Maxicard Campaign Against Leprosy - Padre Bento

 

Yt:BR 669

Edition unknown

Postal Máximo Padre Manuel da Nobrega

 

Yt:BR 477

Edition unknown

Maximum Card San Antonio Maria Claret

 

Yt:ES 823

Edition unknown

Issued on:

1951-09-09

Carte postale maximum Monseigneur Affre

 

Yt:FR 802

Edition Hébé

Adolf Hitler - 10th anniversary of the National Socialist seizure of power

 

Yt:DE-GO 88

Edition Echte fotografie

Stamp: Generalgouvernement (German‑administered territory in occupied Poland) – Definitive issue featuring the official profile portrait of Adolf Hitler, 20 Groschen, inscribed “DEUTSCHES REICH – GENERALGOUVERNEMENT”. (Issue: 1941)

Postmark: Generalgouvernement – Commemorative special cancellation 10th anniversary of the National Socialist seizure of power in 1933 - KRAKAU - 30/01/1943 .

Postcard: Monochrome real‑photo postcard presenting a formal profile portrait of Adolf Hitler era, printed in sepia tones with scalloped margins typical of early‑1940s German photographic postcard production. The portrait follows the official representational style commonly used in state‑issued photographic cards of the period. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance remains strong. Both the stamp and the postcard present the same official profile portrait used in the 20‑Groschen definitive issue of the Generalgouvernement, ensuring direct subject correspondence between stamp and postcard — a key maximaphilic requirement.

The postmark, commemorating the 10th anniversary of the National Socialist seizure of power (30 January 1933), includes the swastika, a historical emblem of the Nazi regime. While the postmark does not reproduce the same portrait as the stamp and postcard, it remains an official state cancellation from the same political and administrative context, reinforcing the documentary unity of the piece.

Thus, even though the postmark is symbolically different, it is thematically compatible within the framework of official postal imagery of the period.

Geographic: Geographic concordance is excellent. The stamp was issued for use in the Generalgouvernement, the postcard originates from the same administrative environment, and the commemorative cancellation was applied in Krakau (Cracow), the capital of the territory at that time.

All components are therefore grounded in the same geographic space, conforming fully to FIP guidelines for location coherence.

Temporal: Temporal concordance is fully respected. The special cancellation dated 30 January 1943 falls squarely within the normal postal validity period of the 1941 definitive issue. The postcard is likewise contemporaneous, belonging to the same early‑1940s photographic production period.

Together, these elements form a properly synchronized maximum card, combining stamp, postmark, and postcard all within the legitimate circulation window of the issue.

Adolf Hitler - Krakau – Mozart Tage – 1941

 

Yt:DE-GO 84 MiNr. 73

Stamp: Generalgouvernement (German‑administered territory in occupied Poland) – Definitive issue featuring the official profile portrait of Adolf Hitler, 8 Groschen, deep blue, inscribed “DEUTSCHES REICH – GENERALGOUVERNEMENT”. (Issue: 1941)

Postmark: Generalgouvernement – Commemorative special cancellation “KRAKAU – MOZART‑TAGE – 8.–14. DEZ. 1941”.

This Sonderstempel was created for the Mozart Days held in Kraków from 8 to 14 December 1941, marking the 150th anniversary of the death of Wolfgang Amadeus Mozart (1791–1941). The design includes the image of a grand piano, clearly distinguishing it from a standard circular date stamp and underlining its purely cultural commemorative purpose.

Postcard: Monochrome real‑photo postcard presenting a formal profile portrait of Adolf Hitler era, printed in sepia tones with scalloped margins typical of early‑1940s German photographic postcard production. The portrait follows the official representational style commonly used in state‑issued photographic cards of the period. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance is strong. Both the stamp and the postcard display Adolf Hitler in an identical official pose, fulfilling the essential maximaphilic requirement of direct subject correspondence between card and stamp.

