Maximum Card Theodor Herzl

 

Stamp: Israel, Commemorating the 50th Anniversary of the Death of Theodor Herzl – 160 Prutot, Brown/Sepia (Yvert IL 78T). The stamp includes the side "tab" (appendage), a distinctive and highly valued element in Israeli philately.

Postmark: Jerusalem, Har Herzl (Mount Herzl) – First Day of Issue postmark, dated July 21, 1954 (20 Tamuz 5714 in the Hebrew calendar).

Postcard: Classic photograph of Theodor Herzl. Official edition by the "Israel Philatelic Exchange Club" (Tel-Aviv), published specifically for the 50th anniversary of his death.

Concordance

Thematic: Perfect. The postcard reproduces the iconic image of Herzl, which served as the basis for the stamp's design. The visual harmony is absolute, fulfilling the fundamental requirement that the postcard and stamp images must be concordant.

Geographic: Absolute. The postmark comes from Har Herzl (Mount Herzl) in Jerusalem, the site of Theodor Herzl's tomb. In maximaphily, there is no location of greater concordance for this subject than the final resting place of the person honored.

Temporal: Maximum (First Day). The piece was cancelled on the exact day of the stamp's issuance (07/21/1954). The temporal concordance is perfect, making this maximum card a "First Day" (FDC Maximum Card), which grants it a superior status in competitive collections.

Tarjeta Maximum Juan Ramon Jimenez

 

Stamp: Spain, "Spanish Personalities" Series – Juan Ramón Jiménez (1956 Nobel Prize in Literature) – 1.50 Pesetas, Blue/Green (Issue: 21/09/1970).

Postmark: Moguer (Huelva), Circular Date Stamp (CDS) – Dated February 20, 1978, within the stamp's first year of circulation.

Postcard: Reproduction of a lyrical portrait of Juan Ramón Jiménez by the painter Daniel Vázquez Díaz. Edition of the "Casa-Museo Zenobia y Juan Ramón Jiménez" (Moguer, Huelva).

Concordance

Thematic: Perfect. Both the stamp and the postcard illustration feature the portrait of Juan Ramón Jiménez. The postcard explicitly identifies the artist (Vázquez Díaz) and the writer's Nobel Prize status.

Geographic: Absolute. The postmark is from Moguer (Huelva), the poet's birthplace, providing the maximum geographic concordance required in maximum card collecting (maximaphily).

Temporal: Excellent. The postcard was printed in 1974, as evidenced by the Legal Deposit on the reverse, and the postmark was subsequently applied in 1978. This confirms that the card already existed and was contemporary to the use of the stamp which, although issued in 1970, remained perfectly valid and in circulation at the time of cancellation.

Maxicard Walt Whitman (1819-1892)

Yt:US 431

 

Stamp: United States, 1940 issue, face value 5 cents. The stamp belongs to the "Famous Americans" series (Poets), honoring Walt Whitman. Issued on February 20, 1940.

Postmark: Manual "Duplex" cancel — Camden, N.J. — dated February 24, 1941. The postmark consists of a circular date stamp (CDS) and an elliptical barred "killer" containing the numeral "2," used to invalidate the postage.

Postcard: Art postcard featuring a photographic portrait of Walt Whitman, depicting the poet with his iconic wide-brimmed hat and long white beard. Edition Bazos

Concordance:

Thematic: Maximum thematic concordance. Both the stamp and the postcard feature the portrait of Walt Whitman, the "Good Gray Poet." The visual identity between the postcard's illustration and the stamp's effigy is absolute, representing the poet's unmistakable late-life aesthetic.

Geographic: Absolute geographic concordance. The stamp was issued by the U.S. Post Office, and the cancellation was applied in Camden, New Jersey. Camden is the city where Whitman lived his final 19 years and where his tomb is located, providing a direct link between the postal origin and the author's biography.

Temporal: High temporal concordance. The cancellation is dated February 24, 1941, within the first year of the stamp's circulation. While not a first-day cancellation, the date aligns with the period of peak philatelic interest in the "Famous Americans" series and celebrates the poet's legacy in his home city.

Tarjeta Maxima III Centenario de la muerte de Lope de Vega

 

Yt:ES 535

Stamp: Spain, 1935 issue, face value 30 centimos. The stamp is part of the commemorative series for the III Centennial of the Death of Lope de Vega (1635–1935). Issued on 01.08.1935.

