: The postmark from Ankara corresponds to the country of issue of the stamp (Turkey), ensuring a correct geographic relationship within the maximaphilic criteria.

– Temporal: The cancellation date 30.11.1951 falls within the valid postal use period of the 1951 Turkish commemorative issue, providing satisfactory temporal coherence for maximaphily.

Maximum Card S. M. Othon I

 

Stamp:

Greece, Definitive – Traditional Greek Costume (Evzone figure) – 70 lepta, carmine‑rose (Issue: mid‑20th‑century Hellenic definitive series; exact year not identifiable a partir da imagem).

Postmark:

Athinai (Athens), Circular Date Stamp – 21.VI.61 (21.06.1961)

Postcard:

Monochrome printed portrait of a uniformed figure wearing traditional ceremonial attire, richly ornamented with sashes, cords and decorative elements; below the image appears the printed caption “S. M. Othon Ier” (Edition não identificada).

Maximum Card King George I

 

Stamp: Greece, Definitive – Portrait of King George I – 30 lepta, black (Issue: 1957-11-15).

Postmark: Athinai (Athens), Circular Date Stamp – 07.08.1961

Postcard: Monochrome photographic portrait of King George I in formal military dress, displaying richly detailed decorations and uniform insignia; printed caption “S. M. Georges Ier” beneath the image (Edition not identified).

Concordance:

– Thematic: The stamp features the same royal figure portrayed on the postcard, achieving full thematic alignment through the matching subject (King George I).

– Geographic: The cancellation from Athens corresponds directly with the historical context of the Greek monarchy and the subject depicted, reinforcing geographic relevance.

– Temporal: Although the stamp originates from an earlier definitive issue, the 1961 postmark date remains within the period in which earlier Greek definitive stamps were still commonly found in postal circulation, providing acceptable temporal coherence for maximaphilic purposes.

YT: 642

Maximum card Général Gallieni - Madagascar (French Administration)

Stamp: Madagascar (French Administration), “Général Gallieni”, violet‑brown, face value 3 francs (Issue: 10/02/1946, portrait series honoring historical figures related to Madagascar).

The stamp presents a formal bust portrait of General Joseph Gallieni, wearing military uniform with high collar and decorations.

Postmark: TANANARIVE / MADAGASCAR – circular datestamp (CDS), dated 24 April 1949, with additional strikes from military postal service POSTES MILITAIRES BPM of the same date.

Postcard: Monochrome photographic postcard titled “Le Général Gallieni”, showing a full‑length formal portrait of the French military officer in uniform, displaying multiple medals and decorations on his chest. The image is credited to (Doc. E. Le Deley), a well‑known early 20th‑century photographic publisher.

(The publisher number “3” appears printed in the lower right corner.)

Concordance

– Thematic: The stamp portrays General Gallieni, and the postcard also represents the same historical figure, shown in military uniform with visible decorations. This establishes complete thematic concordance, since both media depict the same person in an official military context.

– Geographic: The cancellation from Tananarive (Antananarivo), Madagascar is geographically appropriate: Gallieni served as Governor of Madagascar; his name and legacy are directly tied to the island; and the French colonial postal administration issued the stamp in Madagascar. Thus, the stamp, postcard, and postmark are in full geographic alignment.

– Temporal: The cancellation date 24 April 1949 falls well within the period of postal validity of the 3‑franc Gallieni stamp issued 10/02/1946. The use of the stamp on that date is therefore chronologically correct and compliant with maximaphily rules.

YT: MG 310

Maxicard Jacob Christian Jacobsen

 

Stamp: Denmark, Commemorative – 60th Anniversary of the Death of I.C. Jacobsen – 20 øre, brownish‑red (Issue: 10.11.1947) [stampworld.com]

Postmark: København (Copenhagen), Circular Date Stamp – 03.12.1956 

Postcard: Sepia-toned photographic portrait of a well-dressed man in formal attire, standing outdoors beside architectural elements such as a column and foliage; the pose conveys a dignified, period‑appropriate setting (Edition: not identifiable from the image).

