Maximum card Mariazell (Styria)

Yt:AT 703

Stamp: Austria – Definitive issue “Landscape Views” – 40 Groschen, carmine-red, depicting the railway viaduct at Krauss–Viadukt on the Semmeringbahn, one of the most emblematic Alpine railway structures (Issue: 10/12/1947).

Postmark: Mariazell (Styria) – Circular cancellation “MARIAZELL / Steiermark – 13.7.48–14”, applied in the post‑war period, bearing in its lower inscription the designation “Steiermark – Wintersportplatz”, referring to the region’s status as an Alpine winter sports centre.

Postcard: Monochrome photographic postcard depicting a panoramic winter view of Mariazell, showing the town nestled in a snow‑covered Alpine valley. The composition centres on the basilica complex, surrounded by clustered traditional buildings, with the backdrop dominated by the imposing Hochschwab massif and its snow‑mantled slopes. The photograph shows high contrast typical of Alpine winter imagery and includes the printed caption “MARIAZELL” in the upper left corner.

Concordance:

Thematic: The stamp illustrates Alpine railway engineering at the Semmering region, while the postcard portrays the Alpine town of Mariazell, both belonging to the broader thematic universe of Austria’s mountainous landscape and Alpine identity. Although not the same location, both elements harmonize around the visual and cultural characterization of the Austrian Alps. Thematic concordance is therefore related but not direct.

Geographic: The postmark originates from Mariazell, matching precisely the locality represented in the postcard’s photographic view. The stamp, however, depicts a location in the Semmering area, several tens of kilometres away. Geographic concordance is thus partial: strong alignment between postcard and cancellation, but not between stamp and image.

Temporal: The cancellation date 13.7.1948 falls fully within the valid postal period of the 1948 Austrian definitive issue. Although not a first‑day usage, it constitutes correct temporal concordance with no inconsistencies.

Maximum Card Leipzig spring fair 1940 - Great technical and construction trade fair

Yt:DR 666

Stamp: Germany – Commemorative issue “Leipzig spring fair 1940. Views of Leipzig” – 12 Pfennig, blue, featuring the Leipzig trade‑fair emblem and a view of the Messegelände (Issue: 03.03.1940)

Postmark: Leipzig – Circular cancellation “LEIPZIG / Reichsmessestadt – 02.3.41–12” used during the Leipzig Spring Fair

Postcard: Monochrome photographic postcard depicting an aerial panoramic view of the Reichsmessestadt Leipzig, showing the complete fairground complex with its main exhibition halls, circular plazas, rail connections, and the characteristic domed pavilion. The lower margin includes the printed caption “Reichsmessestadt Leipzig – Gesamtansicht.” The photograph presents high contrast and detailed architectural definition consistent with contemporary promotional imagery of the Leipzig fair district. (Edition Phonopostkarte Alte Wege, Leipzig)

Concordance:

Thematic: The stamp was issued for the Leipzig Spring Fair of 1940, and the postcard depicts the Reichsmessestadt Leipzig fairgrounds — the very center of the city’s international trade‑fair identity. Both elements refer directly to Leipzig’s long‑standing tradition as a commercial exhibition hub, forming a coherent thematic alignment focused on the city’s role as a major European fair center.

Geographic: Both the stamp and the cancellation originate from Leipzig, and the postcard also illustrates a Leipzig landmark — the fair complex itself. This establishes complete geographic concordance between the philatelic element, the postmark, and the illustrated card.

Temporal: The postmark date (02.03.1941) falls within the valid postal period of the 1940 issue, though it does not coincide with its issue date (03.03.1940). Temporal concordance is therefore correct in terms of postal validity, though it does not constitute a first‑day alignment.

Maxicard Breslau Rathaus (Town Hall)

 

Yt:DR 610

Stamp: Germany – Commemorative issue “Breslau – Deutsches Turn‑ und Sportfest 1938” – 12 Pfennig, carmine‑red, featuring a stylized architectural composition of the Breslau Rathaus (Town Hall), rendered in linear engraving.

(Issue: 01.01.1938) [touchstamps.com]

Postmark: Breslau – Circular cancellation “BRESLAU * 1 / Deutsches Turn‑ u. Sportfest 1938 – 23.7.38–12”, applied during the national sports festival hosted in the city that year.

Postcard: Monochrome photographic postcard depicting the Rathaus von Breslau (Town Hall of Breslau), presented in a wide architectural composition capturing the full Gothic‑Renaissance façade, adjacent tower, and surrounding urban activity. The lower margin bears the printed caption “BRESLAU. Rathaus.” The card displays strong contrast and sharp detail typical of high‑quality architectural photography from the period.

Concordance

Thematic: The stamp commemorates the 1938 Deutsches Turn‑ und Sportfest, held in Breslau, while the postcard depicts the Rathaus, one of the city’s most iconic civic landmarks. Both elements refer directly to Breslau’s urban identity and its role as host of the national sports festival, creating a strong thematic alignment.

Geographic: Both the stamp and the postmark originate from Breslau, and the postcard equally presents a prominent architectural landmark of the same city. There is therefore complete geographic concordance between all three components: stamp, cancellation, and postcard image.

Temporal: The postmark date (23.07.1938) falls within the valid postal period of the issue (placed in circulation on 01.01.1938) and coincides with the opening day of the Deutsches Turn‑ und Sportfest 1938. This establishes full temporal concordance, with the postal use occurring during the commemorated event — a condition highly valued in maximaphily.

Leipzig spring fair 1941 - Market square and old City Hall

 

Yt:DR 665

Stamp: Germany – Commemorative issue “Leipzig spring fair 1940. Views of Leipzig” – 12 Pfennig, carmine‑red, featuring the trade‑fair emblem and a view of the Messehaus (Issue: 03.03.1940)

Postmark: Leipzig – Circular cancellation “LEIPZIG * C / REICHSMESSESTADT – HANDELSHOF – 2.3.41–12” used during the Leipzig Spring Fair

Postcard: Monochrome photographic postcard depicting the Altes Rathaus (Old Town Hall), Leipzig, presented in a wide architectural composition with foreground statuary. The lower margin includes the printed caption “Leipzig – Altes Rathaus.” Photographed by Paul Wolff. (edition Kupfertiefdruck)

Concordance:

Thematic: The stamp was issued for the Leipzig Spring Fair of 1941, and the postcard’s subject matter depicts a prominent architectural landmark of Leipzig — the Old Town Hall, located within the historical urban center directly associated with the city’s fair activities. Both elements refer to Leipzig in the context of its civic identity and trade‑fair tradition, forming a coherent thematic alignment.