Postmark: Circular date stamp — Toledo - dated August 27, 1935. 

Postcard: Art postcard featuring the portrait of Lope de Vega set within an oval frame, accompanied by the caption "Felix Lope de Vega y Carpio." 

Concordance:

Thematic: Maximum thematic concordance. Both the stamp and the postcard feature the portrait of Lope de Vega, celebrating his figure on the tricentenary of his death. The visual identity between the postcard illustration and the stamp's effigy is absolute.

Geographic: Absolute geographic concordance. The postage stamp was issued by the postal service of the Spanish Republic, and the cancellation was applied in Toledo, one of the cities most closely linked to the author's biography and work, uniting administrative origin with cultural context.

Temporal: Perfect temporal concordance. The cancellation is dated August 27, 1935, the exact day of the 300th anniversary of Lope de Vega's death. In maximaphily, this alignment with the historical anniversary represents the highest degree of temporal concordance.

Contributions to Postal History: A Potential "Affrancatura Anticipata" of the 1938 Imperial Series

 

Image 1: Front of the propaganda postcard featuring Dante Alighieri and Mussolini's signature.

Introduction

We present a brief technical analysis of a propaganda postcard from the Società Dante Alighieri, which contains a chronological singularity of significant interest to scholars of the Kingdom of Italy period. Although we are not specialists in Italian philately, the physical evidence of this piece invites reflection on the distribution circuits of postal and military mail in the late 1930s.

Image 2: Reverse of the postcard showing the clean surface and the text by Giuseppe Bottai.

Description of the Object

The postcard in question is an edition by Tipografia Canella (Rome), designed to promote membership in the "Dante Alighieri" Society. The iconography blends the figure of the poet with the rhetoric of the regime of that era, featuring a quote on the reverse by Giuseppe Bottai regarding the "apostolate of Italianness."

The most prominent element is the 25-cent (green) stamp, belonging to the commemorative series "Proclamazione dell'Impero", depicting Dante Alighieri and the imperial eagle.

The Chronological Anomaly: A Study of the Postmark

Upon examining the postal mark, we identified what is known in Italian philatelic terminology as an Affrancatura Anticipata (anticipated or early franking):

• Official Issue Date: The series was formally launched on October 28, 1938 (Year XVII of the Fascist Era).
• Date on this Specimen: The postmark clearly indicates 9 SEP 38 (Year XVI of the Fascist Era).
• Location: Pavia - COMANDANTE.

Image 3: Close-up of the 25c green stamp with the military postmark "Pavia Comandante" dated September 9, 1938.

This represents an anticipation of 49 days prior to the official date of sale to the public. As the postcard is uncirculated (lacking an address or transit markings on the reverse), the most likely hypothesis is that we are looking at a "favor cancel" or courtesy mark. This was likely performed within a military office in Pavia, suggesting that certain units received the stamps ahead of time for administrative or ceremonial purposes.

Notes for Further Research

This piece raises pertinent questions for the consideration of more experienced experts and collectors:

1. Technical Rarity: Are there other records of stamps from this series postmarked in military commands during September 1938?
2. Supporting Documentation: Could this specimen be considered an unofficial Earliest Known Use (EKU) for the Imperial series?

Conclusion

Despite our position as external observers of high-level philately, the clarity of the date on this military postmark from Pavia constitutes a curious historical document. This piece invites further study into the exceptions to the rule regarding postal issues during the Fascist period.

Maxicard Centenary of Carlos Viegas Gago Coutinho

 

Yt: AO 556

Stamp: Angola, Centenary of Carlos Viegas Gago Coutinho (1869–1969), face value 2$50 (Escudos), issued in 17.02.1969.

Postmark: Circular date stamp  “TELEGRAFOS / ANGOLA / VILA GAGO COUTINHO – 17.FEV.1969”

Postcard: Commemorative postcard dedicated to Carlos Viegas Gago Coutinho (1869–1969). An illustration of “LANCHA CANHONEIRA ‘LOIGE’. Edition unknow

Concordance:

Thematic: Excellent thematic concordance. The stamp commemorates the centenary of Gago Coutinho, depicting a vessel related to his African hydrographic missions. The postcard shows the launch “Loige,” the first vessel he commanded, directly reinforcing the thematic focus on his naval and scientific career.

