Postal Máximo Padroeira do Brasil

 

Yt:BR 587

Edition Cromocart

Postal Máximo Madre Joana Angélica de Jesus

 

Yt:BR 815

Stamp: Brazil – Correios – Commemorative stamp issued for the Homenagem à Madre Joana Angélica de Jesus, honoring her historical role as one of the earliest Brazilian martyrs associated with the Independence movement. The design presents the stylized figure of Madre Joana Angélica wearing her religious habit, rendered in blue tones against a light background. Issued on 3 May 1967, the stamp forms part of a postal tribute to significant national figures from Brazil’s colonial and independence-era history.

Postmark: Guanabara – Primeiro Dia de Circulação – Circular first‑day cancellation dated 3 MAI 67, inscribed with “CORREIOS – GB,” marking the official debut of the stamp issue. The cancellation confirms its postal use on the exact day of release and is characteristic of Brazilian first‑day commemorative obliterations of the 1960s.

A second cancellation, also dated 3 de Maio de 1967, features an illustrated homage to Madre Joana Angélica, with decorative stars and a depiction of the religious figure, reinforcing the thematic and ceremonial purpose of the issue.

Postcard: Cream‑toned first‑day postcard reproducing an engraved representation of Madre Joana Angélica de Jesus, shown in her religious habit and framed within an oval border. The illustration is executed in a blue line‑drawing style typical of mid‑20th‑century commemorative Brazilian philatelic artwork. The lower inscription identifies her as the “Primeira Heroína da Independência do Brasil,” highlighting her historical relevance. The postcard was produced as part of a coordinated philatelic tribute, with edition unkown.

Concordance

Thematic: There is complete thematic concordance among all components. The stamp, both postmarks, and the postcard illustration are dedicated to the same historical figure—Madre Joana Angélica de Jesus - celebrating her symbolic role in Brazil’s struggle for independence. The unified religious and patriotic iconography establishes a cohesive thematic identity throughout the piece.

Geographic: Geographic coherence is fully preserved. The stamp is of Brazilian origin, and both cancellations were applied in Guanabara, the issuing authority for first‑day material at the time. Although the postcard’s printing reference indicates a French atelier, its subject, purpose, and postal use are entirely Brazilian, ensuring geographic unity in meaning and circulation.

Temporal: Temporal concordance is exact. The cancellations dated 3 May 1967 coincide perfectly with the official issue date of the commemorative stamp, confirming first‑day use. The postcard design corresponds to the same commemorative release, and all elements align within the same historical and postal timeframe.

Tarjeta Máxima Juan Ruiz de Alarcón y Mendoza

 

Yt: ES 801 / Edifil: ES 1074

Stamp: Spain – Correos – Definitive stamp from the “Portraits (1950-1953)” series (20 cts), printed in violet‑blue tones and featuring the engraved profile of Juan Ruiz de Alarcón y Mendoza. Issued 01.09.1950

Postmark: Madrid – Servicio Filatélico de Correos – Circular cancellation dated 26 JUL 54, bearing the official emblem of the philatelic service: a stylized postal horn surmounted by a crown. The marking confirms processing through the central philatelic office in the Spanish capital, a frequent origin point for specially prepared philatelic items.

Postcard: Cream‑tone postcard illustrating a finely executed engraved portrait of Juan Ruiz de Alarcón y Mendoza dressed in period attire, with attention drawn to the elaborate ruffled collar and the Renaissance‑style shading. The portrait is rendered in dark sepia/black ink, occupying the upper half of the card, and designed in a traditional Spanish academic style of the 19th–20th century. (Edition Laboratoires La Biomarine, Dieppe)

Concordance

Thematic: There is perfect thematic concordance between the elements of the piece. The stamp, belonging to Spain’s “Portraits (1950–1953)” definitive series, depicts Juan Ruiz de Alarcón y Mendoza, a prominent writer and playwright of the Spanish Golden Age. The postcard also presents an engraved portrait of Juan Ruiz de Alarcón, rendered in a classic academic style. Both images focus on the same historical figure, reinforcing a unified thematic representation centred on Spanish literature, the Baroque period, and the cultural legacy of one of Spain’s major dramatists. This creates a coherent and intentional philatelic composition.

Geographic: Geographic coherence is entirely consistent. Both the stamp and the subject portrayed on the postcard originate from Spain, and the postmark is from Madrid, applied by the Servicio Filatélico de Correos. Even though the postcard edition (“Laboratoires La Biomarine, Dieppe”) comes from France, the artistic subject is unmistakably Spanish, and therefore the geographic axis of the piece remains Spanish. The philatelic operation through Madrid further anchors the item to Spain, ensuring geographic unity in its postal and cultural context. 

Temporal: Temporal concordance is complete and correct. The stamp was issued on 1 September 1950, and the cancellation is dated 26 July 1954, a time frame in which the stamp was fully valid for postal use. This ensures chronological compatibility between the philatelic emission date and the postal cancellation. The portrait style of the postcard, although produced mid‑20th century, aligns historically with the subject (17th century) and fits comfortably within the typical timeframe for special philatelic and portrait postcards of the 1950s. Thus, all components - stamp, cancellation, and postcard—coexist within a coherent and historically compatible period.

Maxicard Santo Cristo LePanto

 

Yt:ES 965

Stamp: Spain – Correios – Commemorative stamp for the "1st International Philately Congress (CIF-60)" in Barcelona, depicting the "Santo Cristo de Lepanto." The design features the image of the crucified Christ in red/pink tones against a greenish background. Issued in March 3, 1960, this stamp is part of a series celebrating the philatelic congress and highlighting Barcelona's religious and historical heritage.

Postmark: Barcelona – 1er Congreso Internacional de Filatelia – Circular cancellation dated March 3, 1960 (-3 MAR 60), featuring the "CIF" logo and stylized olive branches. The marking is specific to the event held in the Catalan capital, confirming its postal use during the congress period.