Geographic: Both the stamp and the cancellation originate from Leipzig, and the postcard also represents a Leipzig landmark. This establishes complete geographic concordance between the philatelic element, the postmark, and the illustrated card.

Temporal: The postmark date (02.03.1941) falls within the valid postal period of the 1941 issue but does not coincide with its issue date (03.03.1940). Temporal concordance is therefore correct in terms of postal validity, though it does not constitute a first‑day alignment.

Adolf Hitler - 10th anniversary of the National Socialist seizure of power

 

Yt:DE-GO 88

Edition Echte fotografie

Stamp: Generalgouvernement (German‑administered territory in occupied Poland) – Definitive issue featuring the official profile portrait of Adolf Hitler, 20 Groschen, inscribed “DEUTSCHES REICH – GENERALGOUVERNEMENT”. (Issue: 1941)

Postmark: Generalgouvernement – Commemorative special cancellation 10th anniversary of the National Socialist seizure of power in 1933 - KRAKAU - 30/01/1943 .

Postcard: Monochrome real‑photo postcard presenting a formal profile portrait of Adolf Hitler era, printed in sepia tones with scalloped margins typical of early‑1940s German photographic postcard production. The portrait follows the official representational style commonly used in state‑issued photographic cards of the period. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance remains strong. Both the stamp and the postcard present the same official profile portrait used in the 20‑Groschen definitive issue of the Generalgouvernement, ensuring direct subject correspondence between stamp and postcard — a key maximaphilic requirement.

The postmark, commemorating the 10th anniversary of the National Socialist seizure of power (30 January 1933), includes the swastika, a historical emblem of the Nazi regime. While the postmark does not reproduce the same portrait as the stamp and postcard, it remains an official state cancellation from the same political and administrative context, reinforcing the documentary unity of the piece.

Thus, even though the postmark is symbolically different, it is thematically compatible within the framework of official postal imagery of the period.

Geographic: Geographic concordance is excellent. The stamp was issued for use in the Generalgouvernement, the postcard originates from the same administrative environment, and the commemorative cancellation was applied in Krakau (Cracow), the capital of the territory at that time.

All components are therefore grounded in the same geographic space, conforming fully to FIP guidelines for location coherence.

Temporal: Temporal concordance is fully respected. The special cancellation dated 30 January 1943 falls squarely within the normal postal validity period of the 1941 definitive issue. The postcard is likewise contemporaneous, belonging to the same early‑1940s photographic production period.

Together, these elements form a properly synchronized maximum card, combining stamp, postmark, and postcard all within the legitimate circulation window of the issue.

Adolf Hitler - Krakau – Mozart Tage – 1941

 

Yt:DE-GO 84 MiNr. 73

Stamp: Generalgouvernement (German‑administered territory in occupied Poland) – Definitive issue featuring the official profile portrait of Adolf Hitler, 8 Groschen, deep blue, inscribed “DEUTSCHES REICH – GENERALGOUVERNEMENT”. (Issue: 1941)

Postmark: Generalgouvernement – Commemorative special cancellation “KRAKAU – MOZART‑TAGE – 8.–14. DEZ. 1941”.

This Sonderstempel was created for the Mozart Days held in Kraków from 8 to 14 December 1941, marking the 150th anniversary of the death of Wolfgang Amadeus Mozart (1791–1941). The design includes the image of a grand piano, clearly distinguishing it from a standard circular date stamp and underlining its purely cultural commemorative purpose.

Postcard: Monochrome real‑photo postcard presenting a formal profile portrait of Adolf Hitler era, printed in sepia tones with scalloped margins typical of early‑1940s German photographic postcard production. The portrait follows the official representational style commonly used in state‑issued photographic cards of the period. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance is strong. Both the stamp and the postcard display Adolf Hitler in an identical official pose, fulfilling the essential maximaphilic requirement of direct subject correspondence between card and stamp.

The commemorative postmark, while not depicting the same subject, is an official cultural cancellation used within the same administrative framework and time period, providing valid historical contextualisation. Although not thematically identical, it remains compatible with the broader documentary environment of the issue.

Geographic: The geographic concordance is excellent. The stamp was issued for use in the Generalgouvernement, the postcard originates from the same political‑administrative environment, and the special cancellation was applied in Krakau (Cracow), the capital of that territory at the time. All components are thus firmly anchored in the same geographic area, meeting FIP principles for location consistency.

Temporal: Temporal concordance is fully respected. The special cancellation dates from the Mozart Days of 8–14 December 1941, well within the normal period of postal validity of the 1941 definitive issue. The postcard is likewise contemporary to the period represented.

Together, these elements form a correctly synchronized maximum card created during the legitimate circulation window of the stamp.

Winter Relief: Modern Buildings - Germany Hall, Berlin

 

Yt: DR 586

Stamp: Germany – Deutsches Reich – Winter Relief Issue “Modern Buildings – Deutschlandhalle, Berlin”, 6 Pf, reddish‑brown, depicting the Deutschlandhalle, the monumental multifunctional hall inaugurated in 1935 and emblematic of Germany’s modernist architecture of the period. (Issue: 26 October 1936)

Postmark: Germany – Berlin – Circular date cancellation “BERLIN” – 26 February 1937

Postcard: Monochrome real‑photo postcard depicting the Deutschlandhalle in Berlin. The overall composition reflects the documentary photographic style characteristic of German real‑photo view cards of the 1930s. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance is excellent: the stamp depicts the Deutschlandhalle; the postcard shows a photographic view of the same architectural landmark; and the Berlin cancellation directly relates to the building’s location. All three elements converge on a single, well‑defined architectural subject, fulfilling the essential principles of maximaphily.