Geographic: Strong geographic concordance. The postmark originates from Vila Gago Coutinho, a toponym adopted in honor of the navigator and located in the region where he conducted part of his cartographic work. Both the stamp and postcard refer to Africa and to the missions linked to Gago Coutinho, ensuring geographic alignment.

Temporal: Full temporal concordance. The cancellation dated 1 February 1969 occurs in the exact centenary year of Gago Coutinho’s birth (1869–1969) and within the correct postal validity period of the commemorative stamp.

Maximum Card Johannes Calvin

 

Yt:CH 624

Stamp: Switzerland (Helvetia) commemorative series, celebrating the 400th anniversary of the University of Geneva ("1559 Université de Genève 1959"). It features the profile portraits of the reformers John Calvin and Theodore Beza, with the university building in the background, in blue tonality, with a face value of 50 centimes. (Issued in 09.03.1959)

Postmark: Pictoral cancelation from Geneva ("Genève"), dated May 26, 1959 (26-V.1959), coinciding with the IV centenary celebrations mentioned on the stamp.

Postcard: Illustrated postcard featuring a color portrait of John Calvin (Johannes Calvin), based on classical iconography of the reformer wearing a black cap and fur-collared gown. At the bottom, it bears the legend "JOHANNES CALVIN" (Edition Christliche Verlagsanstalt Konstanz)

Concordance

Thematic: Excellent. There is total harmony between the stamp, the postmark, and the postcard illustration, all dedicated to the central figure of John Calvin and the institution he founded in Geneva.

Geographic: Perfect. The postmark is from Geneva, the city where Calvin developed most of his theological work and where the celebrated university was established, giving historical and geographical value to the set.

Temporal: Very strong. The June 1959 postmark is situated exactly within the period of the 400th anniversary celebrations of the university (1559-1959) depicted on the stamp, respecting the principles of maximaphily.

Maxicard Johannes Gutenberg

 

Yt:DE 222

Stamp: Issue from the definitive series "Deutsche Bundespost - Bedeutende Deutsche" (West Germany), featuring the portrait of Johannes Gutenberg, in violet tonality, with a face value of 8 Pfennig. (Issued on 03.08.1961)

Postmark: Special circular first-day datestamp (Erstausgabe) from Bonn 1, including the series inscription "Bedeutende Deutsche", dated -3.8.61.

Postcard: Illustrated postcard featuring a lithograph of Gutenberg (Jean Gensfleisch), accompanied by a biographical text in French highlighting his invention of movable type and his contribution to the Renaissance.

 

Concordance 

Thematic: Excellent. There is total harmony between the stamp, the postmark, and the postcard illustration, all exclusively dedicated to the figure of Johannes Gutenberg and the "Famous Germans" series.

Geographic: Strong. The postmark is from Bonn, which was the capital of West Germany (FRG) at the time of issue and the headquarters of the federal postal services, granting official status from the highest postal authority in the subject's home country.

Temporal: Perfect. This is a First Day of Issue (FDC) cancellation, which ensures the ideal chronological concordance between the stamp and the postmark, meeting the most rigorous criteria of maximaphily.

Maxicard Goethe (1749–1949): Bicentennial and Weimar’s 700th Anniversary

 

Yt:DD-ZS 53

Stamp: Germany (Soviet Zone), commemorative issue for the 200th anniversary of Johann Wolfgang von Goethe (1749–1949), in sepia/brown tonalities, face value 12 Pfennig. (Issued in 20.07.1949)

Postmark: Special commemorative circular datestamp (Sonderstempel) from Weimar, celebrating "700 JAHRE" (700 years of the city, 1250–1950), dated 1950.

Postcard: Illustrated postcard featuring a printed reproduction of the oil painting Goethe in the Roman Campagna (1787) by Johann Heinrich Wilhelm Tischbein.

Concordance 

Thematic: Excellent thematic concordance. Both the stamp and the postcard honor Johann Wolfgang von Goethe. Tischbein’s painting is the most iconic visual representation of the author, creating a perfect thematic harmony with the bicentenary issue on the stamp.

Geographic: Strong geographic concordance.The stamp originated in the Soviet Occupation Zone (SBZ) and the postmark is from Weimar. Weimar was the center of Goethe’s life and where he produced most of his work, making it the most relevant location for the cancellation of a Goethe-themed item.