Concordance:

– Thematic: The stamp honors I.C. Jacobsen, a prominent cultural and industrial figure in Denmark, while the postcard presents a formal, period portrait that stylistically aligns with the era and atmosphere associated with Jacobsen’s lifetime and milieu.

– Geographic: The cancellation originates from Copenhagen, the principal city associated with Jacobsen’s historical and institutional legacy, aligning with the national cultural context represented by the commemorative stamp.

– Temporal: The postmark date of 1956 falls within the valid postal period of the 1947 I.C. Jacobsen commemorative stamp, fulfilling the temporal requirement for maximaphilic coherence.

YT: 314

Postal Máximo Hino à Liberdade

 

Stamp: Angola, Commemorative – 5th Anniversary of Independence – “Victory over Colonialism” – 5.50 Kz (Issue: 1980)

Postmark: Luanda, Commemorative Cancellation – 5th Anniversary of Independence – 11.11.1980

Postcard: Color illustration in a modernist style, depicting a stylized human figure raising its arms toward a red sun, with geometric shapes and warm tones; the composition conveys movement, liberation, and uplift (Publisher not identifiable from the image).

Concordance:

– Thematic: The stamp celebrates the 5th anniversary of Angola’s independence and displays an allegorical scene of liberation, while the postcard similarly features a stylized figure rising toward the sun, evoking ideas of emancipation, hope, and national reconstruction.

– Geographic: The cancellation is from Luanda, Angola’s capital and symbolic center of the independence process, aligning with the liberation theme expressed in both the stamp and the postcard illustration.

– Temporal: The date 11.11.1980 marks exactly the fifth anniversary of independence (1975), falling within the valid postal period of the 1980 commemorative issue, ensuring maximaphilic authenticity.

Maximum card Esaias Tegnér - Swedish cultural personalitie

 

Stamp: Sweden, “Esaias Tegnér”, violet‑purple, face value 10 öre (Issue: 02/11/1946 – commemorative series honoring Swedish cultural personalities). The stamp presents a sculptural profile portrait of the poet Esaias Tegnér based on classical bust iconography.

Postmark: Circular datestamp (CDS), dated 7.6.1948, with Swedish postal indication “C”.

Postcard: Monochrome postcard reproducing the marble bust of Esaias Tegnér, sculpted by J. N. Byström. The image shows the right‑facing profile of the bust, emphasizing the neoclassical treatment of the hair and drapery (edition unspecified). The caption reads: “ESAIAS TEGNÉR – Byst i marmor av J. N. Byström”.

Concordance

– Thematic: The stamp depicts Esaias Tegnér in classical sculptural profile, while the postcard illustrates the same subject through a photographic reproduction of his marble bust by Byström. This produces complete thematic concordance, as both philatelic and pictorial elements represent the same cultural figure in consistent artistic form.

– Geographic: The Swedish postmark with the “C” designation corresponds to the national origin of both the Swedish commemorative stamp and the portrait subject, ensuring full geographic alignment within Sweden’s cultural and postal context.

– Temporal: The cancellation date 7 June 1948 falls within the valid postal period of the 1946 commemorative issue, confirming proper chronological use of the stamp according to maximaphily standards.

Maximum card III Centenary Death Miguel de Cervantes

 

Stamp: Spain, “III Centenary Death Miguel de Cervantes”, dark brown, face value 10 céntimos (Issue: 1916 – commemorative series marking the 300th anniversary of the death of Miguel de Cervantes Saavedra). The stamp features an engraved portrait of Miguel de Cervantes framed within a classical ornamental border typical of early 20th‑century Spanish commemoratives.

Postmark: ESTAFETA DEL SENADO – CORREOS – violet circular datestamp (CDS), dated 13 April 1916.

Postcard: Monochrome printed postcard bearing an oval engraved portrait of Miguel de Cervantes Saavedra, showing him in characteristic 17th‑century attire with elaborate ruff and period clothing. The lower inscription reads “D. MIGUEL DE CERVANTES SAAVEDRA” (publisher not identified).