Postcard: Sepia-toned postcard reproducing the "Historic and Miraculous Image of the Santo Cristo de Lepanto," venerated in the Cathedral Basilica of Barcelona. The central composition focuses on the Gothic sculpture of the crucified Christ, accompanied on the side by an illustration of the galley "La Real" of John of Austria, linking the image to the historic Battle of Lepanto. 

Concordance

Thematic: There is perfect thematic harmony between the stamp and the postcard, as both depict the same iconic figure: the Santo Cristo de Lepanto venerated in Barcelona. The inclusion of the galley on the postcard reinforces the historical context that gives the image its name, while the stamp uses it as a symbol for the local philatelic congress.

Geographic: The spatial coherence is absolute, uniting the origin of the image (Barcelona Cathedral), the location of the congress (Barcelona), and the origin of the cancellation postmark, all situated within the same Spanish city.

Temporal: The cancellation dated March 3, 1960, is fully compatible with the stamp's issue date (March 1960) and the period of postal validity for this specific event, establishing an exact chronological relationship between all elements.

Maximum Card Pilar y Ebro - Zaragoza

 

Yt:ES 570

Stamp: Spain – Definitive issue from the Nationalist Zone "Junta de Defensa Nacional" – 15 Céntimos, green-grey, featuring the Basilica of Our Lady of the Pillar in Zaragoza (Issued: December 1936). 

Postmark: Zaragoza – Period circular postmark with the inscription "ZARAGOZA - 28 MAY 40". The use of this postmark in Zaragoza is highly relevant as it marks the exact location of the monument depicted on both the stamp and the postcard. 

Postcard: Sepia-toned illustrated postcard featuring a panoramic view titled "ZARAGOZA. Pilar y río Ebro". The image shows the Cathedral-Basilica of Our Lady of the Pillar as seen from the banks of the Ebro River, a classic historical perspective of the city. (Edition M. Arribas)

Concordance

Thematic: Absolute thematic unity is achieved as the stamp, the postcard, and the postmark all specifically center on the city of Zaragoza and its most iconic landmark, the Basilica del Pilar.

Geographic: Maximum geographic concordance is established by the use of a postmark from Zaragoza, the city where the Basilica is located, directly linking the postal element to the physical site.

Temporal: Perfect temporal concordance is verified, as the postmark date (May 28, 1940) falls within the stamp's long period of validity following its initial issue during the Spanish Civil War in 1936.

Maximum Card San Antonio Maria Claret

 

Yt:ES 823

Stamp: Spain – Commemorative issue "Famous People" – 50 Cents, slate blue, featuring the portrait of Saint Anthony Mary Claret (Issued: September 9, 1951).

Postmark: Segovia – Period circular postmark with the inscription "SEGOVIA - 2 NOV 51". The use in Segovia is historically relevant, as Claret carried out intense missionary and pastoral work in several Spanish cities.

Postcard: Sepia-toned illustrated postcard reproducing a photographic portrait (historical cliché) of Saint Anthony Mary Claret. The image shows the cleric in ecclesiastical attire, highlighting his zucchetto and pectoral cross. 

Concordance 

Thematic: Absolute thematic unity is achieved as the stamp, the postcard, and the postmark all specifically honor the figure of Saint Anthony Mary Claret, founder of the Claretians (Missionary Sons of the Immaculate Heart of Mary).

Geographic: Geographic concordance is established by the postmark from Segovia, a city linked to Claret's missionary trajectory in Spain.

Temporal: Temporal concordance is verified, as the postmark date (November 2, 1951) falls within the stamp's period of validity, following its original issue in September 1951.

Emissão filatélica 120 anos Livraria Lello - Porto

 

Pagela

Portugal 2023 Marcador Livro Macaco Versus Coelho marque-pages Bookmark Porto Editora Editora (Jamie Smart)

 

Portugal 2007 Marcador Livro O Beijo Carmesim marque-pages Bookmark Editora Quinta Essência (Lara Adrian)

 

Emissão filatélica Arquitetura Religiosa

 Noticiário Filatélico n.º 56/2025

Despacho nº 00282025CE - Lançamento da emissão Arquitetura Religiosa em Portugal

37.º Aniversário da Casa do Benfica - 3.º aniversário da secção de filatelia

 

Arte Deco

 

Carlos Paredes 1925 / 2025

 

Carte postale maximum Monseigneur Affre

 

Yt:FR 802

Stamp: France – Commemorative issue "Centenary of the death of Monsignor Affre" – 20 Francs + 8 Francs, violet, featuring the portrait of Denis Auguste Affre (Issued: April 5, 1948).

Postmark: Saint-Rome-de-Tarn (Aveyron) – Special commemorative postmark featuring the circular cancellation "S^T ROME-DE-TARN (AVEYRON) – 18 JUIL 48". Used in the archbishop's birthplace, it includes the commemorative slogan: "REVOLUTION DE 1848 / MORT DE M^GR AFFRE / (1793-1848)".

Postcard: Sepia-toned illustrated postcard reproducing a lithograph by Patout (based on a B.N. cliché) featuring the portrait of Monsignor Affre. The image shows the Archbishop of Paris in ecclesiastical attire, highlighting his pectoral cross. The bottom margin bears the printed caption "Monseigneur AFFRE (1793-1848)". (Edition Hébé)

Concordance

Thematic: Absolute thematic unity is achieved as the stamp, the postcard, and the commemorative postmark all specifically honor Monsignor Affre and his role in the 1848 Revolution. The postmark's slogan acts as a third reinforcing element to the cleric's portrait.

Geographic: Maximum geographic concordance is established by the use of a commemorative cancellation from Saint-Rome-de-Tarn, the subject's birthplace, directly linking the postal element to his historical origins.

