Arte Deco

 

Carlos Paredes 1925 / 2025

 

Carte postale maximum Monseigneur Affre

 

Yt:FR 802

Stamp: France – Commemorative issue "Centenary of the death of Monsignor Affre" – 20 Francs + 8 Francs, violet, featuring the portrait of Denis Auguste Affre (Issued: April 5, 1948).

Postmark: Saint-Rome-de-Tarn (Aveyron) – Special commemorative postmark featuring the circular cancellation "S^T ROME-DE-TARN (AVEYRON) – 18 JUIL 48". Used in the archbishop's birthplace, it includes the commemorative slogan: "REVOLUTION DE 1848 / MORT DE M^GR AFFRE / (1793-1848)".

Postcard: Sepia-toned illustrated postcard reproducing a lithograph by Patout (based on a B.N. cliché) featuring the portrait of Monsignor Affre. The image shows the Archbishop of Paris in ecclesiastical attire, highlighting his pectoral cross. The bottom margin bears the printed caption "Monseigneur AFFRE (1793-1848)". (Edition Hébé)

Concordance

Thematic: Absolute thematic unity is achieved as the stamp, the postcard, and the commemorative postmark all specifically honor Monsignor Affre and his role in the 1848 Revolution. The postmark's slogan acts as a third reinforcing element to the cleric's portrait.

Geographic: Maximum geographic concordance is established by the use of a commemorative cancellation from Saint-Rome-de-Tarn, the subject's birthplace, directly linking the postal element to his historical origins.

Temporal: Perfect temporal concordance is verified, as the postmark date (July 18, 1948) falls within the stamp's period of validity and coincides with the official centenary commemorations of the Archbishop's death in June 1848.

Maxicard Father Rafael Almanza

 

Yt:CO 555

Edition unknown

Stamp: Colombia – Airmail commemorative issue “1840 – Homenaje 1927 al Precursor Rafael Almanza”, 10 centavos, green‑black and olive, depicting Rafael Almansa Riaño in clerical attire with the church of Pineda in the background. Issued in 23.10.1958

Postmark: Bogotá – circular postmark “ADMÓN PPAL. CORREOS / BOGOTÁ – DESPACHO EXTERIOR”, dated 15.7.59, corresponding to the Colombian airmail service of the period and fully consistent with the year of issue of the commemorative stamp.

Postcard: Monochrome printed postcard showing a full‑length depiction Rafael Almanza Riaño in clerical attire with the church of Pineda in the background. Edition unknown.

Concordance:

Thematic: The stamp depicts Rafael Almanza Riaño alongside the church of Pineda, and the postcard likewise presents the same religious figure with the same ecclesiastical setting. This produces perfect thematic alignment, with a complete correspondence of subject, identity, and visual context.

Geographic: The cancellation originates from Bogotá, the city where Rafael Almanza Riaño lived, exercised his ministry, and became widely venerated. Although the church of Pineda shown on both stamp and postcard is not located in Bogotá, all three components - stamp, postmark, and illustration—are tied to the Colombian national religious landscape and to Almanza’s cultural sphere. Geographic concordance is therefore strong, though not site‑specific.

Temporal: The postmark date 15 July 1959 is fully consistent with the postal validity of the commemorative airmail stamp issued on 23 October 1958. While not a first‑day cancellation, it represents correct contemporary usage, fulfilling maximaphilic temporal requirements.

Maximum Card La Rábida - Huelva

 

Edifil ES-HUL 30

Stamp: Spain – Charity stamp “Para las Cocinas Económicas de Huelva – La Rábida”, 5 céntimos, perforation 10¾, issued in 1937 by the Junta de Auxilios Alimenticios. The stamp depicts the Monasterio de La Rábida, a historic site closely linked to the province of Huelva.

Postmark: Huelva – circular postmark dated October 1937, corresponding to the period immediately following the official introduction of the charity stamp for postal use, as authorized by the municipal agreement of 10 September 1937 and announced publicly on 16 September.

Postcard: Monochrome sepia‑toned postcard showing a panoramic view of the Monasterio de La Rábida, surrounded by vegetation and overlooking the nearby water landscape. The printed caption at the lower margin reads: “4. HUELVA. – Rábida, Monasterio.” (Edition unknown).

Concordance:

– Thematic: The stamp depicts the Monasterio de La Rábida, and the postcard portrays exactly the same historical monument from a compatible visual and cultural perspective. This creates perfect thematic alignment through the exact correspondence of subject and setting.