The commemorative postmark, while not depicting the same subject, is an official cultural cancellation used within the same administrative framework and time period, providing valid historical contextualisation. Although not thematically identical, it remains compatible with the broader documentary environment of the issue.

Geographic: The geographic concordance is excellent. The stamp was issued for use in the Generalgouvernement, the postcard originates from the same political‑administrative environment, and the special cancellation was applied in Krakau (Cracow), the capital of that territory at the time. All components are thus firmly anchored in the same geographic area, meeting FIP principles for location consistency.

Temporal: Temporal concordance is fully respected. The special cancellation dates from the Mozart Days of 8–14 December 1941, well within the normal period of postal validity of the 1941 definitive issue. The postcard is likewise contemporary to the period represented.

Together, these elements form a correctly synchronized maximum card created during the legitimate circulation window of the stamp.

Maximum Card 250 Years Berlin Academy Of Science - Wilhelm von Humboldt

 

Yt:DD 18

Stamp: Germany – Deutsche Demokratische Republik (DDR) – Commemorative series “250 Years Berlin Academy of Science – Wilhelm von Humboldt”, 8 Pf, carmine‑red, showing an engraved portrait of Wilhelm von Humboldt associated with the tercentenary celebration of the Academy of Sciences in Berlin. (Issue: 10.07.1950)

Postmark: Germany – Commemorative postmark “DEUTSCHE AKADEMIE DER WISSENSCHAFTEN ZU BERLIN – 250 JAHRE” – 09.12.1950

Special cancellation created for the 250th anniversary of the Berlin Academy of Sciences. Its commemorative inscription directly relates to Humboldt’s role in the institution, clearly distinguishing it from a standard circular date stamp.

Postcard: Monochrome printed illustration presenting a classical portrait drawing labelled “WILHELM VON HUMBOLDT – Goethes Freunde. IV.” The depiction follows the traditional academic portrait format associated with early 19th‑century German cultural editions, highlighting Humboldt’s likeness in a detailed half‑length composition. (Edition: unknown)

Concordance:

Thematic: The thematic concordance is outstanding, as all three elements focus on the same historical figure and his scholarly legacy: the stamp honours Wilhelm von Humboldt in connection with the Berlin Academy of Sciences, the postcard presents a portrait of Wilhelm von Humboldt, and the commemorative postmark marks the 250th anniversary of the same institution. Together, these components converge precisely on Humboldt and his academic contributions, forming a perfect triple concordance fully aligned with maximaphily standards.

Geographic: The thematic commemorative stamp, the Berlin Academy anniversary postmark, and the cultural portrait postcard are all connected to Berlin, the city central to Humboldt’s intellectual and institutional activity. This ensures geographic coherence in full accordance with FIP maximaphily guidelines.

Temporal: The postmark date (09.12.1950) occurs within the normal postal validity period of the 1950 commemorative issue, ensuring proper temporal concordance for a maximum card produced during the same year as the stamp’s release.

Carte Postale Maximum Eugène-Georges Haussmann

 

Yt:FR 934

Stamp: France, Famous People series – Eugène-Georges Haussmann – 20 francs + 6 francs, (Issue date: 20 October 1952)

Postmark: Paris – First Day of Issue cancellation – Date: 18.10.1952

• Note on dates:
• Although many catalogues list 20 October 1952 as the official issue date, the First Day cancellation clearly shows 18 October 1952.
• This is historically correct: in mid‑20th‑century France, First Day cancellations were often applied 1–3 days before the general nationwide release, at dedicated philatelic counters in Paris.
• Thus:
• 18 October 1952 → First Day of Issue (FDC cancellation used at the Paris philatelic office)
• 20 October 1952 → general release date for national sale across post offices

Both dates are valid and refer to different stages of the stamp’s official introduction.

