Yt:BR 669
Edition unknown
Temos um gosto pelo colecionismo em especial por selos, valorizando o seu valor histórico cultural e design. Colecionar é criar valor.
Mostrar mensagens com a etiqueta Brasil - Maximafilia. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Brasil - Maximafilia. Mostrar todas as mensagens
domingo, 1 de fevereiro de 2026
sábado, 31 de janeiro de 2026
segunda-feira, 19 de janeiro de 2026
Postal Máximo Centenário da Educação do cego no Brasil - Benjamin Constant
Stamp: Brazil – commemorative stamp “Centenário da Educação do Cego no Brasil”, value 60 cts, issued on 27.09.1954. The design features an allegorical composition representing blind education, the inscription “BRASIL‑CORREIO”, the denomination expressed in centavos, and a finely engraved scene typical of Brazilian commemorative issues of the period.
Postmark: Rio de Janeiro – circular commemorative cancellation dated 27 SET 54, bearing the inscription “CENTENÁRIO DA EDUCAÇÃO DO CEGO NO BRASIL – CORREIOS – RIO DE JANEIRO”. It is a special‑event cancellation marking the national centenary celebrations, consistent with the commemorative postal practices of mid‑20th‑century Brazil.
Postcard: Beige postcard with monochrome brown‑orange printing, depicting a stylised portrait in engraved artistic style associated with the historical context of blind education in Brazil.
The paper shows the texture and tonality typical of Brazilian printings from the mid‑20th century.
Concordance
– Thematic:
The commemorative stamp represents the Centenary of Blind Education in Brazil, presenting allegorical imagery directly tied to this national milestone.
The postcard features a stylised engraved portrait associated with the historical context of the development of blind education in Brazil, maintaining a coherent commemorative character.
Together, stamp and postcard preserve thematic consistency, as both elements refer to the same national educational centenary, even though the secondary centenary postmark (17/09/1954) is present only as a non‑obliterating sample.
– Geographic:
The Rio de Janeiro cancellation used to obliterate the stamp (Coleta Tarde – 27/09/1954) is fully consistent with the Brazilian origin of both the stamp and the postcard.
The additional Centenário da Educação do Cego no Brasil cancellation from Rio de Janeiro reinforces, even as a sample, the national commemorative context.
Thus, all postal elements remain geographically coherent within Brazil.
– Temporal:
The stamp is cancelled with the Coleta Tarde postmark dated 27 September 1954, which corresponds exactly to the official issue date of the centenary stamp (27.09.1954).
This ensures perfect temporal alignment between the stamp and its postal use.
The commemorative centenary postmark dated 17 September 1954, although present only as a specimen and not used for obliteration, remains chronologically compatible with the celebration period preceding the official issue date.
Postal Máximo D. Pedro II - Imperador do Brasil
Stamp: Brazil – commemorative issue “Dia do Selo” (Stamp Day), 60 réis, blue – featuring the official portrait of Dom Pedro II, with ornamental frame, inscriptions of “BRASIL‑CORREIO”, and denomination, created as an official issue of the Brazilian postal administration. (Issue: 03.09.1952)
Postmark: São Paulo – Comemorative circular cancellation “EXPOSIÇÃO FILATÉLICA NACIONAL – S. PAULO”, dated 3‑9‑1952, applied within the Brazilian postal network, consistent with the special event markings used during national philatelic exhibitions of the period.
Postcard: Monochrome blue‑toned postcard depicting a formal portrait of Dom Pedro II, identified by the printed caption “PEDRO II – IMPERADOR DO BRASIL”.
Concordance
– Thematic: The commemorative stamp honours Dom Pedro II, presenting his official engraved portrait within an ornamental frame, while the postcard likewise depicts Dom Pedro II through a monochrome formal portrait identified by the caption “PEDRO II – IMPERADOR DO BRASIL”.
This ensures perfect thematic alignment, as both stamp and postcard directly reference the same historical figure and share consistent imperial iconography.
– Geographic: The commemorative cancellation from São Paulo is fully appropriate to the Brazilian origin of both the Dia do Selo stamp and the Dom Pedro II postcard.
All components—stamp, cancellation and postcard—are firmly rooted in the Brazilian postal and historical context, resulting in complete geographic coherence.
– Temporal: The postmark dated 3 September 1952 corresponds exactly to the official issue date of the Dia do Selo commemorative stamp (03.09.1952).
Postal Máximo Duque de Caxias
Stamp: Brazil – commemorative stamp issued in honour of the Duque de Caxias – blue‑toned design featuring his official portrait, military decorations, and inscriptions identifying the national issue, created as an official release by the Brazilian postal administration. (Issue: 01/10/1954)
Postmark: Caxias – circular cancellation dated 1‑10‑54, applied within the Brazilian postal network, showing the standard formulation used for routine dispatch or commemorative service markings. The design includes the designation “DUQUE DE CAXIAS – RIO DE JANEIRO”.