Temporal: Good temporal concordance.Although the stamp was issued on 20.07.1949, the 1950 postmark (celebrating the 700th anniversary of Weimar) falls within the valid postal period of the stamp and the extended "Goethe Year" celebrations, complying with maximaphilic requirements.

Maximum Card 200th Birth Anniversary Goethe

 

Yt:DE-FWH 48

Stamp: Württemberg, commemorative issue Goethe 1749–1949, in blue tonalities, face value 30 Pfennig. (Issued in 12.08.1949)

Postmark: Circular datestamp (CDS) from Frankfurt (Main) dated 31.3.1950.

Postcard: Illustrated postcard dedicated to Johann Wolfgang von Goethe, featuring a printed reproduction of the Gips‑Relief von Angelica Facius (1827). Edition Verlag D.M. C. Köln

Concordance

Thematic: Excellent thematic concordance.

The stamp, the postmark and the postcard all honour Johann Wolfgang von Goethe, one of Germany’s most significant literary figures.

Geographic: Strong geographic concordance.

The stamp originates from Württemberg, and the postmark is from Frankfurt (Main) — Goethe’s birthplace — making it a highly appropriate cancellation location for a Goethe‑themed maximum card.

Temporal: Good temporal concordance.

The cancellation date 31.3.1950 falls within the normal postal period of the 1949 Goethe commemorative issue, complying with maximaphilic temporal requirements.

Carte Postal Maximum Antoine Fréderic Ozaman

 

Yt:MC 401

Stamp: Monaco, commemorative issue Ozanam (Antoine‑Frédéric), in dark grey and black tones, face value 15f. (Issued in 12.04.1954). The design features a finely engraved profile portrait and the denomination 15f.

Postmark: First Day of Issue postmark – Monaco - 12.4.1954.

The cancellation includes the illustration of the Monaco Rock with the Prince’s Palace, a typical pictorial element used in Monaco’s mid‑20th‑century commemorative obliterations.

Postcard: Illustrated postcard dedicated to Antoine‑Frédéric Ozanam (1813–1853). Edition unknow

Concordance

Thematic: Excellent thematic concordance.

The stamp, the postmark and the postcard all honour Antoine‑Frédéric Ozanam.

The portrait on the postcard and the engraved profile on the stamp reinforce each other thematically, while the pictorial cancellation—although depicting Monaco—remains appropriate to the commemorative purpose linked to Ozanam’s international religious and social influence.

Geographic: Strong geographic concordance.

The stamp is issued by Monaco, the postmark is applied in Monaco on the First Day of Issue, and the postcard—though with unknown publisher—presents content fully coherent with the French cultural sphere to which Ozanam belonged.

Since the cancellation is from the country of issue, and Ozanam's work had international reach including strong historical ties with France and Catholic institutions across Europe, the geographic link remains maximaphilically suitable.

Temporal: Excellent temporal concordance.

The postmark 12.4.1954 corresponds exactly to the official date of issue of the commemorative stamp, establishing maximum temporal alignment.

Both the postcard and the stamp are consistent with the commemorative focus on Ozanam, and the piece qualifies as a correct First Day Maximum Card within the norms applied at the time.

Carte Postal Maximum Jules Verne

 

Yt:MC 1132

Stamp: Monaco, commemorative issue 150th Birth Anniversary of Jules Verne, in shades of purple and lilac, face value 5.50. (Issued on 02/05/1978)

Postmark: First Day of Issue postmark – Monaco – 02/05/1978.

The official Jour d’Émission cancellation displays the image of a hot‑air balloon.

Postcard: Illustrated postcard dedicated to Jules Verne. Edition R. et M. Vivant – Nantes”.

Concordance

Thematic: Excellent thematic concordance.

The stamp, the First Day postmark, and the postcard all converge in their tribute to Jules Verne, highlighting his work, iconography, and literary symbolism. The presence of the balloon on the cancellation further reinforces the universe of adventure and exploration characteristic of the author.

Geographic: Strong geographic concordance.

The issue is from Monaco, the postmark is from Monaco – Jour d’Émission, and the postcard is produced in French by R. et M. Vivant (Nantes), the city of birth and cultural association of Jules Verne.

The combination fully complies with maximaphilic criteria of geographic coherence.

Temporal:

Excellent temporal concordance.

The postmark 02/05/1978 corresponds precisely to the exact day of issue of the stamp, ensuring maximum required accuracy.

The postcard and the stamp belong to the same commemorative and editorial context celebrating the 150th anniversary of the author's birth.

