Maximum Card Ugo Foscolo (1778-1827)

 

Yt:IT 1385

Stamp: Italy – Ugo Foscolo bicentenary (1778–1827) – 170 lire (Issue date: 9 November 1978)

Postmark: Venezia – First Day of Issue cancellation – Venice - Date 9.11.1978

Postcard: Monochrome printed postcard featuring a portrait of Ugo Foscolo, presented in a Romantic‑era artistic style, showing the poet in elegant attire against a dramatic background. The lower margin includes the caption identifying UGO FOSCOLO.

(Edition unknown)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates Ugo Foscolo, and the postcard features a portrait of the same Italian poet and writer, ensuring a complete and direct thematic match in accordance with maximaphilic principles.

Geographic: Strong geographic concordance.

The stamp is an Italian issue, and the First Day cancellation was applied in Venezia, a city closely tied to Italy’s literary and cultural heritage.

The postcard likewise represents a central figure in Italian national culture, ensuring full geographic alignment.

Temporal: Excellent temporal concordance.

The postmark date—9 November 1978—is the official First Day of Issue of the 170‑lire Ugo Foscolo stamp. This creates perfect temporal alignment, forming a true First Day maximum card, the highest standard in maximaphily.

S. M. Vittorio Emanuele III – Re d’Italia e d’Albania Imperatore d’Etiopia (1945)

 

Yvert & Tellier: 230

Country: Italy
Issue: Vittorio Emanuele III – 30 Centesimi
Date of Issue: Circa 1945
Postmark: Circular cancel – Roma – 29.2.45
Postcard: Sepia-toned illustration of Vittorio Emanuele III in formal military uniform. The uniform features epaulettes with decorative insignia, a high-collared jacket adorned with stars, and a prominent sash across the chest. Several medals and decorations are visible, including a large medallion suspended from a chain. The caption at the bottom reads: “S. M. Vittorio Emanuele III – Re d’Italia e Imperatore d’Etiopia”. The artwork is signed “Cianfanelli” on the left side, and the postcard has a refined, official style typical of the era.
Justification of Maximum Concordance:
The stamp portrays Vittorio Emanuele III, matching the subject of the postcard, which depicts him in ceremonial military attire. The cancellation from Rome, dated within the stamp’s valid postal period, ensures strong thematic and geographic concordance. This combination meets the criteria for a valid maximum card.

Vittorio Emanuele III – Re d’Italia e d’Albania Imperatore d’Etiopia (1945)

Yvert & Tellier: 230

Country: Italy
Issue: Vittorio Emanuele III – 30 Centesimi
Date of Issue: Circa 1945
Postmark: Circular cancel – Roma Belsito – 20.04.45
Postcard: Sepia-toned photographic portrait of Vittorio Emanuele III in full military uniform, featuring a double-breasted coat with a visible star insignia on the collar and a peaked cap adorned with an elaborate emblem. The caption at the bottom reads: “Vittorio Emanuele III – Re d’Italia e d’Albania Imperatore d’Etiopia”. The postcard is numbered “1735” and marked “R.P.F. Edit.” with the note “Riproduzione Interdetta” (Reproduction Prohibited).

Justification of Maximum Concordance:
The stamp portrays Vittorio Emanuele III, matching the subject of the postcard, which shows his official portrait in military attire. The cancellation from Rome, applied during the stamp’s valid postal period, ensures strong thematic and geographic concordance. This combination satisfies the criteria for a valid maximum card.

Maximum Monuments destroyed – Church of Santa Maria delle Grazie, Milan

 

Country: Italy

Issue: Monuments destroyed – Church of Santa Maria delle Grazie, Milan

Date of Issue: 29/12/1944

Postmark: Circular Date Stamp (CDS) 3 – Milano – 20.3.45

Postcard: Monochrome photographic illustration of the apse of the Church of Santa Maria delle Grazie in Milan, captioned “Milano – Chiesa delle Grazie – L’abside”.

Justification of Maximum Concordance:

This maximum card originates from Italy and features the Church of Santa Maria delle Grazie in Milan, an iconic Renaissance landmark. The stamp, issued during the period of the Italian Social Republic, depicts the same architectural monument, reinforcing the thematic unity between the philatelic and pictorial elements. The postmark is a CDS from Milan, applied on 20 March 1945, which corresponds to the location of the depicted building and the subject of the stamp. Together, the stamp, the postcard image, and the cancellation achieve maximum concordance by uniting subject, location, and historical context in a single philatelic piece.

Yvert & Tellier: IT-RS

Scott: 518

Italian Red Cross – Humanitarian Care at the Bedside (Doniamo il Sangue)

 

Issued: Italy – Croce Rossa Italiana (Italian Red Cross) – 15.05.1980

Postmark: Comemorative circular datestamp “II Mostra Filatelica Numismatica, Doniamo il sangue” – 14.12.1980

Postcard: Illustration of a Red Cross nurse attending a patient in bed, emphasizing humanitarian care and medical assistance – Edited by Unknown

 Thematic Concordance

Image: Represents humanitarian care (nurse and patient).
Stamp: Commemorates the Italian Red Cross and its activities.
Postmark: Philatelic event dedicated to the Red Cross.
✅ Conclusion: There is full concordance among the three elements, as all refer to the Red Cross and humanitarian assistance, meeting FIP criteria for a maximaphily item.