Geographic: All components — stamp, Berlin postmark, and postcard illustration — are firmly anchored in the same city. The cancellation from Berlin provides precise geographic authenticity and aligns perfectly with the location of the Deutschlandhalle, ensuring full geographic concordance.

Temporal: The postmark date (26 February 1937) falls well within the postal validity period of the Winter Relief issue released on 26 October 1936. This close temporal proximity ensures proper chronological concordance for a maximum card created with a stamp used during its contemporary period of circulation.

Maximum Card 250 Years Berlin Academy Of Science - Wilhelm von Humboldt

 

Yt:DD 18

Stamp: Germany – Deutsche Demokratische Republik (DDR) – Commemorative series “250 Years Berlin Academy of Science – Wilhelm von Humboldt”, 8 Pf, carmine‑red, showing an engraved portrait of Wilhelm von Humboldt associated with the tercentenary celebration of the Academy of Sciences in Berlin. (Issue: 10.07.1950)

Postmark: Germany – Commemorative postmark “DEUTSCHE AKADEMIE DER WISSENSCHAFTEN ZU BERLIN – 250 JAHRE” – 09.12.1950

Special cancellation created for the 250th anniversary of the Berlin Academy of Sciences. Its commemorative inscription directly relates to Humboldt’s role in the institution, clearly distinguishing it from a standard circular date stamp.

Postcard: Monochrome printed illustration presenting a classical portrait drawing labelled “WILHELM VON HUMBOLDT – Goethes Freunde. IV.” The depiction follows the traditional academic portrait format associated with early 19th‑century German cultural editions, highlighting Humboldt’s likeness in a detailed half‑length composition. (Edition: unknown)

Concordance:

Thematic: The thematic concordance is outstanding, as all three elements focus on the same historical figure and his scholarly legacy: the stamp honours Wilhelm von Humboldt in connection with the Berlin Academy of Sciences, the postcard presents a portrait of Wilhelm von Humboldt, and the commemorative postmark marks the 250th anniversary of the same institution. Together, these components converge precisely on Humboldt and his academic contributions, forming a perfect triple concordance fully aligned with maximaphily standards.

Geographic: The thematic commemorative stamp, the Berlin Academy anniversary postmark, and the cultural portrait postcard are all connected to Berlin, the city central to Humboldt’s intellectual and institutional activity. This ensures geographic coherence in full accordance with FIP maximaphily guidelines.

Temporal: The postmark date (09.12.1950) occurs within the normal postal validity period of the 1950 commemorative issue, ensuring proper temporal concordance for a maximum card produced during the same year as the stamp’s release.

Maxicard Old Town Hall, Leipzig

 

Yt:DD 231

Stamp: Germany – Deutsche Demokratische Republik (DDR) – Commemorative series “Recovered Historic Buildings – Old Town Hall, Leipzig”, 15 Pf, violet, depicting the Altes Rathaus (Old Town Hall), a landmark Renaissance building in the historical centre of Leipzig. (Issue: 14.11.1955)

Postmark: Germany – Commemorative illustrated postmark “LEIPZIG – LEIPZIGER MESSE” – 08.03.1956. Special cancellation showing a stylised representation of the Old Town Hall of Leipzig, corresponding precisely to the architectural subject depicted on the stamp and on the postcard. The presence of the illustration identifies it clearly as a commemorative or special postmark, not a standard circular date stamp.

Postcard: Monochrome photographic illustration depicting the Altes Rathaus (Old Town Hall) in Leipzig, presented in a frontal panoramic view that emphasises the length of the Renaissance façade, the arcaded ground floor and the central tower with its characteristic cupola. The image reflects the documentary architectural style typical of mid‑20th‑century German publishers. (Edition: Graphokopie)

Concordance:

Thematic: The thematic concordance is outstanding, as the stamp depicts the Old Town Hall of Leipzig, the postcard presents a photographic view of the same building, and the commemorative illustrated postmark features the identical architectural subject. Together, these three elements align perfectly around the same landmark, forming a triple concordance fully compliant with maximaphily standards.

Geographic: All elements — stamp, commemorative illustrated postmark and postcard illustration — are directly linked to Leipzig, the exact locality represented. The “LEIPZIG – LEIPZIGER MESSE” special cancellation reinforces geographic authenticity, entirely in accordance with FIP maximaphily criteria.

Temporal: The postmark date (08.03.1956) falls well within the valid postal usage period of the 1955 issue, ensuring proper temporal concordance for a maximum card produced with a commemorative stamp circulating over multiple years.

Maximum Card City Gate of Wangen

Yt:DE-FWH 16

Stamp: Germany – Württemberg‑Hohenzollern – Definitive series “Personalities and Views from Württemberg‑Hohenzollern (II) – City Gate of Wangen (Ravensburger Tor)”, 10 Pf, brown‑sepia, depicting the Ravensburger Tor, the historic gate‑tower of Wangen im Allgäu. (Issue: July 1947)

Postmark: Germany – Commemorative illustrated postmark “WANGEN (ALLGÄU)” – 31.01.1949

Special cancellation showing a stylised depiction of the Ravensburger Tor, matching precisely the architectural subject represented on both the stamp and the postcard. 

Postcard: Monochrome photographic illustration showing the Ravensburger Tor in Wangen im Allgäu, framed from the town square with the foreground fountain and surrounding traditional buildings. The tower’s clock, painted façade and arched passageway are prominently featured, reflecting the classic documentary style of mid‑20th‑century German view cards. (Edition: Gebr. Metz)

Concordance:

Thematic: The thematic concordance is exceptional, as the stamp depicts the Ravensburger Tor, the postcard presents a photographic view of the same monument, and the commemorative illustrated postmark also incorporates its iconography. Consequently, all three elements converge precisely on the same architectural subject, forming a perfect triple concordance fully aligned with the principles of maximaphily.

Geographic: All elements — stamp, commemorative postmark, and postcard illustration — are directly linked to Wangen im Allgäu, the exact locality represented. The illustrated “WANGEN (ALLGÄU)” special postmark reinforces geographic authenticity and is entirely consistent with FIP maximaphily criteria.