Vassil Evstatiev Aprilov 100th death anniversary maxicard

 

Yt:BG 549

Stamp: Bulgaria, commemorative issue, blue tonalities, face value 1 лев (lev). (Issued 19/10/1947)

The design features a classical engraved portrait of Vasil Aprilov, accompanied by decorative elements typical of Bulgarian mid‑20th‑century commemorative stamps. The inscription includes Народна Република България (“People’s Republic of Bulgaria”) and Aprilov’s name in Cyrillic.

Postmark: Circular datestamp (CDS) from Gabrovo – Bulgaria (Габрово), with readable date 19.X.1947.

The cancellation corresponds to the town most intimately associated with Vasil Aprilov and matches the commemorative theme celebrating the 100th anniversary (1847–1947) of his death.

Postcard:

Commemorative illustrated postcard marking “1847–1947”, dedicated to Vasil Evstatiev Aprilov, Bulgarian educator and cultural figure.

Additionally, a black commemorative cachet appears in the upper right, bearing the inscription 1847–1947, along with emblematic motifs related to Gabrovo’s educational heritage.

Concordance

Thematic: Excellent thematic concordance. Both the stamp and the postcard celebrate Vasil Aprilov, focusing on his educational and cultural legacy in Bulgaria. The shared portraiture and the anniversary inscriptions reinforce the unified maximaphilic theme.

Geographic: Strong geographic concordance. Aprilov’s life and work are historically anchored in Gabrovo.The stamp is Bulgarian, the postcard is Bulgarian, and the cancellation is from Gabrovo—the most appropriate locality for a postal tribute to Aprilov. This results in a geographically optimal maximaphilic match.

Temporal: Excellent temporal concordance. The cancellation date 19 October 1947 aligns precisely with the centenary commemoration (1847–1947) indicated on both the stamp and the postcard.

The postmark falls within the valid postal period of the issue and corresponds exactly to the commemorative intent.

Maximum Card Miguel de Cervantes Saavedra, 4th birth Cent.

 

Yt:EC 510

Stamp: Ecuador, commemorative issue, face value 0.60 sucres. (Issued 02/05/1949)

The stamp bears the inscription “República del Ecuador – Miguel de Cervantes Saavedra” and features a portrait of the writer accompanied by a scene referring to the Battle of Lepanto, a frequent motif in Cervantine iconography.

Postmark:

Circular date stamp (CDS) from Ecuador - Manta (San Pablo de Manta) – , dated 03/07/1957.

Postcard: Illustrated postcard with a classic portrait of Miguel de Cervantes Saavedra, shown in 16th‑century attire with a ruffled collar and period clothing.

Concordance

Thematic: Excellent thematic concordance. Both the stamp and the postcard portray Miguel de Cervantes Saavedra, using coherent iconography: stylized portrait, historical context, and literary references.

The printed biographical text further reinforces thematic alignment.

Geographic: Acceptable geographic concordance. Although Cervantes is directly associated with Spain, the stamp was issued by Ecuador, and the postcard bears an Ecuadorian cancellation (Guayaquil).

The match between the country of issue and the country of cancellation fully satisfies maximaphilic geographic criteria, even without a direct historical link between Cervantes and Ecuador.

Temporal:

Good temporal concordance. The JUL 1957 cancellation falls within the valid postal period of the Ecuadorian issue from the 1950s, ensuring contemporary usage as required by maximaphilic rules.

Carte Postal Maximum Cerventes (1547 - 1616)

 

Yt:FR 1134

Stamp: France, commemorative issue, face value 12 F (Issue: 1957).

The stamp bears the inscription “Cervantès 1547–1616” and was issued by the République Française to honor the Spanish writer Miguel de Cervantes. The design is rendered in a dark monochrome tone typical of mid‑20th‑century French portrait commemoratives.

Postmark: First Day of Issue Pictorial Postmark - Paris – Salon de LÉnfance, dated 09/11/1957.

The postmark includes a stylized seated figure motif typical of the philatelic salon cancellations used in Paris exhibitions.

Postcard: Illustrated monochrome postcard featuring a large engraved-style portrait labeled “Cervantès 1547–1616”.

The layout emphasizes period clothing, rendered with detailed line shading consistent with classical book-illustration style.

The stamp is affixed in the lower right corner of the card, creating a matched portrayal of the same historical figure.