Concordance

– Thematic: The stamp celebrates Miguel de Cervantes, and the postcard also presents a formal engraved portrait of Cervantes.

This constitutes perfect thematic concordance, as both items portray the same historical literary figure in a consistent artistic style (engraved philatelic portrait and engraved postcard illustration).

– Geographic: The Estafeta del Senado (Madrid) cancellation is geographically fitting: the stamp belongs to a national commemorative issue honoring Cervantes, a pinnacle of Spanish culture. As the seat of national institutions, Madrid is a primary location for commemorative postal marks, ensuring complete geographic alignment.

– Temporal: The postmark date 13 April 1916 falls squarely within the year of issue of the 1916 Cervantes commemorative series, which was released for the tricentenary of his death.

The stamp was unquestionably valid for postal use on that date, providing correct temporal concordance.

Maxicard Avenue Camacho - La Paz (Bolivia)

Celebrating the 4th Centenary of La Paz’s foundation in 1948, Bolivia honored its rich history and cultural heritage with stamps and monuments marking this milestone.

Stamp: Bolivia, 4th Centenary of the Foundation of La Paz,  (Issue: 15.03.1951).
Postmark: La Paz, Bolivia – Circular datestamp (CDS) - 10.01.1952 (numeral inverted)

Postcard: Colored illustration titled Club de La Paz y Hotel Yugoslavo – La Paz (number 78527 & Editions Tichnor Bros.)

Concordance:

- Thematic: Both the stamp and the postcard depict Avenida Camacho, an architectural and urban icon of La Paz, ensuring strong thematic linkage.

- Geographic: The postmark is from La Paz, the city shown on both the stamp and the postcard.

- Temporal: The postmark (10 January 1952) falls within the postal validity period of the stamp (issued in 1951).

 

Maximum card Mosquée Sidi Abderahmane

The Mosquée Sidi Abderahmane in Algiers is a historic mosque blending Moorish and Ottoman architectural styles. Built in the 17th century, it honors Sidi Abderahmane, a revered scholar and saint.

Stamp: Algeria, Definitive – Mosquée Sidi Abderahmane - 25c blue (Issue: 1939)
Postmark: Alger R.P., Circular Date Stamp – 06.07.1945
Postcard: Monochrome illustration of the Mosquée Sidi Abderahmane featuring an ornate tower and arched details, rendered in line-art style (Edition: A. Slonimski)

Concordance:

- Thematic: The stamp depicts the Sidi Abderahmane Mosque, while the postcard illustrates the same building.

- Geographic: The cancellation is from Algiers, the city where the mosque is located, reflecting the architectural context shown on the postcard.

- Temporal: The 1945 date falls within the valid postal period of the 1939 issue, ensuring postal authenticity.

 

 

Maximum card José María Heredia

José María Heredia, born in Santiago de Cuba in 1803, is celebrated as the first great Cuban poet. His works, rich in romanticism and patriotism, symbolize Cuba’s cultural identity and literary heritage.

Stamp: Cuba – Commemorative issue honoring José María Heredia, 5 centavos green (Issue: 30.12.1940)
Postmark: Habana – Circular cancellation with “PRIMER DÍA” (First Day of Issue) inscription – 30.12.1940
Postcard: Monochrome printed portrait of José María Heredia in formal attire, with name and biographical details printed below: “José Ma. Heredia – Nació en Santiago de Cuba el año 1803 – Murió en Toluca (México) el año 1839”. (edition unknown)

Concordance:

- Thematic: Both stamp and postcard depict José María Heredia, a prominent Cuban poet and national figure.

- Geographic: Cancellation from Habana reinforces the Cuban origin and cultural context.

- Temporal: The “First Day” cancellation coincides with the official issue date of the stamp, ensuring perfect temporal concordance.

 

 

Maxicard Regent Miklós Horthy

Miklós Horthy served as Regent of Hungary from 1920 to 1944, steering the nation through turbulent interwar years and World War II, symbolizing Hungarian nationalism and authority.