– Geographic: The postmark originates from Huelva, the same locality where the monastery is located and the same administrative territory responsible for creating and authorizing the charity stamp for postal use. Thus, stamp, postcard, and cancellation share complete geographic coherence.

– Temporal: The 1937 cancellation coincides with the officially authorized period of postal use of the charity stamp, introduced after the municipal agreement of 10 September 1937 and publicly announced on 16 September. The October 1937 postmark therefore provides correct temporal correspondence within maximaphilic standards.

HUELVA y Provincia -  Sellos benéficos

Maximum card Mariazell (Styria)

Yt:AT 703

Stamp: Austria – Definitive issue “Landscape Views” – 40 Groschen, carmine-red, depicting the railway viaduct at Krauss–Viadukt on the Semmeringbahn, one of the most emblematic Alpine railway structures (Issue: 10/12/1947).

Postmark: Mariazell (Styria) – Circular cancellation “MARIAZELL / Steiermark – 13.7.48–14”, applied in the post‑war period, bearing in its lower inscription the designation “Steiermark – Wintersportplatz”, referring to the region’s status as an Alpine winter sports centre.

Postcard: Monochrome photographic postcard depicting a panoramic winter view of Mariazell, showing the town nestled in a snow‑covered Alpine valley. The composition centres on the basilica complex, surrounded by clustered traditional buildings, with the backdrop dominated by the imposing Hochschwab massif and its snow‑mantled slopes. The photograph shows high contrast typical of Alpine winter imagery and includes the printed caption “MARIAZELL” in the upper left corner.

Concordance:

Thematic: The stamp illustrates Alpine railway engineering at the Semmering region, while the postcard portrays the Alpine town of Mariazell, both belonging to the broader thematic universe of Austria’s mountainous landscape and Alpine identity. Although not the same location, both elements harmonize around the visual and cultural characterization of the Austrian Alps. Thematic concordance is therefore related but not direct.

Geographic: The postmark originates from Mariazell, matching precisely the locality represented in the postcard’s photographic view. The stamp, however, depicts a location in the Semmering area, several tens of kilometres away. Geographic concordance is thus partial: strong alignment between postcard and cancellation, but not between stamp and image.

Temporal: The cancellation date 13.7.1948 falls fully within the valid postal period of the 1948 Austrian definitive issue. Although not a first‑day usage, it constitutes correct temporal concordance with no inconsistencies.

Maximum Card Leipzig spring fair 1940 - Great technical and construction trade fair

Yt:DR 666

Stamp: Germany – Commemorative issue “Leipzig spring fair 1940. Views of Leipzig” – 12 Pfennig, blue, featuring the Leipzig trade‑fair emblem and a view of the Messegelände (Issue: 03.03.1940)

Postmark: Leipzig – Circular cancellation “LEIPZIG / Reichsmessestadt – 02.3.41–12” used during the Leipzig Spring Fair

Postcard: Monochrome photographic postcard depicting an aerial panoramic view of the Reichsmessestadt Leipzig, showing the complete fairground complex with its main exhibition halls, circular plazas, rail connections, and the characteristic domed pavilion. The lower margin includes the printed caption “Reichsmessestadt Leipzig – Gesamtansicht.” The photograph presents high contrast and detailed architectural definition consistent with contemporary promotional imagery of the Leipzig fair district. (Edition Phonopostkarte Alte Wege, Leipzig)

Concordance:

Thematic: The stamp was issued for the Leipzig Spring Fair of 1940, and the postcard depicts the Reichsmessestadt Leipzig fairgrounds — the very center of the city’s international trade‑fair identity. Both elements refer directly to Leipzig’s long‑standing tradition as a commercial exhibition hub, forming a coherent thematic alignment focused on the city’s role as a major European fair center.

Geographic: Both the stamp and the cancellation originate from Leipzig, and the postcard also illustrates a Leipzig landmark — the fair complex itself. This establishes complete geographic concordance between the philatelic element, the postmark, and the illustrated card.

Temporal: The postmark date (02.03.1941) falls within the valid postal period of the 1940 issue, though it does not coincide with its issue date (03.03.1940). Temporal concordance is therefore correct in terms of postal validity, though it does not constitute a first‑day alignment.