Temporal: The postmark date (31.01.1949) falls within the valid postal period of use of the 1947 definitive issue, ensuring appropriate temporal concordance for a maximum card created with a multi‑year circulating stamp.

Carte Postale Maximum "Le Globe Terrestre"

 

Yt:FR 998

Stamp: France – Centenary of the Metric System – 30 francs, grey‑black - Issue date: 6 October 1954

Postmark: Paris – First Day of Issue cancellation – 4 OCT. 1954 - Date: 4.10.1954, applied two days before the official nationwide release

Postcard: Monochrome printed postcard depicting a detailed image of the terrestrial globe that served as the historical reference for defining the metric system’s unit of length. (Edition unknown.)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates the Metric System, featuring symbolic scientific imagery, and the postcard illustrates the original terrestrial globe used in the development of the metric system’s foundational unit.

Both elements relate directly to the same scientific and historical theme.

Geographic: Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard depicts an object central to French scientific history, created under the direction of the French Academy of Sciences during the birth of the metric system.

All components share a consistent French cultural–scientific context.

Temporal: Excellent temporal concordance.

The cancellation date—4 October 1954—corresponds to the official First Day of Issue applied at the Paris philatelic office.

Although the general nationwide issue date was 6 October 1954, French postal practice allowed First Day cancellations to be used prior to the commercial release.

This complies fully with maximaphily guidelines and forms a true First Day maximum card.

Carte Postale Maximum Eugène-Georges Haussmann

 

Yt:FR 934

Stamp: France, Famous People series – Eugène-Georges Haussmann – 20 francs + 6 francs, (Issue date: 20 October 1952)

Postmark: Paris – First Day of Issue cancellation – Date: 18.10.1952

• Note on dates:
• Although many catalogues list 20 October 1952 as the official issue date, the First Day cancellation clearly shows 18 October 1952.
• This is historically correct: in mid‑20th‑century France, First Day cancellations were often applied 1–3 days before the general nationwide release, at dedicated philatelic counters in Paris.
• Thus:
• 18 October 1952 → First Day of Issue (FDC cancellation used at the Paris philatelic office)
• 20 October 1952 → general release date for national sale across post offices

Both dates are valid and refer to different stages of the stamp’s official introduction.

Postcard: Monochrome printed postcard depicting a portrait of Eugène-Georges Haussmann, presented in a classical profile view. (Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp portrays Eugène‑Georges Haussmann, and the postcard also features a portrait of the same figure who oversaw the urban transformation of Paris. This establishes complete and direct thematic alignment in accordance with maximaphilic standards.

Geographic: Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard illustrates an administrator whose legacy is deeply tied to the city of Paris. All elements share a coherent and consistent geographic context.

Temporal: Excellent temporal concordance.

The cancellation date—18 October 1952—corresponds to the official First Day of Issue as used by the Paris philatelic bureau. Although the general nationwide release occurred on 20 October 1952, French postal practice of the time allowed First Day cancellations to precede the broader commercial availability of the stamp. 

Thus, the card fully satisfies the temporal requirements of maximaphily and constitutes a true First Day maximum card.

Carte Postale Maximum Narvik 1940

 

Yt:FR 922

Stamp: France, Battle of Narvik (1940) Commemoration – 30 francs, blue -  Issue date: 23 May 1952)

Postmark: Paris – First Day of Issue cancellation "BATAILLE DE NARVIK" – Date: 23.05.1952

Postcard: Monochrome printed postcard depicting the Narvik 1940 memorial stele, inscribed:

“LA FRANCE À SES FILS ET À LEURS FRÈRES D’ARMES TOMBÉS GLORIEUSEMENT EN NORVÈGE – NARVIK 1940.”

The scene includes a French sailor standing beside the monument, with the surrounding Norwegian landscape visible in the background. (Edition Les Maximaphiles Français)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates the Battle of Narvik (1940), and the postcard features the memorial stele dedicated to the French soldiers who fell in Narvik, forming a perfect thematic match.

Both elements refer to the same historic military event.

Geographic: Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard illustrates a monument erected in Narvik, Norway, directly connected to the historical event commemorated by France. This creates a coherent and historically accurate geographic alignment.

Temporal: Excellent temporal concordance.

The cancellation date—23 May 1952—is the official First Day of Issue of the Battle of Narvik commemorative stamp. This results in perfect temporal alignment and produces a true First Day maximum card, the highest standard in maximaphily.

Maximum Card Georges Clemenceau

 

Yt:FR 918

Stamp: France – Famous People series – Georges Clemenceau – 15 francs - (Issue date: 11 November 1951)

Postmark: Paris – First Day of Issue cancellation - Date: 11.11.1951

Postcard: Monochrome printed postcard depicting a sculptural portrait of Georges Clemenceau, based on the work of Auguste Rodin. (Edition unknown)

Concordance

Thematic: Full thematic concordance.

The stamp portrays Georges Clemenceau, and the postcard also depicts a sculpted portrait of the same historical figure, ensuring perfect thematic alignment under maximaphilic rules. All three elements—stamp, postmark, and postcard—directly reference Clemenceau.

Geographic:

Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard reproduces a work by the French sculptor Auguste Rodin, representing Georges Clemenceau. This creates complete geographic coherence.

Temporal: Excellent temporal concordance.

The cancellation date—11 November 1951—is the official First Day of Issue of the Georges Clemenceau stamp. This results in a perfect temporal match and makes the card a true First Day Maximum Card, the highest standard in maximaphily.

 

Maximum Card Ugo Foscolo (1778-1827)

 

Yt:IT 1385

Stamp: Italy – Ugo Foscolo bicentenary (1778–1827) – 170 lire (Issue date: 9 November 1978)

Postmark: Venezia – First Day of Issue cancellation – Venice - Date 9.11.1978

Postcard: Monochrome printed postcard featuring a portrait of Ugo Foscolo, presented in a Romantic‑era artistic style, showing the poet in elegant attire against a dramatic background. The lower margin includes the caption identifying UGO FOSCOLO.

(Edition unknown)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates Ugo Foscolo, and the postcard features a portrait of the same Italian poet and writer, ensuring a complete and direct thematic match in accordance with maximaphilic principles.

Geographic: Strong geographic concordance.