Temporal: Perfect temporal concordance is verified, as the postmark date (July 18, 1948) falls within the stamp's period of validity and coincides with the official centenary commemorations of the Archbishop's death in June 1848.

Maxicard Father Rafael Almanza

 

Yt:CO 555

Edition unknown

Stamp: Colombia – Airmail commemorative issue “1840 – Homenaje 1927 al Precursor Rafael Almanza”, 10 centavos, green‑black and olive, depicting Rafael Almansa Riaño in clerical attire with the church of Pineda in the background. Issued in 23.10.1958

Postmark: Bogotá – circular postmark “ADMÓN PPAL. CORREOS / BOGOTÁ – DESPACHO EXTERIOR”, dated 15.7.59, corresponding to the Colombian airmail service of the period and fully consistent with the year of issue of the commemorative stamp.

Postcard: Monochrome printed postcard showing a full‑length depiction Rafael Almanza Riaño in clerical attire with the church of Pineda in the background. Edition unknown.

Concordance:

Thematic: The stamp depicts Rafael Almanza Riaño alongside the church of Pineda, and the postcard likewise presents the same religious figure with the same ecclesiastical setting. This produces perfect thematic alignment, with a complete correspondence of subject, identity, and visual context.

Geographic: The cancellation originates from Bogotá, the city where Rafael Almanza Riaño lived, exercised his ministry, and became widely venerated. Although the church of Pineda shown on both stamp and postcard is not located in Bogotá, all three components - stamp, postmark, and illustration—are tied to the Colombian national religious landscape and to Almanza’s cultural sphere. Geographic concordance is therefore strong, though not site‑specific.

Temporal: The postmark date 15 July 1959 is fully consistent with the postal validity of the commemorative airmail stamp issued on 23 October 1958. While not a first‑day cancellation, it represents correct contemporary usage, fulfilling maximaphilic temporal requirements.

Maximum Card La Rábida - Huelva

 

Edifil ES-HUL 30

Stamp: Spain – Charity stamp “Para las Cocinas Económicas de Huelva – La Rábida”, 5 céntimos, perforation 10¾, issued in 1937 by the Junta de Auxilios Alimenticios. The stamp depicts the Monasterio de La Rábida, a historic site closely linked to the province of Huelva.

Postmark: Huelva – circular postmark dated October 1937, corresponding to the period immediately following the official introduction of the charity stamp for postal use, as authorized by the municipal agreement of 10 September 1937 and announced publicly on 16 September.

Postcard: Monochrome sepia‑toned postcard showing a panoramic view of the Monasterio de La Rábida, surrounded by vegetation and overlooking the nearby water landscape. The printed caption at the lower margin reads: “4. HUELVA. – Rábida, Monasterio.” (Edition unknown).

Concordance:

– Thematic: The stamp depicts the Monasterio de La Rábida, and the postcard portrays exactly the same historical monument from a compatible visual and cultural perspective. This creates perfect thematic alignment through the exact correspondence of subject and setting.

– Geographic: The postmark originates from Huelva, the same locality where the monastery is located and the same administrative territory responsible for creating and authorizing the charity stamp for postal use. Thus, stamp, postcard, and cancellation share complete geographic coherence.

– Temporal: The 1937 cancellation coincides with the officially authorized period of postal use of the charity stamp, introduced after the municipal agreement of 10 September 1937 and publicly announced on 16 September. The October 1937 postmark therefore provides correct temporal correspondence within maximaphilic standards.

HUELVA y Provincia -  Sellos benéficos

Maximum card Mariazell (Styria)

Yt:AT 703

Stamp: Austria – Definitive issue “Landscape Views” – 40 Groschen, carmine-red, depicting the railway viaduct at Krauss–Viadukt on the Semmeringbahn, one of the most emblematic Alpine railway structures (Issue: 10/12/1947).

Postmark: Mariazell (Styria) – Circular cancellation “MARIAZELL / Steiermark – 13.7.48–14”, applied in the post‑war period, bearing in its lower inscription the designation “Steiermark – Wintersportplatz”, referring to the region’s status as an Alpine winter sports centre.

Postcard: Monochrome photographic postcard depicting a panoramic winter view of Mariazell, showing the town nestled in a snow‑covered Alpine valley. The composition centres on the basilica complex, surrounded by clustered traditional buildings, with the backdrop dominated by the imposing Hochschwab massif and its snow‑mantled slopes. The photograph shows high contrast typical of Alpine winter imagery and includes the printed caption “MARIAZELL” in the upper left corner.

Concordance:

Thematic: The stamp illustrates Alpine railway engineering at the Semmering region, while the postcard portrays the Alpine town of Mariazell, both belonging to the broader thematic universe of Austria’s mountainous landscape and Alpine identity. Although not the same location, both elements harmonize around the visual and cultural characterization of the Austrian Alps. Thematic concordance is therefore related but not direct.

Geographic: The postmark originates from Mariazell, matching precisely the locality represented in the postcard’s photographic view. The stamp, however, depicts a location in the Semmering area, several tens of kilometres away. Geographic concordance is thus partial: strong alignment between postcard and cancellation, but not between stamp and image.

Temporal: The cancellation date 13.7.1948 falls fully within the valid postal period of the 1948 Austrian definitive issue. Although not a first‑day usage, it constitutes correct temporal concordance with no inconsistencies.