Postcard: Monochrome printed postcard depicting a portrait of Eugène-Georges Haussmann, presented in a classical profile view. (Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp portrays Eugène‑Georges Haussmann, and the postcard also features a portrait of the same figure who oversaw the urban transformation of Paris. This establishes complete and direct thematic alignment in accordance with maximaphilic standards.

Geographic: Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard illustrates an administrator whose legacy is deeply tied to the city of Paris. All elements share a coherent and consistent geographic context.

Temporal: Excellent temporal concordance.

The cancellation date—18 October 1952—corresponds to the official First Day of Issue as used by the Paris philatelic bureau. Although the general nationwide release occurred on 20 October 1952, French postal practice of the time allowed First Day cancellations to precede the broader commercial availability of the stamp. 

Thus, the card fully satisfies the temporal requirements of maximaphily and constitutes a true First Day maximum card.

Maximum Card Georges Clemenceau

 

Yt:FR 918

Stamp: France – Famous People series – Georges Clemenceau – 15 francs - (Issue date: 11 November 1951)

Postmark: Paris – First Day of Issue cancellation - Date: 11.11.1951

Postcard: Monochrome printed postcard depicting a sculptural portrait of Georges Clemenceau, based on the work of Auguste Rodin. (Edition unknown)

Concordance

Thematic: Full thematic concordance.

The stamp portrays Georges Clemenceau, and the postcard also depicts a sculpted portrait of the same historical figure, ensuring perfect thematic alignment under maximaphilic rules. All three elements—stamp, postmark, and postcard—directly reference Clemenceau.

Geographic:

Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard reproduces a work by the French sculptor Auguste Rodin, representing Georges Clemenceau. This creates complete geographic coherence.

Temporal: Excellent temporal concordance.

The cancellation date—11 November 1951—is the official First Day of Issue of the Georges Clemenceau stamp. This results in a perfect temporal match and makes the card a true First Day Maximum Card, the highest standard in maximaphily.

 

Maximum Card Ugo Foscolo (1778-1827)

 

Yt:IT 1385

Stamp: Italy – Ugo Foscolo bicentenary (1778–1827) – 170 lire (Issue date: 9 November 1978)

Postmark: Venezia – First Day of Issue cancellation – Venice - Date 9.11.1978

Postcard: Monochrome printed postcard featuring a portrait of Ugo Foscolo, presented in a Romantic‑era artistic style, showing the poet in elegant attire against a dramatic background. The lower margin includes the caption identifying UGO FOSCOLO.

(Edition unknown)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates Ugo Foscolo, and the postcard features a portrait of the same Italian poet and writer, ensuring a complete and direct thematic match in accordance with maximaphilic principles.

Geographic: Strong geographic concordance.

The stamp is an Italian issue, and the First Day cancellation was applied in Venezia, a city closely tied to Italy’s literary and cultural heritage.

The postcard likewise represents a central figure in Italian national culture, ensuring full geographic alignment.

Temporal: Excellent temporal concordance.

The postmark date—9 November 1978—is the official First Day of Issue of the 170‑lire Ugo Foscolo stamp. This creates perfect temporal alignment, forming a true First Day maximum card, the highest standard in maximaphily.

Carte Postale Maximum Raymond Poincaré

 

Yt:FR 864

Stamp: France – Famous People series – Raymond Poincaré – 15 French francs

(Issue date: 27 May 1950)

Postmark: Paris – Commemorative cancellation for the “Foire de Paris – Philatélie”

(Date present on the cancellation is not readable; based on the Fair’s calendar, the most probable dates of use are 27, 28, or 29 May 1950, the last three days of the event held from 13 to 29 May.)

Postcard: Monochrome printed postcard depicting a portrait of Raymond Poincaré, presented in a formal pose typical of early‑ to mid‑20th‑century French official portraiture. The design frames the statesman with a sober, classical aesthetic that emphasizes his political stature.

The printed caption identifies Raymond Poincaré and his role in French political history.

(Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp depicts Raymond Poincaré, and the postcard illustrates a portrait of the same historical figure, ensuring complete thematic alignment according to maximaphilic standards. Stamp, postmark, and postcard all relate directly to the same person.

Geographic: Strong geographic concordance.

The stamp is a French issue, the commemorative cancellation was applied in Paris during the Foire de Paris – Philatélie, and the postcard portrays a major figure of French national political history.

All three elements share the same geographic and cultural context.

Temporal: Correct temporal concordance.

The cancellation—although its date is unreadable—is known to have been applied during the Foire de Paris, which ended on 29 May 1950.

Since the stamp was issued on 27 May 1950, the event’s final days (27–29 May) fall within the earliest valid period of postal use of the stamp, satisfying maximaphilic temporal requirements.

Even without a legible date, the context of use confirms that the cancellation aligns with the proper validity period of the issue.

Carte Postal Maximum Charles VII Roi de France

 

Stamp: France – Famous People series – Charles VII – 10 francs + 6 francs, red

(Issue date: 28 October 1946)

Postmark: Paris – Musée Postal – Circular date stamp reading “14 MARS 1947 – 4 Rue St. Romain”

(Last day of postal validity of the issue.)

Postcard:

Monochrome printed postcard depicting a portrait of Charles VII, presented with a curtain‑framed background and formal attire. The postcard reproduces the artwork traditionally associated with the Musée du Louvre. (Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp features Charles VII, and the postcard also illustrates a portrait of the same French monarch, providing complete alignment of iconographic and historical subject matter, fully compliant with maximaphilic principles.

Geographic: Strong geographic concordance.

The stamp is a French issue, and the cancellation was applied in Paris, at the Postal Museum.

The postcard also depicts a figure deeply rooted in French royal history, ensuring coherent geographic association.

Temporal: Excellent temporal concordance.

The cancellation date—14 March 1947—corresponds to the last day of postal validity of the Charles VII semi‑postal stamp issued on 28 October 1946.

This creates a perfect temporal alignment and adds notable philatelic value, as cancellations on a stamp’s final day of use are highly desirable in maximaphily.

Carte Postal Maximum Charles VII Roi de France

 

Yt:FR 770

Stamp: France – Famous People series – Charles VII – 10 francs + 6 francs, red

(Issue date: 28 October 1946)

Postmark: Paris – Comemmorative cancelation “8 MARS 1947 – Journeé du Timbre”

Postcard: Monochrome printed postcard depicting a portrait of Charles VII, based on a work preserved at the Musée de Versailles. The composition presents the monarch in formal attire, framed by a decorative border. Printed caption below the image: “CHARLES VII – Roi de France – 1403–1461”

(Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp features Charles VII, and the postcard also depicts a portrait of the same historical figure, resulting in a complete alignment of subject matter according to maximaphilic criteria.

Geographic: Strong geographic concordance.

The stamp is a French issue, and the cancellation originates from Paris. The postcard also represents a subject of the French royal historical heritage, ensuring consistent geographic context.

Temporal: Correct temporal concordance.

Although the official withdrawal (“retrait”) date of the issue was 14 March 1947, French postal regulations of the period allowed normal postal use of stamps already in the public’s possession after withdrawal, particularly at philatelic counters.

Therefore, the cancellation of 15 March 1947 remains fully valid for maximaphily, as the stamp was still accepted and processed within its effective postal usability period.

Why do 15‑03‑1947 cancellations exist if the stamp was withdrawn on 14‑03‑1947?

This is a classic situation in French philately and is not an error. It occurs because withdrawal date and last day of postal validity were not the same thing in France at the time.

✔ 1. “Retrait” = withdrawal from post office counters

The date 14 March 1947 refers to the moment when the stamp was removed from sale at postal counters.

After this date, post offices stopped selling the stamp. But a stamp withdrawn from sale can still legally be used as long as it remains valid for postage.

✔ 2. Stamps already owned by the public remained valid the next day

Collectors or correspondents who already had the stamp could still use it on 15 March 1947—and sometimes even later—depending on the internal rules and how post offices applied them.