The stamp is an Italian issue, and the First Day cancellation was applied in Venezia, a city closely tied to Italy’s literary and cultural heritage.

The postcard likewise represents a central figure in Italian national culture, ensuring full geographic alignment.

Temporal: Excellent temporal concordance.

The postmark date—9 November 1978—is the official First Day of Issue of the 170‑lire Ugo Foscolo stamp. This creates perfect temporal alignment, forming a true First Day maximum card, the highest standard in maximaphily.

Carte Postale Maximum Raymond Poincaré

 

Yt:FR 864

Stamp: France – Famous People series – Raymond Poincaré – 15 French francs

(Issue date: 27 May 1950)

Postmark: Paris – Commemorative cancellation for the “Foire de Paris – Philatélie”

(Date present on the cancellation is not readable; based on the Fair’s calendar, the most probable dates of use are 27, 28, or 29 May 1950, the last three days of the event held from 13 to 29 May.)

Postcard: Monochrome printed postcard depicting a portrait of Raymond Poincaré, presented in a formal pose typical of early‑ to mid‑20th‑century French official portraiture. The design frames the statesman with a sober, classical aesthetic that emphasizes his political stature.

The printed caption identifies Raymond Poincaré and his role in French political history.

(Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp depicts Raymond Poincaré, and the postcard illustrates a portrait of the same historical figure, ensuring complete thematic alignment according to maximaphilic standards. Stamp, postmark, and postcard all relate directly to the same person.

Geographic: Strong geographic concordance.

The stamp is a French issue, the commemorative cancellation was applied in Paris during the Foire de Paris – Philatélie, and the postcard portrays a major figure of French national political history.

All three elements share the same geographic and cultural context.

Temporal: Correct temporal concordance.

The cancellation—although its date is unreadable—is known to have been applied during the Foire de Paris, which ended on 29 May 1950.

Since the stamp was issued on 27 May 1950, the event’s final days (27–29 May) fall within the earliest valid period of postal use of the stamp, satisfying maximaphilic temporal requirements.

Even without a legible date, the context of use confirms that the cancellation aligns with the proper validity period of the issue.

Carte Postal Maximum Charles VII Roi de France

 

Stamp: France – Famous People series – Charles VII – 10 francs + 6 francs, red

(Issue date: 28 October 1946)

Postmark: Paris – Musée Postal – Circular date stamp reading “14 MARS 1947 – 4 Rue St. Romain”

(Last day of postal validity of the issue.)

Postcard:

Monochrome printed postcard depicting a portrait of Charles VII, presented with a curtain‑framed background and formal attire. The postcard reproduces the artwork traditionally associated with the Musée du Louvre. (Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp features Charles VII, and the postcard also illustrates a portrait of the same French monarch, providing complete alignment of iconographic and historical subject matter, fully compliant with maximaphilic principles.

Geographic: Strong geographic concordance.

The stamp is a French issue, and the cancellation was applied in Paris, at the Postal Museum.

The postcard also depicts a figure deeply rooted in French royal history, ensuring coherent geographic association.

Temporal: Excellent temporal concordance.

The cancellation date—14 March 1947—corresponds to the last day of postal validity of the Charles VII semi‑postal stamp issued on 28 October 1946.

This creates a perfect temporal alignment and adds notable philatelic value, as cancellations on a stamp’s final day of use are highly desirable in maximaphily.

Carte Postal Maximum Charles VII Roi de France

 

Yt:FR 770

Stamp: France – Famous People series – Charles VII – 10 francs + 6 francs, red

(Issue date: 28 October 1946)

Postmark: Paris – Comemmorative cancelation “8 MARS 1947 – Journeé du Timbre”

Postcard: Monochrome printed postcard depicting a portrait of Charles VII, based on a work preserved at the Musée de Versailles. The composition presents the monarch in formal attire, framed by a decorative border. Printed caption below the image: “CHARLES VII – Roi de France – 1403–1461”

(Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp features Charles VII, and the postcard also depicts a portrait of the same historical figure, resulting in a complete alignment of subject matter according to maximaphilic criteria.

Geographic: Strong geographic concordance.

The stamp is a French issue, and the cancellation originates from Paris. The postcard also represents a subject of the French royal historical heritage, ensuring consistent geographic context.

Temporal: Correct temporal concordance.

Although the official withdrawal (“retrait”) date of the issue was 14 March 1947, French postal regulations of the period allowed normal postal use of stamps already in the public’s possession after withdrawal, particularly at philatelic counters.

Therefore, the cancellation of 15 March 1947 remains fully valid for maximaphily, as the stamp was still accepted and processed within its effective postal usability period.

Why do 15‑03‑1947 cancellations exist if the stamp was withdrawn on 14‑03‑1947?

This is a classic situation in French philately and is not an error. It occurs because withdrawal date and last day of postal validity were not the same thing in France at the time.

✔ 1. “Retrait” = withdrawal from post office counters

The date 14 March 1947 refers to the moment when the stamp was removed from sale at postal counters.

After this date, post offices stopped selling the stamp. But a stamp withdrawn from sale can still legally be used as long as it remains valid for postage.

✔ 2. Stamps already owned by the public remained valid the next day

Collectors or correspondents who already had the stamp could still use it on 15 March 1947—and sometimes even later—depending on the internal rules and how post offices applied them.

French postal regulations in the 1930s–1950s commonly allowed: use of previously purchased stamps beyond the withdrawal date cancellation of older issues if still affixed to valid mail.

Thus, a postcard franked on 15‑03‑1947 could still be cancelled normally. This explains the existence of maximum cards with a 15 March postmark.

✔ 3. Special philatelic offices (like Musée Postal) often cancelled one day later

The Musée Postal (Postal Museum) in Paris frequently applied philatelic cancellations on: last day of sale day after withdrawal dates associated with philatelic demonstrations or collector requests

It was not unusual for collectors to bring stamps the day after the official withdrawal, and the philatelic counter would still cancel them.

This is perfectly consistent with French philatelic practice of the period.