Maxicard Breslau Rathaus (Town Hall)

 

Yt:DR 610

Stamp: Germany – Commemorative issue “Breslau – Deutsches Turn‑ und Sportfest 1938” – 12 Pfennig, carmine‑red, featuring a stylized architectural composition of the Breslau Rathaus (Town Hall), rendered in linear engraving.

(Issue: 01.01.1938) [touchstamps.com]

Postmark: Breslau – Circular cancellation “BRESLAU * 1 / Deutsches Turn‑ u. Sportfest 1938 – 23.7.38–12”, applied during the national sports festival hosted in the city that year.

Postcard: Monochrome photographic postcard depicting the Rathaus von Breslau (Town Hall of Breslau), presented in a wide architectural composition capturing the full Gothic‑Renaissance façade, adjacent tower, and surrounding urban activity. The lower margin bears the printed caption “BRESLAU. Rathaus.” The card displays strong contrast and sharp detail typical of high‑quality architectural photography from the period.

Concordance

Thematic: The stamp commemorates the 1938 Deutsches Turn‑ und Sportfest, held in Breslau, while the postcard depicts the Rathaus, one of the city’s most iconic civic landmarks. Both elements refer directly to Breslau’s urban identity and its role as host of the national sports festival, creating a strong thematic alignment.

Geographic: Both the stamp and the postmark originate from Breslau, and the postcard equally presents a prominent architectural landmark of the same city. There is therefore complete geographic concordance between all three components: stamp, cancellation, and postcard image.

Temporal: The postmark date (23.07.1938) falls within the valid postal period of the issue (placed in circulation on 01.01.1938) and coincides with the opening day of the Deutsches Turn‑ und Sportfest 1938. This establishes full temporal concordance, with the postal use occurring during the commemorated event — a condition highly valued in maximaphily.

Leipzig spring fair 1941 - Market square and old City Hall

 

Yt:DR 665

Stamp: Germany – Commemorative issue “Leipzig spring fair 1940. Views of Leipzig” – 12 Pfennig, carmine‑red, featuring the trade‑fair emblem and a view of the Messehaus (Issue: 03.03.1940)

Postmark: Leipzig – Circular cancellation “LEIPZIG * C / REICHSMESSESTADT – HANDELSHOF – 2.3.41–12” used during the Leipzig Spring Fair

Postcard: Monochrome photographic postcard depicting the Altes Rathaus (Old Town Hall), Leipzig, presented in a wide architectural composition with foreground statuary. The lower margin includes the printed caption “Leipzig – Altes Rathaus.” Photographed by Paul Wolff. (edition Kupfertiefdruck)

Concordance:

Thematic: The stamp was issued for the Leipzig Spring Fair of 1941, and the postcard’s subject matter depicts a prominent architectural landmark of Leipzig — the Old Town Hall, located within the historical urban center directly associated with the city’s fair activities. Both elements refer to Leipzig in the context of its civic identity and trade‑fair tradition, forming a coherent thematic alignment.

Geographic: Both the stamp and the cancellation originate from Leipzig, and the postcard also represents a Leipzig landmark. This establishes complete geographic concordance between the philatelic element, the postmark, and the illustrated card.

Temporal: The postmark date (02.03.1941) falls within the valid postal period of the 1941 issue but does not coincide with its issue date (03.03.1940). Temporal concordance is therefore correct in terms of postal validity, though it does not constitute a first‑day alignment.

Adolf Hitler - 10th anniversary of the National Socialist seizure of power

 

Yt:DE-GO 88

Edition Echte fotografie

Stamp: Generalgouvernement (German‑administered territory in occupied Poland) – Definitive issue featuring the official profile portrait of Adolf Hitler, 20 Groschen, inscribed “DEUTSCHES REICH – GENERALGOUVERNEMENT”. (Issue: 1941)

Postmark: Generalgouvernement – Commemorative special cancellation 10th anniversary of the National Socialist seizure of power in 1933 - KRAKAU - 30/01/1943 .

Postcard: Monochrome real‑photo postcard presenting a formal profile portrait of Adolf Hitler era, printed in sepia tones with scalloped margins typical of early‑1940s German photographic postcard production. The portrait follows the official representational style commonly used in state‑issued photographic cards of the period. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance remains strong. Both the stamp and the postcard present the same official profile portrait used in the 20‑Groschen definitive issue of the Generalgouvernement, ensuring direct subject correspondence between stamp and postcard — a key maximaphilic requirement.