Concordance:

Thematic: Excellent

There is total concordance between the subject of the illustration (Miguel de Cervantes), the stamp, and the postmark. The stamp reproduces the author's portrait, the postcard features a classic engraving based on the work of Gregorio Ferro, and the postmark illustrates his most famous creation, Don Quixote. This thematic "trinity" strictly complies with the FIP (International Federation of Philately) regulations.

Geographic: Adequate (Issue Context)

Although Cervantes is Spanish, geographic concordance is validated by the stamp's place of issue. The postmark is from Paris, the official location for the 1957 French issue. In Maximaphily, when the theme involves a foreign figure, concordance is established between the stamp's issuing country and the location of that country’s official First Day postmark.

Temporal: Perfect (First Day of Issue)

The postmark is dated November 9, 1957 (9-11), which is the official First Day of Issue for this stamp in France. This concordance is absolute and "maximum," as the stamp was cancelled on the exact day of its postal birth, within its validity period, using a commemorative postmark specific to the event (Salon de l'Enfance).

Maximum card 375th Anniversary of the Reformation

 

Yt: DE-SL 295

Stamp: Saar (Sarre), commemorative issue, face value 15 + 5 Pf (Issue: 1951).

The stamp bears the inscription “Reformationsjubiläum an der Saar” and portrays two historical figures as part of the Reformation Jubilee theme. The design commemorates the 375th anniversary of the Reformation (1517–1951).

Postmark: First Day of Issue Pictorial Postmark from Saarbrücken, dated 31.10.1951, matching the Reformation anniversary date.

Postcard: Illustrated commemorative card titled “Reformations Jubiläum an der Saar”, with printed portraits labeled “J. Calvin 1509–1564” and “M. Luther 1483–1546”.

The lower part includes the printed inscription “375 Jahre Reformation an der Saar” and the artist’s signature TSCHERSKOVSKY.

The layout is monochrome, engraved-style, and thematically designed to accompany the 1951 Saar stamp.

Concordance:

Thematic: Excellent thematic concordance.

The stamp commemorates the Reformation Jubilee in the Saar region, and the postcard is a specially produced design celebrating the same historical event, including printed portraits and inscriptions directly related to the Reformation.

Geographic: Strong geographic concordance.

The postmark originates from Saarbrücken, the administrative center of Saarland, which matches both the issuing authority of the stamp and the subject matter commemorating the Reformation in the Saar region.

Temporal: Full temporal concordance.

The postmark date 31 October 1951 corresponds precisely to the official anniversary date of the Reformation (traditionally celebrated on 31 October), and falls within the valid postal period of the 1951 Saar commemorative issue.

Postal Máximo Joaquim Caetano

 

Stamp: Brazil – “Brasil‑Correio” – 1,50 cruzeiros – reddish‑brown – Issue date: 1958

The stamp commemorates Joaquim Caetano da Silva, featuring a finely engraved portrait and ornamental frame typical of Brazilian commemorative issues of the late 1950s, printed in reddish‑brown with the denomination shown at the bottom.

Postmark: Niterói (RJ) – First Day of Issue circular commemorative postmark – Date: 20 September 1958

Postcard: Monochrome printed commemorative postcard depicting Joaquim Caetano da Silva

Printed in sepia tone with an ornate border and bearing an inscription identifying Joaquim Caetano da Silva, the Brazilian historian known for his studies on the origins and early geography of the Amazon region.

Concordance

Thematic: Full thematic concordance. The stamp honors Joaquim Caetano da Silva, and the postcard likewise presents his portrait and printed identification. The First Day commemorative cancellation corresponds to the same figure. All three elements—stamp, postmark, and postcard—are devoted exclusively to Joaquim Caetano da Silva, forming a complete thematic unity.

Geographic: Perfect geographic concordance. All components originate from Brazil. The First Day cancel from Niterói (RJ) is geographically aligned with the national scope of the commemorative issue and with the Brazilian subject represented on both stamp and postcard. This establishes a coherent geographic link between the issuing authority, the cancellation site, and the illustrated figure.

Temporal: Strong temporal concordance. The postmark is dated 20 September 1958, the official First Day of Issue for the commemorative stamp. The alignment between the stamp’s release date, the corresponding First Day cancellation, and the matching postcard creates a precise and historically authentic temporal relationship.