Stamp: Hungary, portrait of Miklós Horthy, green, 1 pengő (Issue: 01.01.1938 – Series: Miklós Horthy )
Postmark: Budapest, Circular cancellation, black dated 06.MAR.1940 (partially legible)
Postcard: Monochrome photographic portrait of Miklós Horthy in full military uniform, adorned with decorations and medals. Editor unknown.(editor HALMI BÉLA)

Concordance:

- Thematic: Both stamp and postcard depict Miklós Horthy, Regent of Hungary, emphasizing his role as head of state and military leader during the interwar period.

- Geographic: Postmark from Budapest, the capital of Hungary, directly associated with Horthy’s political and administrative center.

- Temporal: Postmark date (1940) falls within the stamp’s postal validity period (1938–1942), ensuring proper temporal concordance.

 

 

Maximum card President Pehr Evind Svinhufvud

Pehr Evind Svinhufvud, Finland’s third President (1931–1937), was a key figure in securing Finnish independence and shaping its democratic governance during a critical era.

Stamp: Finland, portrait of Pehr Evind Svinhufvud, black, 3½ markka (Issue: 01.08.1944 – Series: Death of Pehr Evind Svinhufvud, President of State)
Postmark: Helsinki, Circular cancellation, black, dated 23.07.1947 (partially legible)
Postcard: Monochrome photographic portrait of Pehr Evind Svinhufvud in formal attire, editor unknown.

Concordance:

- Thematic: Both stamp and postcard depict Pehr Evind Svinhufvud, a prominent Finnish statesman and President, symbolizing leadership and national identity.

- Geographic: Postmark from Helsinki, the capital of Finland, strongly associated with Svinhufvud’s political career and presidency.

- Temporal: Postmark date (1947) falls within the stamp’s postal validity period (1944–1962), ensuring correct temporal concordance.

 

 

Fish Seller from Lisboa

In 1940s Lisbon, the 'varina' was an icon. These fish sellers carried heavy baskets on their heads, filling the city streets with their powerful, salty cries.

Stamp: Portugal, Fish Seller from Lisboa – 1$75 Escudos, Green (Issue: 04.04.1941 - Series: Portuguese Customs, 1st emission)
Postmark: Lisboa, Circular Date Stamp “Rocha Conde de Óbidos” – Dated 04.04.1943.
Postcard: Monochrome printed image depicting a traditional Lisbon fish seller (“Vendeuse de poisson – LISBONNE”) wearing regional attire. (editions National Propaganda Secretariat)

Concordance:

- Thematic: The stamp represents Lisbon heritage (“Pedra de Lisboa”), while the postcard portrays a traditional Lisbon street vendor, creating a strong cultural and thematic link.

- Geographic: Both the stamp and the cancellation originate from Lisbon, matching the subject of the postcard.

- Temporal: The postmark date (1943) falls within the period of circulation of the stamp, ensuring temporal concordance.

 

 

Maximum card Mezquita de los Susis in Tangier

The Mezquita de los Susis in Tangier stands as a spiritual landmark near the Grand Socco. Its traditional design reflects the city's rich history and vibrant Moroccan culture.

Stamp: Spain (Tanger Spanish Protectorate in Morocco), Commemorative Issue – “Mezquita de los Susis, Tánger” – 0.05 Pesetas, Green (Issue: circa 1937)
Postmark: Tánger, Special Oblong Cancellation “HOGAR ESCUELA DE HUÉRFANOS – TANGER” – Dated 8 FEB 1938, associated with the orphan school fundraising campaign.
Postcard: Monochrome printed illustration of the Mezquita de los Susis in Tánger, featuring its prominent minaret and surrounding architectural structures. (edition Unión Universal de Correos).

Concordance:

- Thematic: Both stamp and postcard depict the same landmark, the Mezquita de los Susis in Tánger, ensuring perfect thematic alignment.

-Geographic: Cancellation from Tánger matches the location represented on the stamp and postcard.

- Temporal: The postmark date (1938) coincides with the issue period of the stamp, maintaining temporal concordance.