The postmark, commemorating the 10th anniversary of the National Socialist seizure of power (30 January 1933), includes the swastika, a historical emblem of the Nazi regime. While the postmark does not reproduce the same portrait as the stamp and postcard, it remains an official state cancellation from the same political and administrative context, reinforcing the documentary unity of the piece.

Thus, even though the postmark is symbolically different, it is thematically compatible within the framework of official postal imagery of the period.

Geographic: Geographic concordance is excellent. The stamp was issued for use in the Generalgouvernement, the postcard originates from the same administrative environment, and the commemorative cancellation was applied in Krakau (Cracow), the capital of the territory at that time.

All components are therefore grounded in the same geographic space, conforming fully to FIP guidelines for location coherence.

Temporal: Temporal concordance is fully respected. The special cancellation dated 30 January 1943 falls squarely within the normal postal validity period of the 1941 definitive issue. The postcard is likewise contemporaneous, belonging to the same early‑1940s photographic production period.

Together, these elements form a properly synchronized maximum card, combining stamp, postmark, and postcard all within the legitimate circulation window of the issue.

Adolf Hitler - Krakau – Mozart Tage – 1941

 

Yt:DE-GO 84 MiNr. 73

Stamp: Generalgouvernement (German‑administered territory in occupied Poland) – Definitive issue featuring the official profile portrait of Adolf Hitler, 8 Groschen, deep blue, inscribed “DEUTSCHES REICH – GENERALGOUVERNEMENT”. (Issue: 1941)

Postmark: Generalgouvernement – Commemorative special cancellation “KRAKAU – MOZART‑TAGE – 8.–14. DEZ. 1941”.

This Sonderstempel was created for the Mozart Days held in Kraków from 8 to 14 December 1941, marking the 150th anniversary of the death of Wolfgang Amadeus Mozart (1791–1941). The design includes the image of a grand piano, clearly distinguishing it from a standard circular date stamp and underlining its purely cultural commemorative purpose.

Postcard: Monochrome real‑photo postcard presenting a formal profile portrait of Adolf Hitler era, printed in sepia tones with scalloped margins typical of early‑1940s German photographic postcard production. The portrait follows the official representational style commonly used in state‑issued photographic cards of the period. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance is strong. Both the stamp and the postcard display Adolf Hitler in an identical official pose, fulfilling the essential maximaphilic requirement of direct subject correspondence between card and stamp.

The commemorative postmark, while not depicting the same subject, is an official cultural cancellation used within the same administrative framework and time period, providing valid historical contextualisation. Although not thematically identical, it remains compatible with the broader documentary environment of the issue.

Geographic: The geographic concordance is excellent. The stamp was issued for use in the Generalgouvernement, the postcard originates from the same political‑administrative environment, and the special cancellation was applied in Krakau (Cracow), the capital of that territory at the time. All components are thus firmly anchored in the same geographic area, meeting FIP principles for location consistency.

Temporal: Temporal concordance is fully respected. The special cancellation dates from the Mozart Days of 8–14 December 1941, well within the normal period of postal validity of the 1941 definitive issue. The postcard is likewise contemporary to the period represented.

Together, these elements form a correctly synchronized maximum card created during the legitimate circulation window of the stamp.

Winter Relief: Modern Buildings - Germany Hall, Berlin

 

Yt: DR 586

Stamp: Germany – Deutsches Reich – Winter Relief Issue “Modern Buildings – Deutschlandhalle, Berlin”, 6 Pf, reddish‑brown, depicting the Deutschlandhalle, the monumental multifunctional hall inaugurated in 1935 and emblematic of Germany’s modernist architecture of the period. (Issue: 26 October 1936)

Postmark: Germany – Berlin – Circular date cancellation “BERLIN” – 26 February 1937

Postcard: Monochrome real‑photo postcard depicting the Deutschlandhalle in Berlin. The overall composition reflects the documentary photographic style characteristic of German real‑photo view cards of the 1930s. (Edition: Echte Fotografie)

Concordance

Thematic: The thematic concordance is excellent: the stamp depicts the Deutschlandhalle; the postcard shows a photographic view of the same architectural landmark; and the Berlin cancellation directly relates to the building’s location. All three elements converge on a single, well‑defined architectural subject, fulfilling the essential principles of maximaphily.