Maximum Card Leipzig spring fair 1940 - Great technical and construction trade fair

Yt:DR 666

Stamp: Germany – Commemorative issue “Leipzig spring fair 1940. Views of Leipzig” – 12 Pfennig, blue, featuring the Leipzig trade‑fair emblem and a view of the Messegelände (Issue: 03.03.1940)

Postmark: Leipzig – Circular cancellation “LEIPZIG / Reichsmessestadt – 02.3.41–12” used during the Leipzig Spring Fair

Postcard: Monochrome photographic postcard depicting an aerial panoramic view of the Reichsmessestadt Leipzig, showing the complete fairground complex with its main exhibition halls, circular plazas, rail connections, and the characteristic domed pavilion. The lower margin includes the printed caption “Reichsmessestadt Leipzig – Gesamtansicht.” The photograph presents high contrast and detailed architectural definition consistent with contemporary promotional imagery of the Leipzig fair district. (Edition Phonopostkarte Alte Wege, Leipzig)

Concordance:

Thematic: The stamp was issued for the Leipzig Spring Fair of 1940, and the postcard depicts the Reichsmessestadt Leipzig fairgrounds — the very center of the city’s international trade‑fair identity. Both elements refer directly to Leipzig’s long‑standing tradition as a commercial exhibition hub, forming a coherent thematic alignment focused on the city’s role as a major European fair center.

Geographic: Both the stamp and the cancellation originate from Leipzig, and the postcard also illustrates a Leipzig landmark — the fair complex itself. This establishes complete geographic concordance between the philatelic element, the postmark, and the illustrated card.

Temporal: The postmark date (02.03.1941) falls within the valid postal period of the 1940 issue, though it does not coincide with its issue date (03.03.1940). Temporal concordance is therefore correct in terms of postal validity, though it does not constitute a first‑day alignment.

Maxicard Breslau Rathaus (Town Hall)

 

Yt:DR 610

Stamp: Germany – Commemorative issue “Breslau – Deutsches Turn‑ und Sportfest 1938” – 12 Pfennig, carmine‑red, featuring a stylized architectural composition of the Breslau Rathaus (Town Hall), rendered in linear engraving.

(Issue: 01.01.1938) [touchstamps.com]

Postmark: Breslau – Circular cancellation “BRESLAU * 1 / Deutsches Turn‑ u. Sportfest 1938 – 23.7.38–12”, applied during the national sports festival hosted in the city that year.

Postcard: Monochrome photographic postcard depicting the Rathaus von Breslau (Town Hall of Breslau), presented in a wide architectural composition capturing the full Gothic‑Renaissance façade, adjacent tower, and surrounding urban activity. The lower margin bears the printed caption “BRESLAU. Rathaus.” The card displays strong contrast and sharp detail typical of high‑quality architectural photography from the period.

Concordance

Thematic: The stamp commemorates the 1938 Deutsches Turn‑ und Sportfest, held in Breslau, while the postcard depicts the Rathaus, one of the city’s most iconic civic landmarks. Both elements refer directly to Breslau’s urban identity and its role as host of the national sports festival, creating a strong thematic alignment.

Geographic: Both the stamp and the postmark originate from Breslau, and the postcard equally presents a prominent architectural landmark of the same city. There is therefore complete geographic concordance between all three components: stamp, cancellation, and postcard image.

Temporal: The postmark date (23.07.1938) falls within the valid postal period of the issue (placed in circulation on 01.01.1938) and coincides with the opening day of the Deutsches Turn‑ und Sportfest 1938. This establishes full temporal concordance, with the postal use occurring during the commemorated event — a condition highly valued in maximaphily.

Leipzig spring fair 1941 - Market square and old City Hall

 

Yt:DR 665

Stamp: Germany – Commemorative issue “Leipzig spring fair 1940. Views of Leipzig” – 12 Pfennig, carmine‑red, featuring the trade‑fair emblem and a view of the Messehaus (Issue: 03.03.1940)

Postmark: Leipzig – Circular cancellation “LEIPZIG * C / REICHSMESSESTADT – HANDELSHOF – 2.3.41–12” used during the Leipzig Spring Fair

Postcard: Monochrome photographic postcard depicting the Altes Rathaus (Old Town Hall), Leipzig, presented in a wide architectural composition with foreground statuary. The lower margin includes the printed caption “Leipzig – Altes Rathaus.” Photographed by Paul Wolff. (edition Kupfertiefdruck)

Concordance:

Thematic: The stamp was issued for the Leipzig Spring Fair of 1941, and the postcard’s subject matter depicts a prominent architectural landmark of Leipzig — the Old Town Hall, located within the historical urban center directly associated with the city’s fair activities. Both elements refer to Leipzig in the context of its civic identity and trade‑fair tradition, forming a coherent thematic alignment.

Geographic: Both the stamp and the cancellation originate from Leipzig, and the postcard also represents a Leipzig landmark. This establishes complete geographic concordance between the philatelic element, the postmark, and the illustrated card.

Temporal: The postmark date (02.03.1941) falls within the valid postal period of the 1941 issue but does not coincide with its issue date (03.03.1940). Temporal concordance is therefore correct in terms of postal validity, though it does not constitute a first‑day alignment.

Adolf Hitler - 10th anniversary of the National Socialist seizure of power

 

Yt:DE-GO 88

Edition Echte fotografie

Stamp: Generalgouvernement (German‑administered territory in occupied Poland) – Definitive issue featuring the official profile portrait of Adolf Hitler, 20 Groschen, inscribed “DEUTSCHES REICH – GENERALGOUVERNEMENT”. (Issue: 1941)

Postmark: Generalgouvernement – Commemorative special cancellation 10th anniversary of the National Socialist seizure of power in 1933 - KRAKAU - 30/01/1943 .

Postcard: Monochrome real‑photo postcard presenting a formal profile portrait of Adolf Hitler era, printed in sepia tones with scalloped margins typical of early‑1940s German photographic postcard production. The portrait follows the official representational style commonly used in state‑issued photographic cards of the period. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance remains strong. Both the stamp and the postcard present the same official profile portrait used in the 20‑Groschen definitive issue of the Generalgouvernement, ensuring direct subject correspondence between stamp and postcard — a key maximaphilic requirement.