✔ 4. In exhibits, both dates are accepted as maximaphilically valid

Because: the stamp was still valid for postal use the theme, geographic link, and period of postal validity remain intact the day‑after cancellation is considered postal use, not “backdating”

Therefore, a 15 March 1947 maximum card is fully admissible in competitive maximaphily—although a 14 March cancel is more desirable because it is the true last day of sale.

Summary

• Yes, the official withdrawal date was 14/03/1947.
• Yes, cancellations on 15/03/1947 are still legitimate because:
• withdrawal ≠ end of postal validity postal counters routinely cancelled stamps after withdrawal

philatelic offices had even more flexibility

There is no contradiction—just normal postal practice of mid‑20th‑century France.

Carte Postale Maximum Rouen martyred city ( Devastated Cities)

 

Yt:FR 745

Stamp: France – Devastated Cities (“Villes Martyrs”) – Rouen, martyred city – 1 franc, violet‑blue

(Issue date: 5 November 1945)

Postmark: Rouen – Circular date stamp reading “ROUEN – 5 NOV 1945”, matching the exact first day of issue.

Postcard: Monochrome printed postcard depicting the Pont Transbordeur of Rouen, showing the metal pylons and suspended gondola structure over the Seine, with the cityscape and cathedral spire visible in the background. Printed caption: “116. ROUEN — Le Pont transbordeur.”

(Edition unknown, typical early 20th‑century French postcard.)

Concordance

Thematic: Strong thematic concordance.

The stamp portrays a war‑damaged view of Rouen, while the postcard shows one of the city’s iconic architectural structures—the Transbordeur Bridge—together forming a coherent representation of Rouen’s urban identity. Both elements align directly with the same locality and historical urban setting, fulfilling thematic maximaphilic requirements.

Geographic: Perfect geographic concordance.

The stamp features Rouen, the postcard illustrates Rouen, and the cancellation was applied in Rouen. All three components originate from the same city.

Temporal: Excellent temporal concordance.

The postmark date—5 November 1945—coincides exactly with the official issue date of the stamp, creating a true First Day of Issue maximum card. This achieves the highest level of temporal alignment in maximaphily

Carte Postale Maximum Gaspard Monge

 

Yt:FR 948

Stamp: France – Commemorative issue “Famous People – Gaspard Monge”, 18 F + 5 F, blue, depicting a portrait of Gaspard Monge and mathematical instruments (Issue: 09.07.1953)

Postmark: France – Circular date stamp “PREMIER JOUR / MONGE / BEAUNE” – 09.07.1953

Postcard: Monochrome printed illustration showing the formal bust‑length portrait traditionally associated with Gaspard Monge, accompanied by typographic captions identifying his name, life dates (1746–1818), and profession as mathematician. The layout follows the classical aesthetic of mid‑20th‑century commemorative portrait postcards. (edition: G. Parison)

Concordance:

Thematic: The thematic concordance is excellent: the stamp honours Gaspard Monge through a commemorative portrait, and the postcard presents a printed portrait of the same historical figure. Both elements align perfectly in their focus on the mathematician.

Geographic: Both stamp and cancellation originate from France, and the Beaune first‑day cancel reinforces the connection to Monge’s birthplace, ensuring strong geographic authenticity.

Temporal: The postmark date (09.07.1953) corresponds exactly to the first day of issue of the commemorative stamp, providing ideal temporal concordance for a maximum card created in accordance with first‑day postal usage.

Maxicard Mont Kilimanjaro

 

Yt:EA 96

Stamp: British East Africa (Kenya, Uganda and Tanganyika) – Definitive series “Queen Elizabeth II and Views – Mount Kilimanjaro”, 30c, multicolour, depicting a portrait of Queen Elizabeth II and a landscape vignette of Mount Kilimanjaro (Issue: 01.12.1955)

Postmark: Tanganyika – Circular date stamp “Dar es Salaam” – 13.02.1958

Postcard: Colour photographic illustration of Mount Kilimanjaro, showing the snow‑capped summit under a clear sky, with rocky foreground vegetation characteristic of the mountain’s high‑altitude slopes. The composition presents a naturalistic panoramic view of the iconic East African volcanic massif. (edition Peter Hill Postcards)

Concordance:

Thematic: The thematic concordance is excellent: the stamp portrays Mount Kilimanjaro within the “Views” definitive series, while the postcard presents a photographic depiction of the same mountain. Both elements align perfectly through the representation of the identical geographical landmark.

Geographic: Both stamp and cancellation originate from Tanganyika, and the Dar es Salaam postmark reinforces the territorial authenticity. The postcard also depicts a location within the same region, ensuring strong geographic concordance.

Temporal: The postmark date (13.02.1958) falls within the valid period of postal use of the 1955 definitive issue, providing proper temporal concordance for a maximum card constructed with a long‑running definitive series.

As Aves são um Máximo: Galinha (G. g. domesticus)

As Aves são um Máximo: Galinha (G. g. domesticus):   Ordem: Galliformes, Família: Phasianidae, Género: Gallus, Espécie: G. gallus Subespécie: G. g. domesticus

Stamp: Australia – Stamp Collecting Month: Down on the Farm – “Chloe Chicken” – 50c, multicolour, featuring an illustrated chicken with chicks in a playful farm-themed design (Issue: 04.10.2005).

Postmark: New Farm, Queensland – Special Pictorial Cancellation “First Day of Issue” – 04.10.2005

Postcard: Colour photographic postcard depicting a hen sitting on straw inside a barn or farm setting, surrounded by several eggs; publisher not identified.

Concordance:

– Thematic: The stamp shows an illustrated farmyard chicken, while the postcard presents a realistic hen with eggs in an equivalent rural environment. The shared focus on poultry in a farm setting ensures complete thematic alignment.

– Geographic: The pictorial cancellation from New Farm, Queensland, corresponds to the country of issue of the stamp (Australia), establishing full geographic coherence.

– Temporal: The cancellation dated 04.10.2005 matches the year of issue of the Stamp Collecting Month – Down on the Farm series, providing excellent temporal coherence according to maximaphily standards.