Geographic: All components — stamp, Berlin postmark, and postcard illustration — are firmly anchored in the same city. The cancellation from Berlin provides precise geographic authenticity and aligns perfectly with the location of the Deutschlandhalle, ensuring full geographic concordance.

Temporal: The postmark date (26 February 1937) falls well within the postal validity period of the Winter Relief issue released on 26 October 1936. This close temporal proximity ensures proper chronological concordance for a maximum card created with a stamp used during its contemporary period of circulation.

Maximum Card 250 Years Berlin Academy Of Science - Wilhelm von Humboldt

 

Yt:DD 18

Stamp: Germany – Deutsche Demokratische Republik (DDR) – Commemorative series “250 Years Berlin Academy of Science – Wilhelm von Humboldt”, 8 Pf, carmine‑red, showing an engraved portrait of Wilhelm von Humboldt associated with the tercentenary celebration of the Academy of Sciences in Berlin. (Issue: 10.07.1950)

Postmark: Germany – Commemorative postmark “DEUTSCHE AKADEMIE DER WISSENSCHAFTEN ZU BERLIN – 250 JAHRE” – 09.12.1950

Special cancellation created for the 250th anniversary of the Berlin Academy of Sciences. Its commemorative inscription directly relates to Humboldt’s role in the institution, clearly distinguishing it from a standard circular date stamp.

Postcard: Monochrome printed illustration presenting a classical portrait drawing labelled “WILHELM VON HUMBOLDT – Goethes Freunde. IV.” The depiction follows the traditional academic portrait format associated with early 19th‑century German cultural editions, highlighting Humboldt’s likeness in a detailed half‑length composition. (Edition: unknown)

Concordance:

Thematic: The thematic concordance is outstanding, as all three elements focus on the same historical figure and his scholarly legacy: the stamp honours Wilhelm von Humboldt in connection with the Berlin Academy of Sciences, the postcard presents a portrait of Wilhelm von Humboldt, and the commemorative postmark marks the 250th anniversary of the same institution. Together, these components converge precisely on Humboldt and his academic contributions, forming a perfect triple concordance fully aligned with maximaphily standards.

Geographic: The thematic commemorative stamp, the Berlin Academy anniversary postmark, and the cultural portrait postcard are all connected to Berlin, the city central to Humboldt’s intellectual and institutional activity. This ensures geographic coherence in full accordance with FIP maximaphily guidelines.

Temporal: The postmark date (09.12.1950) occurs within the normal postal validity period of the 1950 commemorative issue, ensuring proper temporal concordance for a maximum card produced during the same year as the stamp’s release.

Maxicard Old Town Hall, Leipzig

 

Yt:DD 231

Stamp: Germany – Deutsche Demokratische Republik (DDR) – Commemorative series “Recovered Historic Buildings – Old Town Hall, Leipzig”, 15 Pf, violet, depicting the Altes Rathaus (Old Town Hall), a landmark Renaissance building in the historical centre of Leipzig. (Issue: 14.11.1955)

Postmark: Germany – Commemorative illustrated postmark “LEIPZIG – LEIPZIGER MESSE” – 08.03.1956. Special cancellation showing a stylised representation of the Old Town Hall of Leipzig, corresponding precisely to the architectural subject depicted on the stamp and on the postcard. The presence of the illustration identifies it clearly as a commemorative or special postmark, not a standard circular date stamp.

Postcard: Monochrome photographic illustration depicting the Altes Rathaus (Old Town Hall) in Leipzig, presented in a frontal panoramic view that emphasises the length of the Renaissance façade, the arcaded ground floor and the central tower with its characteristic cupola. The image reflects the documentary architectural style typical of mid‑20th‑century German publishers. (Edition: Graphokopie)

Concordance:

Thematic: The thematic concordance is outstanding, as the stamp depicts the Old Town Hall of Leipzig, the postcard presents a photographic view of the same building, and the commemorative illustrated postmark features the identical architectural subject. Together, these three elements align perfectly around the same landmark, forming a triple concordance fully compliant with maximaphily standards.

Geographic: All elements — stamp, commemorative illustrated postmark and postcard illustration — are directly linked to Leipzig, the exact locality represented. The “LEIPZIG – LEIPZIGER MESSE” special cancellation reinforces geographic authenticity, entirely in accordance with FIP maximaphily criteria.