The postmark, commemorating the 10th anniversary of the National Socialist seizure of power (30 January 1933), includes the swastika, a historical emblem of the Nazi regime. While the postmark does not reproduce the same portrait as the stamp and postcard, it remains an official state cancellation from the same political and administrative context, reinforcing the documentary unity of the piece.

Thus, even though the postmark is symbolically different, it is thematically compatible within the framework of official postal imagery of the period.

Geographic: Geographic concordance is excellent. The stamp was issued for use in the Generalgouvernement, the postcard originates from the same administrative environment, and the commemorative cancellation was applied in Krakau (Cracow), the capital of the territory at that time.

All components are therefore grounded in the same geographic space, conforming fully to FIP guidelines for location coherence.

Temporal: Temporal concordance is fully respected. The special cancellation dated 30 January 1943 falls squarely within the normal postal validity period of the 1941 definitive issue. The postcard is likewise contemporaneous, belonging to the same early‑1940s photographic production period.

Together, these elements form a properly synchronized maximum card, combining stamp, postmark, and postcard all within the legitimate circulation window of the issue.

Adolf Hitler - Krakau – Mozart Tage – 1941

 

Yt:DE-GO 84 MiNr. 73

Stamp: Generalgouvernement (German‑administered territory in occupied Poland) – Definitive issue featuring the official profile portrait of Adolf Hitler, 8 Groschen, deep blue, inscribed “DEUTSCHES REICH – GENERALGOUVERNEMENT”. (Issue: 1941)

Postmark: Generalgouvernement – Commemorative special cancellation “KRAKAU – MOZART‑TAGE – 8.–14. DEZ. 1941”.

This Sonderstempel was created for the Mozart Days held in Kraków from 8 to 14 December 1941, marking the 150th anniversary of the death of Wolfgang Amadeus Mozart (1791–1941). The design includes the image of a grand piano, clearly distinguishing it from a standard circular date stamp and underlining its purely cultural commemorative purpose.

Postcard: Monochrome real‑photo postcard presenting a formal profile portrait of Adolf Hitler era, printed in sepia tones with scalloped margins typical of early‑1940s German photographic postcard production. The portrait follows the official representational style commonly used in state‑issued photographic cards of the period. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance is strong. Both the stamp and the postcard display Adolf Hitler in an identical official pose, fulfilling the essential maximaphilic requirement of direct subject correspondence between card and stamp.

The commemorative postmark, while not depicting the same subject, is an official cultural cancellation used within the same administrative framework and time period, providing valid historical contextualisation. Although not thematically identical, it remains compatible with the broader documentary environment of the issue.

Geographic: The geographic concordance is excellent. The stamp was issued for use in the Generalgouvernement, the postcard originates from the same political‑administrative environment, and the special cancellation was applied in Krakau (Cracow), the capital of that territory at the time. All components are thus firmly anchored in the same geographic area, meeting FIP principles for location consistency.

Temporal: Temporal concordance is fully respected. The special cancellation dates from the Mozart Days of 8–14 December 1941, well within the normal period of postal validity of the 1941 definitive issue. The postcard is likewise contemporary to the period represented.

Together, these elements form a correctly synchronized maximum card created during the legitimate circulation window of the stamp.

Winter Relief: Modern Buildings - Germany Hall, Berlin

 

Yt: DR 586

Stamp: Germany – Deutsches Reich – Winter Relief Issue “Modern Buildings – Deutschlandhalle, Berlin”, 6 Pf, reddish‑brown, depicting the Deutschlandhalle, the monumental multifunctional hall inaugurated in 1935 and emblematic of Germany’s modernist architecture of the period. (Issue: 26 October 1936)

Postmark: Germany – Berlin – Circular date cancellation “BERLIN” – 26 February 1937

Postcard: Monochrome real‑photo postcard depicting the Deutschlandhalle in Berlin. The overall composition reflects the documentary photographic style characteristic of German real‑photo view cards of the 1930s. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance is excellent: the stamp depicts the Deutschlandhalle; the postcard shows a photographic view of the same architectural landmark; and the Berlin cancellation directly relates to the building’s location. All three elements converge on a single, well‑defined architectural subject, fulfilling the essential principles of maximaphily.

Geographic: All components — stamp, Berlin postmark, and postcard illustration — are firmly anchored in the same city. The cancellation from Berlin provides precise geographic authenticity and aligns perfectly with the location of the Deutschlandhalle, ensuring full geographic concordance.

Temporal: The postmark date (26 February 1937) falls well within the postal validity period of the Winter Relief issue released on 26 October 1936. This close temporal proximity ensures proper chronological concordance for a maximum card created with a stamp used during its contemporary period of circulation.

Maximum Card 250 Years Berlin Academy Of Science - Wilhelm von Humboldt

 

Yt:DD 18

Stamp: Germany – Deutsche Demokratische Republik (DDR) – Commemorative series “250 Years Berlin Academy of Science – Wilhelm von Humboldt”, 8 Pf, carmine‑red, showing an engraved portrait of Wilhelm von Humboldt associated with the tercentenary celebration of the Academy of Sciences in Berlin. (Issue: 10.07.1950)

Postmark: Germany – Commemorative postmark “DEUTSCHE AKADEMIE DER WISSENSCHAFTEN ZU BERLIN – 250 JAHRE” – 09.12.1950

Special cancellation created for the 250th anniversary of the Berlin Academy of Sciences. Its commemorative inscription directly relates to Humboldt’s role in the institution, clearly distinguishing it from a standard circular date stamp.