Postcard: Black‑and‑white postcard dedicated to the Duque de Caxias, presenting an engraved portrait framed within a rectangular border and surmounted by a stylised heraldic crown.
The design includes decorative linework, military insignia, and the printed caption “CAXIAS”, forming a formal commemorative presentation typical of Brazilian portrait postcards of the mid‑20th century.
Concordance
– Thematic: The commemorative stamp directly represents the Duque de Caxias, featuring his official portrait, military decorations, and corresponding inscriptions, while the postcard is entirely dedicated to the same historical figure through an engraved portrait, heraldic crown, and additional visual elements highlighting his noble and military status. This creates perfect thematic alignment, as both stamp and postcard explicitly reference the same person and iconography.
– Geographic: The Caxias cancellation corresponds appropriately to the Brazilian origin of both the Duque de Caxias commemorative stamp and the portrait postcard, ensuring full geographic coherence within Brazil. All elements—stamp, postmark and postcard—are rooted in the same national historical and postal context.
– Temporal: The cancellation dated 1 October 1954 matches exactly the official issue date of the Duque de Caxias commemorative stamp (01/10/1954). Thus, the temporal relation is perfectly coherent: a portrait postcard of the Duque de Caxias combined with a stamp issued in his honour and cancelled on the very day of its official release.
sexta-feira, 16 de janeiro de 2026
Maximum card Birth Centenary of Ruy Barbosa
Stamp: Brazil – commemorative stamp in a carmine‑red tone, face value Cr$ 1.20, belonging to a Birth Centenary of Ruy Barbosa issued in 15.12.1949. The design features an ornate frame, the inscription “BRASIL – CORREIO”, the value expressed in cruzeiros, and an engraved portrait executed in fine linear style, typical of Brazilian postal issues of that period.
Postmark: São Paulo – circular cancellation dated 19 JAN 50, bearing the inscription “A.T.C. COLET.” and “S. PAULO – BRASIL". It is an administrative/routine cancellation, characteristic of collection and sorting services used by the postal system at the time.
Postcard: Beige postcard with monochrome brown printing, depicting portrait of Ruy Barbosa. The paper shows the texture and tonality typical of Brazilian printings from the mid‑20th century.
Concordance
– Thematic: The commemorative stamp directly represents Ruy Barbosa through an engraved portrait issued for his birth centenary, while the postcard also depicts a portrait of Ruy Barbosa in matching artistic style. This creates perfect thematic alignment, as both stamp and postcard explicitly reference the same historical figure and subject matter.
– Geographic: The São Paulo cancellation corresponds appropriately to the Brazilian origin of both the Ruy Barbosa centenary stamp and the postcard produced in Brazil, ensuring full geographic coherence within the Brazilian postal system.
– Temporal: The cancellation dated 1950 is fully compatible with the period of postal circulation of the Ruy Barbosa centenary issue (late 1940s–early 1950s).
Thus, the temporal relation is coherent: a contemporaneous postcard bearing a portrait of Ruy Barbosa combined with the commemorative centenary stamp used in regular postal circulation.
sábado, 13 de dezembro de 2025
Maximum Card 1.º Centenário de Prudente de Moraes (1941)
Country: Brazil
Issue: Brazil – 600 Réis “Prudente de Moraes”
Date of Issue: November 15, 1910
Postmark: Commemorative Circular Date Stamp – “1.º Centenário de Prudente de Moraes” – São Paulo – 04 October 1941 (Expiry date: 01/11/1942)
Postcard: Monochrome printed portrait of Dr. Prudente de Moraes, first civilian President of the Republic of Brazil (1894–1898), presented in a formal photographic style with his name and presidential title printed below. (Edition Papelaria Rio Branco)
Justification of Maximum Concordance:
This maximum card demonstrates full thematic, geographic, and temporal concordance. The 600 Réis stamp issued on November 15, 1910 portrays Prudente de Moraes, Brazil’s first civilian President, providing explicit thematic alignment with the postcard, which also presents his portrait in a formal photographic style.
The commemorative cancellation “1.º Centenário de Prudente de Moraes”, struck in São Paulo on 04 October 1941, further reinforces thematic relevance by marking the 100th anniversary of his birth and directly referencing the historical figure represented on both the stamp and the postcard. geographically, São Paulo is the state most closely associated with Prudente de Moraes’s political life and presidency, ensuring strong geographic concordance.
Temporal concordance is also fully achieved: the stamp remained valid for postal use until 01 November 1942, and the 1941 cancellation falls entirely within this period of postal validity, confirming proper chronological alignment for a historical maximum card.
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