French postal regulations in the 1930s–1950s commonly allowed: use of previously purchased stamps beyond the withdrawal date cancellation of older issues if still affixed to valid mail.

Thus, a postcard franked on 15‑03‑1947 could still be cancelled normally. This explains the existence of maximum cards with a 15 March postmark.

✔ 3. Special philatelic offices (like Musée Postal) often cancelled one day later

The Musée Postal (Postal Museum) in Paris frequently applied philatelic cancellations on: last day of sale day after withdrawal dates associated with philatelic demonstrations or collector requests

It was not unusual for collectors to bring stamps the day after the official withdrawal, and the philatelic counter would still cancel them.

This is perfectly consistent with French philatelic practice of the period.

✔ 4. In exhibits, both dates are accepted as maximaphilically valid

Because: the stamp was still valid for postal use the theme, geographic link, and period of postal validity remain intact the day‑after cancellation is considered postal use, not “backdating”

Therefore, a 15 March 1947 maximum card is fully admissible in competitive maximaphily—although a 14 March cancel is more desirable because it is the true last day of sale.

Summary

• Yes, the official withdrawal date was 14/03/1947.
• Yes, cancellations on 15/03/1947 are still legitimate because:
• withdrawal ≠ end of postal validity postal counters routinely cancelled stamps after withdrawal

philatelic offices had even more flexibility

There is no contradiction—just normal postal practice of mid‑20th‑century France.

Carte Postale Maximum Gaspard Monge

 

Yt:FR 948

Stamp: France – Commemorative issue “Famous People – Gaspard Monge”, 18 F + 5 F, blue, depicting a portrait of Gaspard Monge and mathematical instruments (Issue: 09.07.1953)

Postmark: France – Circular date stamp “PREMIER JOUR / MONGE / BEAUNE” – 09.07.1953

Postcard: Monochrome printed illustration showing the formal bust‑length portrait traditionally associated with Gaspard Monge, accompanied by typographic captions identifying his name, life dates (1746–1818), and profession as mathematician. The layout follows the classical aesthetic of mid‑20th‑century commemorative portrait postcards. (edition: G. Parison)

Concordance:

Thematic: The thematic concordance is excellent: the stamp honours Gaspard Monge through a commemorative portrait, and the postcard presents a printed portrait of the same historical figure. Both elements align perfectly in their focus on the mathematician.

Geographic: Both stamp and cancellation originate from France, and the Beaune first‑day cancel reinforces the connection to Monge’s birthplace, ensuring strong geographic authenticity.

Temporal: The postmark date (09.07.1953) corresponds exactly to the first day of issue of the commemorative stamp, providing ideal temporal concordance for a maximum card created in accordance with first‑day postal usage.

Maxicard 100th Birthday of Karl Renner

 

YT: 1180

Stamp: Austria – Commemorative issue “Dr. Karl Renner – 1870–1970” – 2 Schilling, purple (Issue: 14.12.1970)

Postmark: Vienna – First Day Cancellation with commemorative inscription – 14.12.1970

Postcard: Monochrome photographic postcard presenting a formal portrait composition associated with Dr. Karl Renner. The lower section includes a printed quotation in German and a facsimile signature. (edition unknown)

Concordance:

Thematic: The stamp commemorates the centenary of Dr. Karl Renner, and the postcard’s subject matter likewise refers to him, forming a complete thematic alignment between the philatelic element and the illustrated card.

Geographic: Both the stamp and the First Day Cancellation originate from Austria, matching the national context represented in the postcard’s imagery and text.

Temporal: The postmark date (14.12.1970) matches the official issue date of the stamp, ensuring perfect temporal concordance.