Temporal: The postmark date (08.03.1956) falls well within the valid postal usage period of the 1955 issue, ensuring proper temporal concordance for a maximum card produced with a commemorative stamp circulating over multiple years.

Maximum Card City Gate of Wangen

Yt:DE-FWH 16

Stamp: Germany – Württemberg‑Hohenzollern – Definitive series “Personalities and Views from Württemberg‑Hohenzollern (II) – City Gate of Wangen (Ravensburger Tor)”, 10 Pf, brown‑sepia, depicting the Ravensburger Tor, the historic gate‑tower of Wangen im Allgäu. (Issue: July 1947)

Postmark: Germany – Commemorative illustrated postmark “WANGEN (ALLGÄU)” – 31.01.1949

Special cancellation showing a stylised depiction of the Ravensburger Tor, matching precisely the architectural subject represented on both the stamp and the postcard. 

Postcard: Monochrome photographic illustration showing the Ravensburger Tor in Wangen im Allgäu, framed from the town square with the foreground fountain and surrounding traditional buildings. The tower’s clock, painted façade and arched passageway are prominently featured, reflecting the classic documentary style of mid‑20th‑century German view cards. (Edition: Gebr. Metz)

Concordance:

Thematic: The thematic concordance is exceptional, as the stamp depicts the Ravensburger Tor, the postcard presents a photographic view of the same monument, and the commemorative illustrated postmark also incorporates its iconography. Consequently, all three elements converge precisely on the same architectural subject, forming a perfect triple concordance fully aligned with the principles of maximaphily.

Geographic: All elements — stamp, commemorative postmark, and postcard illustration — are directly linked to Wangen im Allgäu, the exact locality represented. The illustrated “WANGEN (ALLGÄU)” special postmark reinforces geographic authenticity and is entirely consistent with FIP maximaphily criteria.

Temporal: The postmark date (31.01.1949) falls within the valid postal period of use of the 1947 definitive issue, ensuring appropriate temporal concordance for a maximum card created with a multi‑year circulating stamp.

Carte Postale Maximum "Le Globe Terrestre"

 

Yt:FR 998

Stamp: France – Centenary of the Metric System – 30 francs, grey‑black - Issue date: 6 October 1954

Postmark: Paris – First Day of Issue cancellation – 4 OCT. 1954 - Date: 4.10.1954, applied two days before the official nationwide release

Postcard: Monochrome printed postcard depicting a detailed image of the terrestrial globe that served as the historical reference for defining the metric system’s unit of length. (Edition unknown.)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates the Metric System, featuring symbolic scientific imagery, and the postcard illustrates the original terrestrial globe used in the development of the metric system’s foundational unit.

Both elements relate directly to the same scientific and historical theme.

Geographic: Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard depicts an object central to French scientific history, created under the direction of the French Academy of Sciences during the birth of the metric system.

All components share a consistent French cultural–scientific context.

Temporal: Excellent temporal concordance.

The cancellation date—4 October 1954—corresponds to the official First Day of Issue applied at the Paris philatelic office.

Although the general nationwide issue date was 6 October 1954, French postal practice allowed First Day cancellations to be used prior to the commercial release.

This complies fully with maximaphily guidelines and forms a true First Day maximum card.

Carte Postale Maximum Eugène-Georges Haussmann

 

Yt:FR 934

Stamp: France, Famous People series – Eugène-Georges Haussmann – 20 francs + 6 francs, (Issue date: 20 October 1952)

Postmark: Paris – First Day of Issue cancellation – Date: 18.10.1952

• Note on dates:
• Although many catalogues list 20 October 1952 as the official issue date, the First Day cancellation clearly shows 18 October 1952.
• This is historically correct: in mid‑20th‑century France, First Day cancellations were often applied 1–3 days before the general nationwide release, at dedicated philatelic counters in Paris.
• Thus:
• 18 October 1952 → First Day of Issue (FDC cancellation used at the Paris philatelic office)
• 20 October 1952 → general release date for national sale across post offices

Both dates are valid and refer to different stages of the stamp’s official introduction.

Postcard: Monochrome printed postcard depicting a portrait of Eugène-Georges Haussmann, presented in a classical profile view. (Edition not indicated.)

Concordance

Thematic: Full thematic concordance.

The stamp portrays Eugène‑Georges Haussmann, and the postcard also features a portrait of the same figure who oversaw the urban transformation of Paris. This establishes complete and direct thematic alignment in accordance with maximaphilic standards.