Maxicard Legislative Building, Manila Philippines

 

Yt: PH 487

Stamp: Philippines – Commemorative issue “Southeast Asia Treaty Organization – 5th Anniversary of the Manila Pact” – 6 Centavos, green (Issue: 08.09.1958)

Postmark: Manila – Circular date stamp “MAY 3 1960 – PHILIPPINES”

Postcard: Colorized printed postcard depicting the Legislative Building, Manila, presented in a neoclassical architectural perspective with finely detailed façade and landscaped foreground. The lower margin includes the caption “4010.—Legislative Building, Manila, Philippines.” (edition: 9B-H1160)

Concordance:

Thematic: The stamp commemorates the 5th Anniversary of the Manila Pact (SEATO) and features an architectural representation of a government building used during the Congress of the Philippines. The postcard also depicts an official state building — the Legislative Building of Manila. Although the themes differ in purpose (international treaty vs. national architecture), both elements share a clear connection to Philippine governmental institutions, creating a partial but acceptable thematic alignment.

Geographic: Both the stamp and the postmark originate from the Philippines, and the postcard’s subject is likewise a prominent Philippine landmark located in Manila. This ensures complete geographic concordance.

Temporal: The postmark date (03.05.1960) falls within the regular postal validity period of the stamp issued on 08.09.1958, ensuring correct temporal concordance, even though the date does not correspond to the issue day.

Maximum Card New Post Office, Plaza Lawton, Manila

 

Yt:PH 327

Stamp: Philippines – Definitive issue “Places of Interest – Jones Bridge” – 12 Centavos, blue (Issue date: June 19, 1947)

Postmark: Manila – Circular date stamp “SEPT 2 1955 – PHILIPPINES” with slogan cancellation “Live to Help the Anti‑TB Drive – Aug 19–Sept 30, 1955”

Postcard: Colorized printed postcard depicting the New Post Office, Plaza Lawton, Manila, presented in a neoclassical architectural composition typical of C.T. Photo‑Colorit productions. The lower margin includes the caption “New Post Office, Plaza Lawton, Manila.” (edition: C.T. Photo‑Colorit – 2A‑H447)

Concordance

Thematic: Both the stamp and the postcard depict the New Post Office, Plaza Lawton, Manila.

Therefore, the architectural subject on the stamp corresponds directly to the image on the postcard, establishing perfect thematic concordance according to maximaphily standards.

Geographic: Full geographic concordance.

The stamp was issued in the Philippines, the cancellation is from Manila, and the postcard depicts a Manila landmark. All elements match at the geographic/national level.

Temporal:  Acceptable temporal concordance.

The stamp was issued on 19 June 1947 and remained valid for years thereafter.

The cancellation “2 September 1955” falls well within its period of postal validity.

Although not related to a First Day use and combining elements from different thematic contexts, the date remains entirely correct from a postal‑historical standpoint.

Maximum card University of St. Tomas Manila Philippines

 

Yt: PH 444

Stamp: Philippines – Regular issue featuring the Main Building of the University of Santo Tomas – 5 Centavos, carmine‑rose (Issue date: Nov 13, 1956)

Postmark: Manila – Circular date stamp “JAN 22 1959 – PHILIPPINES”

Postcard: Colorized printed postcard depicting the Main Building of the University of Santo Tomas (Manila), presented in a wide architectural landscape composition. The lower margin includes the caption “UNIVERSITY OF STO. TOMAS, MANILA, PHILIPPINES.” (edition: C.T. Photo-Colorit)

Concordance:

Thematic: Full thematic concordance. The stamp depicts the same landmark—the Main Building of the University of Santo Tomas - represented in the postcard’s illustration, forming a complete maximaphilic alignment.

Geographic: Both the stamp and the postmark originate from the Philippines. The postcard also represents a Philippine location (UST, Manila), ensuring perfect geographic consistency.

Temporal: The cancellation date (22 January 1959) falls within the valid period of use of the 5c definitive stamp depicting the UST Main Building. Although not a First Day Issue, it maintains proper temporal concordance for maximaphily.

Maxicard 100th Birthday of Karl Renner

 

YT: 1180

Stamp: Austria – Commemorative issue “Dr. Karl Renner – 1870–1970” – 2 Schilling, purple (Issue: 14.12.1970)

Postmark: Vienna – First Day Cancellation with commemorative inscription – 14.12.1970

Postcard: Monochrome photographic postcard presenting a formal portrait composition associated with Dr. Karl Renner. The lower section includes a printed quotation in German and a facsimile signature. (edition unknown)

Concordance:

Thematic: The stamp commemorates the centenary of Dr. Karl Renner, and the postcard’s subject matter likewise refers to him, forming a complete thematic alignment between the philatelic element and the illustrated card.

Geographic: Both the stamp and the First Day Cancellation originate from Austria, matching the national context represented in the postcard’s imagery and text.

Temporal: The postmark date (14.12.1970) matches the official issue date of the stamp, ensuring perfect temporal concordance.

Ethiopia: Giraffes Maximum Card

 

 Yt:ET 374

YT: 374

Stamp: Ethiopia – Definitive series “Ethiopian Mammals”, 35¢, multicolour, depicting a giraffe (Issue: 16.06.1961)

Postmark: Ethiopia – Circular date stamp “Philatelic Dept. A.A.” (Addis Ababa) – 25.04.1963

Postcard: Colour photographic illustration of two giraffes standing in an enclosed zoo environment, one feeding from elevated branches while the other is positioned in profile, showing the characteristic long neck and patterned coat of the species. The composition reflects a naturalistic zoological scene. (edition unknown)

Concordance:

Thematic: The thematic concordance is excellent: the stamp portrays a giraffe within the Ethiopian Mammals definitive series, while the postcard depicts two giraffes in a zoological setting. Both elements clearly align through the representation of the same animal species.

Geographic: Both stamp and cancellation originate from Ethiopia, and the “Philatelic Dept. A.A.” postmark further reinforces the Ethiopian origin, ensuring strong geographic authenticity.

Temporal: The postmark date (25.04.1963) occurs within the valid usage period of the 1961 definitive issue, providing proper temporal concordance for a maximum card based on a multi‑year definitive series.