Postal Máximo José Carlos do Patrocínio

 

Stamp: Brazil – “Brasil‑Correio” – 60 cruzeiros – blue‑green – Issue date: 1953

The stamp features an allegorical composition typical of mid‑20th‑century Brazilian commemorative designs, printed in blue‑green with the denomination “CTS 60”.

Postmark: Campos (RJ) – First Day of Issue circular commemorative postmark – Date: 9 October 1953

Postcard: Monochrome printed commemorative postcard dedicated to José Carlos do Patrocínio

Printed in sepia tone.

Concordance

Thematic: Full thematic concordance. The stamp is a Brazilian commemorative issue from the centennial year, while both the postcard and the First Day cancellation explicitly honor José do Patrocínio, one of the leading figures of the Brazilian abolitionist movement. All three components—stamp, postmark, and postcard—focus exclusively on the same historical figure, forming a unified thematic tribute.

Geographic: Perfect geographic concordance. All elements originate from Brazil. The First Day cancellation from Campos (RJ) corresponds to the region historically linked to Patrocínio, while the stamp and postcard are likewise Brazilian. This establishes a coherent and direct geographic connection between the issuing authority, the cancellation site, and the illustrated subject.

Temporal: Strong temporal concordance. The postmark is dated 9 October 1953, the official First Day of Issue and the centenary year of José do Patrocínio’s birth (1853). The use of the commemorative stamp on its release day, combined with a matching centennial postmark, provides a historically authentic and temporally precise alignment.

Maxicard Campaign Against Leprosy - Padre Bento

 

Yt:BR 669

Stamp: Brazil, 1958. Postal tax (or commemorative) stamp from the series "Preservation of Children Against Hansen's Disease" (Leprosy). The design features a bust of Father Bento (Bento Dias Pacheco), known as the apostle to the lepers. Face value of 10 centavos, printed in green. (Issued: 24/11/1958)

Postmark: First Day of Issue (FDC) commemorative postmark, dated November 24, 1958. Applied in Rio de Janeiro - D.F. (Federal District). The circular cancellation features a geometric border design and the central "CORREIOS" inscription.

Postcard: Illustrated postcard in blue tones, reproducing a portrait of Father Bento Dias Pacheco. The image focuses on the subject's face, depicting him with a beard and clerical attire. (Edition unknown)

Concordance (Maximum Card Trilogy)

Thematic: Perfect. There is absolute harmony between the stamp, the postmark, and the postcard illustration, all dedicated to Father Bento and the campaign against Hansen's disease.

Geographic: Coherent. The postmark was applied in Rio de Janeiro, the then-capital and administrative center of the Brazilian Post, validating the national issue.

Temporal: Exact. The cancellation date strictly coincides with the first day of the stamp's circulation (11/24/1958), fulfilling the requirement for maximum simultaneity.

Postal Máximo Padre Manuel da Nobrega

 

Yt:BR 477

Stamp: Brazil, 1949. Commemorative issue for the "4th Centenary of the Founding of the City of Salvador and the General Government." The design features a profile bust of Father Manuel da Nóbrega, alongside the Jesuit monogram "IHS." Face value of 60 centavos, printed in violet. (Issued: 29/03/1949)

Postmark: Salvador - Circular date cancellation Postal service from "ENTREGA E COLETA - R.A. - BA" (Delivery and Picking), dated May 30, 1954. (DR - BA is an acronym identifying the Regional Directorate of Bahia, an office headquartered in the city of Salvador, capital of the state of Bahia. The abbreviation "DR" stands for Regional Directorate, while "BA" refers to the federative unit of Bahia).

Postcard: Sepia-toned postcard reproducing a bass-relief of Fr. Manuel da Nóbrega, captioned "Founder of São Paulo." The original artwork is signed by "F. Franco sculpsit" (Francisco Franco). Edition unknown

Concordance (Maximum Card Trilogy)

Thematic: Perfect. There is absolute convergence between Father Manuel da Nóbrega's effigy on the stamp, his sculptural representation on the postcard, and the historical significance of the figure in the founding of both Salvador and São Paulo.

Geographic: Coherent. The stamp celebrates the founding of Salvador, and the postal service postmark was applied in the same city, linking the seat of the General Government to the honoree.

Temporal: Compatible. The 1949 stamp was used with a 1954 postmark, a period when the stamp remained postally valid and circulated during the celebrations of the 4th Centenary of São Paulo, a city also founded by Nóbrega.