Postcard: Monochrome printed illustration presenting a classical portrait drawing labelled “WILHELM VON HUMBOLDT – Goethes Freunde. IV.” The depiction follows the traditional academic portrait format associated with early 19th‑century German cultural editions, highlighting Humboldt’s likeness in a detailed half‑length composition. (Edition: unknown)

Concordance:

Thematic: The thematic concordance is outstanding, as all three elements focus on the same historical figure and his scholarly legacy: the stamp honours Wilhelm von Humboldt in connection with the Berlin Academy of Sciences, the postcard presents a portrait of Wilhelm von Humboldt, and the commemorative postmark marks the 250th anniversary of the same institution. Together, these components converge precisely on Humboldt and his academic contributions, forming a perfect triple concordance fully aligned with maximaphily standards.

Geographic: The thematic commemorative stamp, the Berlin Academy anniversary postmark, and the cultural portrait postcard are all connected to Berlin, the city central to Humboldt’s intellectual and institutional activity. This ensures geographic coherence in full accordance with FIP maximaphily guidelines.

Temporal: The postmark date (09.12.1950) occurs within the normal postal validity period of the 1950 commemorative issue, ensuring proper temporal concordance for a maximum card produced during the same year as the stamp’s release.

Maxicard Old Town Hall, Leipzig

 

Yt:DD 231

Stamp: Germany – Deutsche Demokratische Republik (DDR) – Commemorative series “Recovered Historic Buildings – Old Town Hall, Leipzig”, 15 Pf, violet, depicting the Altes Rathaus (Old Town Hall), a landmark Renaissance building in the historical centre of Leipzig. (Issue: 14.11.1955)

Postmark: Germany – Commemorative illustrated postmark “LEIPZIG – LEIPZIGER MESSE” – 08.03.1956. Special cancellation showing a stylised representation of the Old Town Hall of Leipzig, corresponding precisely to the architectural subject depicted on the stamp and on the postcard. The presence of the illustration identifies it clearly as a commemorative or special postmark, not a standard circular date stamp.

Postcard: Monochrome photographic illustration depicting the Altes Rathaus (Old Town Hall) in Leipzig, presented in a frontal panoramic view that emphasises the length of the Renaissance façade, the arcaded ground floor and the central tower with its characteristic cupola. The image reflects the documentary architectural style typical of mid‑20th‑century German publishers. (Edition: Graphokopie)

Concordance:

Thematic: The thematic concordance is outstanding, as the stamp depicts the Old Town Hall of Leipzig, the postcard presents a photographic view of the same building, and the commemorative illustrated postmark features the identical architectural subject. Together, these three elements align perfectly around the same landmark, forming a triple concordance fully compliant with maximaphily standards.

Geographic: All elements — stamp, commemorative illustrated postmark and postcard illustration — are directly linked to Leipzig, the exact locality represented. The “LEIPZIG – LEIPZIGER MESSE” special cancellation reinforces geographic authenticity, entirely in accordance with FIP maximaphily criteria.

Temporal: The postmark date (08.03.1956) falls well within the valid postal usage period of the 1955 issue, ensuring proper temporal concordance for a maximum card produced with a commemorative stamp circulating over multiple years.

Maximum Card City Gate of Wangen

Yt:DE-FWH 16

Stamp: Germany – Württemberg‑Hohenzollern – Definitive series “Personalities and Views from Württemberg‑Hohenzollern (II) – City Gate of Wangen (Ravensburger Tor)”, 10 Pf, brown‑sepia, depicting the Ravensburger Tor, the historic gate‑tower of Wangen im Allgäu. (Issue: July 1947)

Postmark: Germany – Commemorative illustrated postmark “WANGEN (ALLGÄU)” – 31.01.1949

Special cancellation showing a stylised depiction of the Ravensburger Tor, matching precisely the architectural subject represented on both the stamp and the postcard. 

Postcard: Monochrome photographic illustration showing the Ravensburger Tor in Wangen im Allgäu, framed from the town square with the foreground fountain and surrounding traditional buildings. The tower’s clock, painted façade and arched passageway are prominently featured, reflecting the classic documentary style of mid‑20th‑century German view cards. (Edition: Gebr. Metz)

Concordance:

Thematic: The thematic concordance is exceptional, as the stamp depicts the Ravensburger Tor, the postcard presents a photographic view of the same monument, and the commemorative illustrated postmark also incorporates its iconography. Consequently, all three elements converge precisely on the same architectural subject, forming a perfect triple concordance fully aligned with the principles of maximaphily.

Geographic: All elements — stamp, commemorative postmark, and postcard illustration — are directly linked to Wangen im Allgäu, the exact locality represented. The illustrated “WANGEN (ALLGÄU)” special postmark reinforces geographic authenticity and is entirely consistent with FIP maximaphily criteria.

Temporal: The postmark date (31.01.1949) falls within the valid postal period of use of the 1947 definitive issue, ensuring appropriate temporal concordance for a maximum card created with a multi‑year circulating stamp.

Carte Postale Maximum "Le Globe Terrestre"

 

Yt:FR 998

Stamp: France – Centenary of the Metric System – 30 francs, grey‑black - Issue date: 6 October 1954

Postmark: Paris – First Day of Issue cancellation – 4 OCT. 1954 - Date: 4.10.1954, applied two days before the official nationwide release

Postcard: Monochrome printed postcard depicting a detailed image of the terrestrial globe that served as the historical reference for defining the metric system’s unit of length. (Edition unknown.)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates the Metric System, featuring symbolic scientific imagery, and the postcard illustrates the original terrestrial globe used in the development of the metric system’s foundational unit.

Both elements relate directly to the same scientific and historical theme.

Geographic: Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard depicts an object central to French scientific history, created under the direction of the French Academy of Sciences during the birth of the metric system.

All components share a consistent French cultural–scientific context.

Temporal: Excellent temporal concordance.

The cancellation date—4 October 1954—corresponds to the official First Day of Issue applied at the Paris philatelic office.

Although the general nationwide issue date was 6 October 1954, French postal practice allowed First Day cancellations to be used prior to the commercial release.