Postal Máximo D. Pedro II - Imperador do Brasil

 

YT: 515

Stamp: Brazil – commemorative issue “Dia do Selo” (Stamp Day), 60 réis, blue – featuring the official portrait of Dom Pedro II, with ornamental frame, inscriptions of “BRASIL‑CORREIO”, and denomination, created as an official issue of the Brazilian postal administration. (Issue: 03.09.1952)

Postmark: São Paulo – Comemorative circular cancellation “EXPOSIÇÃO FILATÉLICA NACIONAL – S. PAULO”, dated 3‑9‑1952, applied within the Brazilian postal network, consistent with the special event markings used during national philatelic exhibitions of the period.

Postcard: Monochrome blue‑toned postcard depicting a formal portrait of Dom Pedro II, identified by the printed caption “PEDRO II – IMPERADOR DO BRASIL”.

Concordance

– Thematic: The commemorative stamp honours Dom Pedro II, presenting his official engraved portrait within an ornamental frame, while the postcard likewise depicts Dom Pedro II through a monochrome formal portrait identified by the caption “PEDRO II – IMPERADOR DO BRASIL”.

This ensures perfect thematic alignment, as both stamp and postcard directly reference the same historical figure and share consistent imperial iconography.

– Geographic: The commemorative cancellation from São Paulo is fully appropriate to the Brazilian origin of both the Dia do Selo stamp and the Dom Pedro II postcard.

All components—stamp, cancellation and postcard—are firmly rooted in the Brazilian postal and historical context, resulting in complete geographic coherence.

– Temporal: The postmark dated 3 September 1952 corresponds exactly to the official issue date of the Dia do Selo commemorative stamp (03.09.1952).

Postal Máximo Duque de Caxias

 

Yt:BR 584

Stamp: Brazil – commemorative stamp issued in honour of the Duque de Caxias – blue‑toned design featuring his official portrait, military decorations, and inscriptions identifying the national issue, created as an official release by the Brazilian postal administration. (Issue: 01/10/1954)

Postmark: Caxias – circular cancellation dated 1‑10‑54, applied within the Brazilian postal network, showing the standard formulation used for routine dispatch or commemorative service markings. The design includes the designation “DUQUE DE CAXIAS – RIO DE JANEIRO”.

Postcard: Black‑and‑white postcard dedicated to the Duque de Caxias, presenting an engraved portrait framed within a rectangular border and surmounted by a stylised heraldic crown.

The design includes decorative linework, military insignia, and the printed caption “CAXIAS”, forming a formal commemorative presentation typical of Brazilian portrait postcards of the mid‑20th century.

Concordance

– Thematic: The commemorative stamp directly represents the Duque de Caxias, featuring his official portrait, military decorations, and corresponding inscriptions, while the postcard is entirely dedicated to the same historical figure through an engraved portrait, heraldic crown, and additional visual elements highlighting his noble and military status. This creates perfect thematic alignment, as both stamp and postcard explicitly reference the same person and iconography.

– Geographic: The Caxias cancellation corresponds appropriately to the Brazilian origin of both the Duque de Caxias commemorative stamp and the portrait postcard, ensuring full geographic coherence within Brazil. All elements—stamp, postmark and postcard—are rooted in the same national historical and postal context.

– Temporal: The cancellation dated 1 October 1954 matches exactly the official issue date of the Duque de Caxias commemorative stamp (01/10/1954). Thus, the temporal relation is perfectly coherent: a portrait postcard of the Duque de Caxias combined with a stamp issued in his honour and cancelled on the very day of its official release.

Maximum card Birth Centenary of Ruy Barbosa

 

Yvert et Tellier BR 480

Stamp: Brazil – commemorative stamp in a carmine‑red tone, face value Cr$ 1.20, belonging to a Birth Centenary of Ruy Barbosa issued in 15.12.1949. The design features an ornate frame, the inscription “BRASIL – CORREIO”, the value expressed in cruzeiros, and an engraved portrait executed in fine linear style, typical of Brazilian postal issues of that period.