Maxicard King Farouk I (Egypt)

 

YT: 227

Stamp: Egypt – Definitive series “King Farouk in Oval”, 5 milliemes, carmine‑red, depicting King Farouk as issued in this series (Issue: February 1946)

Postmark: Alexandria – Circular date stamp with Arabic inscriptions – 02.04.1963

Postcard: Monochrome photographic portrait of King Farouk in full ceremonial attire, wearing an elaborate uniform adorned with decorations, medals, aiguillettes, and a ceremonial sword, composed in a formal studio style typical of official state portraiture. (edition unknown)

Concordance:

Thematic: The stamp portrays King Farouk in the official “King Farouk in Oval” series, while the postcard presents a formal portrait of King Farouk regalia, matching the iconography and symbolism associated with Egyptian monarchy of the period.

Geographic: Both elements originate from Egypt, and the Alexandria postmark reinforces geographic authenticity by linking the item to a major Egyptian city with historical postal significance.

Temporal: Although the postmark (02.04.1963) is later than the 1946 issue date, it remains fully acceptable within a post‑issue concordance framework, maintaining valid chronological coherence for a maximum card of the period.

Maximum Card Pola Bear - Quebec Canada

 

YT: 257

Stamp: Canada – Definitive issue “Polar Bear” 2 cents, blue (Issue: 01.04.1953)

Postmark: Québec, P.Q. – Circular date stamp “APR 1 ’53” applied on the first day of issue

Postcard: Monochrome photographic illustration depicting a group of polar bears on Arctic ice floes, with several animals walking, observing their surroundings, or approaching the water, set within a cold landscape rendered in soft tones and a naturalistic style. The printed caption reads “Polar Bears on Arctic Ice Floe – Alaska”. (edition unknown)

Concordance:

Thematic: Perfect thematic concordance: the stamp features a polar bear, and the postcard shows multiple polar bears in their natural habitat, directly reinforcing the theme of Arctic wildlife.

Geographic: Although the postcard depicts Alaska, the stamp and cancellation come from Canada — a country whose natural heritage prominently includes the polar bear as an emblematic species. This establishes a strong geographic and ecological link within the broader North American Arctic context.

Temporal: The postmark date (01.04.1953) exactly matches the official issue date of the stamp, ensuring full temporal concordance and qualifying the item as a first day maximum card.

Carte Postal Maximum territoire militaire du Fezzan-Ghadamès - Well, at Gorda

 

Yt:FR-FZ 47

Stamp: Fezzan–Ghadames (France – former colonies & protectorates) – Commemorative stamp depicting “Well, at Gorda” – brown‑olive design featuring a stylized representation of the historic well at Gorda, rendered in the characteristic graphic style of the early French‑administered Fezzan issues. Produced under French postal administration during the post‑war territorial mandate, the stamp emphasizes regional historical and archaeological heritage. (Issue: 01/07/1949)

Postmark: Sebha – Fezzan – circular cancellation dated 24/06/1951, consistent with the postal markings used during the French administration of Fezzan.

Postcard: Sepia‑toned postcard showing the Well at Gorda, presenting the stone structure of the well within its arid regional landscape. The composition highlights the historic and geographical significance of the site, with sparse vegetation and the desert environment typical of the Fezzan area.

Concordance

– Thematic:The commemorative stamp explicitly depicts the Well at Gorda, emphasizing its archaeological and historical relevance. The postcard likewise presents a photographic view of the same well, focusing on its stone structure and surrounding desert scenery.

This creates perfect thematic alignment, as both stamp and postcard refer directly to the same site and historical environment.

– Geographic: The Sebha (Fezzan) cancellation corresponds precisely to the region administered by France during this period and aligns with the subject matter of both the stamp and the postcard.

All elements—stamp, postmark and postcard—belong to the same geographical framework, ensuring complete spatial coherence.

– Temporal: The cancellation dated 24 June 1951 is fully compatible with the official issue date of the stamp (1 July 1949). The period corresponds to the valid postal use of this Fezzan–Ghadames issue under French administration, creating a fully coherent temporal relationship between stamp, postcard and postmark.

Postal Máximo Centenário da Educação do cego no Brasil - Benjamin Constant

 

YT:588

Stamp: Brazil – commemorative stamp “Centenário da Educação do Cego no Brasil”, value 60 cts, issued on 27.09.1954. The design features an allegorical composition representing blind education, the inscription “BRASIL‑CORREIO”, the denomination expressed in centavos, and a finely engraved scene typical of Brazilian commemorative issues of the period.

Postmark: Rio de Janeiro – circular commemorative cancellation dated 27 SET 54, bearing the inscription “CENTENÁRIO DA EDUCAÇÃO DO CEGO NO BRASIL – CORREIOS – RIO DE JANEIRO”. It is a special‑event cancellation marking the national centenary celebrations, consistent with the commemorative postal practices of mid‑20th‑century Brazil.

Postcard: Beige postcard with monochrome brown‑orange printing, depicting a stylised portrait in engraved artistic style associated with the historical context of blind education in Brazil.

The paper shows the texture and tonality typical of Brazilian printings from the mid‑20th century.

Concordance

– Thematic:

The commemorative stamp represents the Centenary of Blind Education in Brazil, presenting allegorical imagery directly tied to this national milestone.

The postcard features a stylised engraved portrait associated with the historical context of the development of blind education in Brazil, maintaining a coherent commemorative character.

Together, stamp and postcard preserve thematic consistency, as both elements refer to the same national educational centenary, even though the secondary centenary postmark (17/09/1954) is present only as a non‑obliterating sample.

– Geographic:

The Rio de Janeiro cancellation used to obliterate the stamp (Coleta Tarde – 27/09/1954) is fully consistent with the Brazilian origin of both the stamp and the postcard.

The additional Centenário da Educação do Cego no Brasil cancellation from Rio de Janeiro reinforces, even as a sample, the national commemorative context.

Thus, all postal elements remain geographically coherent within Brazil.

– Temporal:

The stamp is cancelled with the Coleta Tarde postmark dated 27 September 1954, which corresponds exactly to the official issue date of the centenary stamp (27.09.1954).

This ensures perfect temporal alignment between the stamp and its postal use.

The commemorative centenary postmark dated 17 September 1954, although present only as a specimen and not used for obliteration, remains chronologically compatible with the celebration period preceding the official issue date.