This complies fully with maximaphily guidelines and forms a true First Day maximum card.

Carte Postale Maximum Eugène-Georges Haussmann

 

Yt:FR 934

Stamp: France, Famous People series – Eugène-Georges Haussmann – 20 francs + 6 francs, (Issue date: 20 October 1952)

Postmark: Paris – First Day of Issue cancellation – Date: 18.10.1952

• Note on dates:
• Although many catalogues list 20 October 1952 as the official issue date, the First Day cancellation clearly shows 18 October 1952.
• This is historically correct: in mid‑20th‑century France, First Day cancellations were often applied 1–3 days before the general nationwide release, at dedicated philatelic counters in Paris.
• Thus:
• 18 October 1952 → First Day of Issue (FDC cancellation used at the Paris philatelic office)
• 20 October 1952 → general release date for national sale across post offices

Both dates are valid and refer to different stages of the stamp’s official introduction.

Postcard: Monochrome printed postcard depicting a portrait of Eugène-Georges Haussmann, presented in a classical profile view. (Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp portrays Eugène‑Georges Haussmann, and the postcard also features a portrait of the same figure who oversaw the urban transformation of Paris. This establishes complete and direct thematic alignment in accordance with maximaphilic standards.

Geographic: Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard illustrates an administrator whose legacy is deeply tied to the city of Paris. All elements share a coherent and consistent geographic context.

Temporal: Excellent temporal concordance.

The cancellation date—18 October 1952—corresponds to the official First Day of Issue as used by the Paris philatelic bureau. Although the general nationwide release occurred on 20 October 1952, French postal practice of the time allowed First Day cancellations to precede the broader commercial availability of the stamp. 

Thus, the card fully satisfies the temporal requirements of maximaphily and constitutes a true First Day maximum card.

Carte Postale Maximum Narvik 1940

 

Yt:FR 922

Stamp: France, Battle of Narvik (1940) Commemoration – 30 francs, blue -  Issue date: 23 May 1952)

Postmark: Paris – First Day of Issue cancellation "BATAILLE DE NARVIK" – Date: 23.05.1952

Postcard: Monochrome printed postcard depicting the Narvik 1940 memorial stele, inscribed:

“LA FRANCE À SES FILS ET À LEURS FRÈRES D’ARMES TOMBÉS GLORIEUSEMENT EN NORVÈGE – NARVIK 1940.”

The scene includes a French sailor standing beside the monument, with the surrounding Norwegian landscape visible in the background. (Edition Les Maximaphiles Français)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates the Battle of Narvik (1940), and the postcard features the memorial stele dedicated to the French soldiers who fell in Narvik, forming a perfect thematic match.

Both elements refer to the same historic military event.

Geographic: Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard illustrates a monument erected in Narvik, Norway, directly connected to the historical event commemorated by France. This creates a coherent and historically accurate geographic alignment.

Temporal: Excellent temporal concordance.

The cancellation date—23 May 1952—is the official First Day of Issue of the Battle of Narvik commemorative stamp. This results in perfect temporal alignment and produces a true First Day maximum card, the highest standard in maximaphily.

Maximum Card Georges Clemenceau

 

Yt:FR 918

Stamp: France – Famous People series – Georges Clemenceau – 15 francs - (Issue date: 11 November 1951)

Postmark: Paris – First Day of Issue cancellation - Date: 11.11.1951

Postcard: Monochrome printed postcard depicting a sculptural portrait of Georges Clemenceau, based on the work of Auguste Rodin. (Edition unknown)

Concordance

Thematic: Full thematic concordance.

The stamp portrays Georges Clemenceau, and the postcard also depicts a sculpted portrait of the same historical figure, ensuring perfect thematic alignment under maximaphilic rules. All three elements—stamp, postmark, and postcard—directly reference Clemenceau.

Geographic:

Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard reproduces a work by the French sculptor Auguste Rodin, representing Georges Clemenceau. This creates complete geographic coherence.

Temporal: Excellent temporal concordance.

The cancellation date—11 November 1951—is the official First Day of Issue of the Georges Clemenceau stamp. This results in a perfect temporal match and makes the card a true First Day Maximum Card, the highest standard in maximaphily.

 

Maximum Card Ugo Foscolo (1778-1827)

 

Yt:IT 1385

Stamp: Italy – Ugo Foscolo bicentenary (1778–1827) – 170 lire (Issue date: 9 November 1978)

Postmark: Venezia – First Day of Issue cancellation – Venice - Date 9.11.1978

Postcard: Monochrome printed postcard featuring a portrait of Ugo Foscolo, presented in a Romantic‑era artistic style, showing the poet in elegant attire against a dramatic background. The lower margin includes the caption identifying UGO FOSCOLO.

(Edition unknown)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates Ugo Foscolo, and the postcard features a portrait of the same Italian poet and writer, ensuring a complete and direct thematic match in accordance with maximaphilic principles.

Geographic: Strong geographic concordance.

The stamp is an Italian issue, and the First Day cancellation was applied in Venezia, a city closely tied to Italy’s literary and cultural heritage.

The postcard likewise represents a central figure in Italian national culture, ensuring full geographic alignment.

Temporal: Excellent temporal concordance.

The postmark date—9 November 1978—is the official First Day of Issue of the 170‑lire Ugo Foscolo stamp. This creates perfect temporal alignment, forming a true First Day maximum card, the highest standard in maximaphily.

Carte Postale Maximum Raymond Poincaré

 

Yt:FR 864

Stamp: France – Famous People series – Raymond Poincaré – 15 French francs

(Issue date: 27 May 1950)

Postmark: Paris – Commemorative cancellation for the “Foire de Paris – Philatélie”

(Date present on the cancellation is not readable; based on the Fair’s calendar, the most probable dates of use are 27, 28, or 29 May 1950, the last three days of the event held from 13 to 29 May.)