Geographic: Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard illustrates an administrator whose legacy is deeply tied to the city of Paris. All elements share a coherent and consistent geographic context.

Temporal: Excellent temporal concordance.

The cancellation date—18 October 1952—corresponds to the official First Day of Issue as used by the Paris philatelic bureau. Although the general nationwide release occurred on 20 October 1952, French postal practice of the time allowed First Day cancellations to precede the broader commercial availability of the stamp. 

Thus, the card fully satisfies the temporal requirements of maximaphily and constitutes a true First Day maximum card.

Carte Postale Maximum Narvik 1940

 

Yt:FR 922

Stamp: France, Battle of Narvik (1940) Commemoration – 30 francs, blue -  Issue date: 23 May 1952)

Postmark: Paris – First Day of Issue cancellation "BATAILLE DE NARVIK" – Date: 23.05.1952

Postcard: Monochrome printed postcard depicting the Narvik 1940 memorial stele, inscribed:

“LA FRANCE À SES FILS ET À LEURS FRÈRES D’ARMES TOMBÉS GLORIEUSEMENT EN NORVÈGE – NARVIK 1940.”

The scene includes a French sailor standing beside the monument, with the surrounding Norwegian landscape visible in the background. (Edition Les Maximaphiles Français)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates the Battle of Narvik (1940), and the postcard features the memorial stele dedicated to the French soldiers who fell in Narvik, forming a perfect thematic match.

Both elements refer to the same historic military event.

Geographic: Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard illustrates a monument erected in Narvik, Norway, directly connected to the historical event commemorated by France. This creates a coherent and historically accurate geographic alignment.

Temporal: Excellent temporal concordance.

The cancellation date—23 May 1952—is the official First Day of Issue of the Battle of Narvik commemorative stamp. This results in perfect temporal alignment and produces a true First Day maximum card, the highest standard in maximaphily.

Maximum Card Georges Clemenceau

 

Yt:FR 918

Stamp: France – Famous People series – Georges Clemenceau – 15 francs - (Issue date: 11 November 1951)

Postmark: Paris – First Day of Issue cancellation - Date: 11.11.1951

Postcard: Monochrome printed postcard depicting a sculptural portrait of Georges Clemenceau, based on the work of Auguste Rodin. (Edition unknown)

Concordance

Thematic: Full thematic concordance.

The stamp portrays Georges Clemenceau, and the postcard also depicts a sculpted portrait of the same historical figure, ensuring perfect thematic alignment under maximaphilic rules. All three elements—stamp, postmark, and postcard—directly reference Clemenceau.

Geographic:

Strong geographic concordance.

The stamp is a French issue, the First Day cancellation was applied in Paris, and the postcard reproduces a work by the French sculptor Auguste Rodin, representing Georges Clemenceau. This creates complete geographic coherence.

Temporal: Excellent temporal concordance.

The cancellation date—11 November 1951—is the official First Day of Issue of the Georges Clemenceau stamp. This results in a perfect temporal match and makes the card a true First Day Maximum Card, the highest standard in maximaphily.

 

Maximum Card Ugo Foscolo (1778-1827)

 

Yt:IT 1385

Stamp: Italy – Ugo Foscolo bicentenary (1778–1827) – 170 lire (Issue date: 9 November 1978)

Postmark: Venezia – First Day of Issue cancellation – Venice - Date 9.11.1978

Postcard: Monochrome printed postcard featuring a portrait of Ugo Foscolo, presented in a Romantic‑era artistic style, showing the poet in elegant attire against a dramatic background. The lower margin includes the caption identifying UGO FOSCOLO.

(Edition unknown)

Concordance

Thematic: Full thematic concordance.

The stamp commemorates Ugo Foscolo, and the postcard features a portrait of the same Italian poet and writer, ensuring a complete and direct thematic match in accordance with maximaphilic principles.

Geographic: Strong geographic concordance.

The stamp is an Italian issue, and the First Day cancellation was applied in Venezia, a city closely tied to Italy’s literary and cultural heritage.

The postcard likewise represents a central figure in Italian national culture, ensuring full geographic alignment.

Temporal: Excellent temporal concordance.

The postmark date—9 November 1978—is the official First Day of Issue of the 170‑lire Ugo Foscolo stamp. This creates perfect temporal alignment, forming a true First Day maximum card, the highest standard in maximaphily.