Postmark: São Paulo – circular cancellation dated 19 JAN 50, bearing the inscription “A.T.C. COLET.” and “S. PAULO – BRASIL". It is an administrative/routine cancellation, characteristic of collection and sorting services used by the postal system at the time.

Postcard: Beige postcard with monochrome brown printing, depicting portrait of Ruy Barbosa. The paper shows the texture and tonality typical of Brazilian printings from the mid‑20th century. 

Concordance

– Thematic: The commemorative stamp directly represents Ruy Barbosa through an engraved portrait issued for his birth centenary, while the postcard also depicts a portrait of Ruy Barbosa in matching artistic style. This creates perfect thematic alignment, as both stamp and postcard explicitly reference the same historical figure and subject matter.

– Geographic: The São Paulo cancellation corresponds appropriately to the Brazilian origin of both the Ruy Barbosa centenary stamp and the postcard produced in Brazil, ensuring full geographic coherence within the Brazilian postal system.

– Temporal: The cancellation dated 1950 is fully compatible with the period of postal circulation of the Ruy Barbosa centenary issue (late 1940s–early 1950s).

Thus, the temporal relation is coherent: a contemporaneous postcard bearing a portrait of Ruy Barbosa combined with the commemorative centenary stamp used in regular postal circulation.

Maximum card General Franco Overprinted IFNI (Spanish province on the Atlantic coast of Morocco)

 

Yt: ES-IF 35

Stamp: Spain (Spanish Colony of Ifni) – Territorio de Ifni overprint on Spanish definitive portrait – violet‑brown, featuring a uniformed bust with graphic background, representative of the long series of “Territorio de Ifni” overprints issued in 1948.

Postmark: Sidi Ifni – circular cancellation 20/05/1953, characteristic of the colonial postal markings used in Ifni during the 1950s.

Postcard: Sepia‑toned monochrome postcard showing the bust of an individual in military uniform. (Edition unknown.)

Concordance:

– Thematic: The stamp displays an official portrait of a uniformed figure, while the postcard depicts the same type of formal representation, producing clear thematic alignment between official iconography and period photography. The 1948 “Territorio de Ifni” overprints reused portrait‑type Spanish definitives, consistent with the subject represented.

– Geographic: The Sidi Ifni cancellation directly matches the territory named on the stamp (Territorio de Ifni), ensuring complete geographic coherence between issue, cancellation, and colonial context.

– Temporal: The 1953 postal cancellation aligns with the period of postal use of the 1948 overprinted series, providing sound temporal coherence within maximaphily standards, as these stamps remained in circulation in Ifni during the early 1950s.

Maxicard Mahatma Gandhi (1869-1948)

Yt:IN 3

Stamp: India – Mahatma Gandhi – 1½ A - Indian anna, monochrome (black‑brown), depicting a bust portrait of Mahatma Gandhi with simple tonal shading and clear serif typography (Issue: 15/08/1948).

Postmark: PONDICHERRY BAZAAR – 2 OCT 51, circular datestamp, featuring a clear impression directly related to the subject of the commemorative issue.

Postcard: Monochrome sepia‑toned postcard depicts Mahatma Gandhi wearing simple draped clothing in a studio‑style composition. Edition unknown.

Concordance:

– Thematic: The stamp shows a formal bust portrait of Mahatma Gandhi, and the postcard also represents Mahatma Gandhi in attire and pose consistent with his widely recognized iconography. This direct correspondence between stamp, thematic postmark, and postcard ensures full thematic concordance according to maximaphilic standards.

– Geographic: The Pondicherry Bazaar cancellation is located in India, matching the issuing country of the stamp and the cultural context associated with the figure represented on the postcard. This provides excellent geographic coherence, fully aligned with maximaphily guidelines.

– Temporal: The cancellation dated 2 October 1951 — Gandhi’s birth anniversary — falls within the normal postal validity period of the 15/08/1948 issue. This proximity ensures high‑level temporal concordance.