Maxicard José Enrique Rodó – Pensador Uruguayo

José Enrique Rodó, a leading Uruguayan thinker and writer, championed Latin American cultural identity and ethical ideals, inspiring generations across the continent.

 Stamp: Uruguay, “José Enrique Rodó” – 2 Céntimos (Issue: 01/06/1924) Series: Surcharged "PRENSA 3 CTS)

Postmark: Montevideo – Circular Date Stamp “26/10/1932”
Postcard: Color illustration of José Enrique Rodó seated in a formal pose, holding a sheet of paper, with a desk and globe in the background. Caption reads: “José Enrique Rodó – Pensador Uruguayo”.

Concordance:

- Thematic: Both the stamp and the postcard depict José Enrique Rodó, emphasizing his intellectual and literary legacy.

- Geographic: The stamp and cancellation originate from Uruguay, matching the subject of the postcard.

- Temporal: The postmark date (26/10/1932) falls within the valid postal period of the stamp (issued 1924), ensuring temporal concordance.

 

Alfred Nobel

 Sweden - 1947 (SE)

Alfred Nobel, Swedish chemist and inventor of dynamite, revolutionized industry and science. His legacy endures through the Nobel Prizes, honoring achievements in peace, literature, and research.

 

Stamp: Sweden – 20 Öre “Alfred Nobel” (Issue: 10.12.1946)
Postmark: Stockholm – Circular Date Stamp “28.6.47”
Postcard: Monochrome portrait of Alfred Nobel in formal photographic style, seated in profile with name printed below.

Concordance:

- Thematic: The stamp portrays Alfred Nobel, and the postcard features a formal monochrome portrait of Alfred Nobel seated in profile, creating a strong thematic link focused on his legacy.

- Geographic: Both the stamp and the cancellation originate from Stockholm, Sweden, matching the subject of the postcard.

- Temporal: The postmark date (28.06.1947) falls within the period of circulation of the stamp (issued 10.12.1946), ensuring temporal concordance.

 

Senegalese Woman

 Senegal AOF - 1940 (SN)

In the early 20th century, Senegal was under French colonial rule, and daily life in rural areas remained deeply rooted in traditional practices. Water was a vital resource, and its collection was a communal task often performed manually requiring strength and skill.

 

Stamp: Senegal, Senegalese Girl carring water in her head – 35 c (Issue: 01.07.1930 Series: Definitive 1935-1941)
Postmark: Dakar, Circular Date Stamp “SUCCURSALE” – dated 20.04.1940

Postcard: Monochrome photographic portrait of a woman carrying a large water-filled vessel on the head, supported by both hands. (edition Viale)
Concordance:

Thematic: The image portrays a traditional water-carrying practice, which directly relates to the stamp’s subject: a Senegalese girl carrying water on her head. Both emphasize cultural and daily life scenes in Senegal.

Geographic: The postmark from Dakar, the capital of Senegal, reinforces the authenticity and geographic relevance of the theme.

- Temporal: The postmark date (20.04.1940) falls within the period of circulation of the stamp, ensuring temporal concordance.

 

Rodolphe Töpffer

 Switzerland - 1947 (CH)

Rodolphe Töpffer, Swiss writer, painter, and caricaturist, is hailed as a pioneer of modern comics, reflecting Switzerland’s rich artistic and literary heritage.

 

Stamp: Switzerland, “Portrait of Rodolphe Töpffer”  - 5+5 Ct. (Issue: 30.11.1946 Series: Pro Juventute)
Postmark: Geneva – Circular Date Stamp “31.05.1947” (last day of circulation of the stamp)
Postcard: Monochrome portrait of Rodolphe Töpffer in formal seated pose. (editions unknown)

Concordance:

- Thematic: The stamp portrays Rodolphe Töpffer, and the postcard features his formal portrait with descriptive text, creating a strong thematic link focused on his literary and artistic legacy.

- Geographic: Both the stamp and the cancellation originate from Switzerland (Geneva), matching the subject of the postcard.

- Temporal: The postmark date (31.05.1947) corresponds to the last day of circulation of the stamp (issued 30.11.1946), ensuring perfect temporal concordance.