Postcard: Monochrome printed postcard depicting a portrait of Raymond Poincaré, presented in a formal pose typical of early‑ to mid‑20th‑century French official portraiture. The design frames the statesman with a sober, classical aesthetic that emphasizes his political stature.

The printed caption identifies Raymond Poincaré and his role in French political history.

(Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp depicts Raymond Poincaré, and the postcard illustrates a portrait of the same historical figure, ensuring complete thematic alignment according to maximaphilic standards. Stamp, postmark, and postcard all relate directly to the same person.

Geographic: Strong geographic concordance.

The stamp is a French issue, the commemorative cancellation was applied in Paris during the Foire de Paris – Philatélie, and the postcard portrays a major figure of French national political history.

All three elements share the same geographic and cultural context.

Temporal: Correct temporal concordance.

The cancellation—although its date is unreadable—is known to have been applied during the Foire de Paris, which ended on 29 May 1950.

Since the stamp was issued on 27 May 1950, the event’s final days (27–29 May) fall within the earliest valid period of postal use of the stamp, satisfying maximaphilic temporal requirements.

Even without a legible date, the context of use confirms that the cancellation aligns with the proper validity period of the issue.

Carte Postal Maximum Charles VII Roi de France

 

Stamp: France – Famous People series – Charles VII – 10 francs + 6 francs, red

(Issue date: 28 October 1946)

Postmark: Paris – Musée Postal – Circular date stamp reading “14 MARS 1947 – 4 Rue St. Romain”

(Last day of postal validity of the issue.)

Postcard:

Monochrome printed postcard depicting a portrait of Charles VII, presented with a curtain‑framed background and formal attire. The postcard reproduces the artwork traditionally associated with the Musée du Louvre. (Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp features Charles VII, and the postcard also illustrates a portrait of the same French monarch, providing complete alignment of iconographic and historical subject matter, fully compliant with maximaphilic principles.

Geographic: Strong geographic concordance.

The stamp is a French issue, and the cancellation was applied in Paris, at the Postal Museum.

The postcard also depicts a figure deeply rooted in French royal history, ensuring coherent geographic association.

Temporal: Excellent temporal concordance.

The cancellation date—14 March 1947—corresponds to the last day of postal validity of the Charles VII semi‑postal stamp issued on 28 October 1946.

This creates a perfect temporal alignment and adds notable philatelic value, as cancellations on a stamp’s final day of use are highly desirable in maximaphily.

Carte Postal Maximum Charles VII Roi de France

 

Yt:FR 770

Stamp: France – Famous People series – Charles VII – 10 francs + 6 francs, red

(Issue date: 28 October 1946)

Postmark: Paris – Comemmorative cancelation “8 MARS 1947 – Journeé du Timbre”

Postcard: Monochrome printed postcard depicting a portrait of Charles VII, based on a work preserved at the Musée de Versailles. The composition presents the monarch in formal attire, framed by a decorative border. Printed caption below the image: “CHARLES VII – Roi de France – 1403–1461”

(Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp features Charles VII, and the postcard also depicts a portrait of the same historical figure, resulting in a complete alignment of subject matter according to maximaphilic criteria.

Geographic: Strong geographic concordance.

The stamp is a French issue, and the cancellation originates from Paris. The postcard also represents a subject of the French royal historical heritage, ensuring consistent geographic context.

Temporal: Correct temporal concordance.

Although the official withdrawal (“retrait”) date of the issue was 14 March 1947, French postal regulations of the period allowed normal postal use of stamps already in the public’s possession after withdrawal, particularly at philatelic counters.

Therefore, the cancellation of 15 March 1947 remains fully valid for maximaphily, as the stamp was still accepted and processed within its effective postal usability period.

Why do 15‑03‑1947 cancellations exist if the stamp was withdrawn on 14‑03‑1947?

This is a classic situation in French philately and is not an error. It occurs because withdrawal date and last day of postal validity were not the same thing in France at the time.

✔ 1. “Retrait” = withdrawal from post office counters

The date 14 March 1947 refers to the moment when the stamp was removed from sale at postal counters.

After this date, post offices stopped selling the stamp. But a stamp withdrawn from sale can still legally be used as long as it remains valid for postage.

✔ 2. Stamps already owned by the public remained valid the next day

Collectors or correspondents who already had the stamp could still use it on 15 March 1947—and sometimes even later—depending on the internal rules and how post offices applied them.

French postal regulations in the 1930s–1950s commonly allowed: use of previously purchased stamps beyond the withdrawal date cancellation of older issues if still affixed to valid mail.

Thus, a postcard franked on 15‑03‑1947 could still be cancelled normally. This explains the existence of maximum cards with a 15 March postmark.

✔ 3. Special philatelic offices (like Musée Postal) often cancelled one day later

The Musée Postal (Postal Museum) in Paris frequently applied philatelic cancellations on: last day of sale day after withdrawal dates associated with philatelic demonstrations or collector requests

It was not unusual for collectors to bring stamps the day after the official withdrawal, and the philatelic counter would still cancel them.

This is perfectly consistent with French philatelic practice of the period.

✔ 4. In exhibits, both dates are accepted as maximaphilically valid

Because: the stamp was still valid for postal use the theme, geographic link, and period of postal validity remain intact the day‑after cancellation is considered postal use, not “backdating”

Therefore, a 15 March 1947 maximum card is fully admissible in competitive maximaphily—although a 14 March cancel is more desirable because it is the true last day of sale.

Summary

• Yes, the official withdrawal date was 14/03/1947.
• Yes, cancellations on 15/03/1947 are still legitimate because:
• withdrawal ≠ end of postal validity postal counters routinely cancelled stamps after withdrawal

philatelic offices had even more flexibility

There is no contradiction—just normal postal practice of mid‑20th‑century France.